Daily Dose Of Jazz…
Claude Driskett Hopkins was born on August 24, 1903 in Alexandria, Virginia to Howard University faculty parents. A highly talented stride piano player and arranger, he left home at 21 as a sideman with the Wilbur Sweatman Orchestra but stayed less than a year. In 1925, he left for Europe as the musical director of The Revue Negre that starred Josephine Baker with Sidney Bechet in the band.
Returning to the USA in 1927, Hopkins based himself in Washington, toured the TOBA circuit with The Ginger Snaps Revue before heading once again to NYC where he took over the band of Charlie Skeets. Between 1932-36 he led a fairly successful Harlem band employing many jazz musicians who were later to become famous in their own right such as Edmond Hall, Jabbo Smith and Vic Dickerson. This was his most successful period with long residencies at the Savoy and Rosewood ballrooms, and at the Cotton Club. In 1937 he took his band on the road with a great deal of success but by 1940 dissolved the band.
Using his arranging talents, Claude began working for several non-jazz bandleaders and for CBS. In 1948/9 he led a “novelty” band briefly but took a jazz band into The Cafe Society in 1950. From 1951 up until his death, he remained in NYC working mostly as a sideman with Dixieland bands playing at festivals and various New York clubs and recording. Often under-rated in later years, he was one of jazz’s most important bandleaders and has yet to be given full recognition for his achievements. Claude Hopkins passed away on February 19, 1984 a disillusioned and dispirited man.
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Daily Dose Of Jazz…
Johnny Guarnieri, born March 23, 1917 in New York City was a virtuoso jazz and stride pianist best known for his stints with the big bands of Benny Goodman and Artie Shaw in the 1940s. Guarnieri is also noted for his embellishment and juxtaposition of jazz with classical piano, such as Scarlatti and Beethoven.
Throughout the 1940s Guarnieri was a busy sideman, recording with artists such as Charlie Christian, Cozy Cole, Ike Quebec, Charlie Kennedy, Hank D’Amico and Ben Webster. He also led his own group called the “Johnny Guarnieri Swing Men” and recorded with them on the Savoy label, a group that included Lester Young, Hank D’Amico, Billy Butterfield and Cozy Cole. He also led a trio in the 1940s composed of himself, Slam Stewart and Sammy Weiss.
In 1949 Guarnieri recorded an album with June Christy and recorded with numerous other artists over his career. In his later years he shifted more toward jazz education. In commemoration of his reputation as a teacher, Guarnieri’s students financed a label for him called “Taz Jazz Records” and in the ‘70s he recorded numerous albums on his new label, and until 1982 worked the “Tail of the Cock” nightclub in Studio City, California.
Pianist Johnny Guarnieri died doing what he loved to do, play jazz, onstage during a performance with Dick Sudhalter on January 7, 1985.
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Daily Dose Of Jazz…
Paul Lingle was born on December 3, 1902 in Denver, Colorado and began on piano at age six. He first played professionally in the San Francisco area in the 1920s, later becoming a local legend in the Bay area in the Forties. He often accompanied Al Jolson in the late 1920s, including recording for his film soundtracks.
In the 1930s Paul worked mainly on radio, and also played with Al Zohn’s band. He tuned pianos early in the 1940s and worked as a soloist in local San Francisco clubs, accompanying visiting musicians such as Leadbelly and Bunk Johnson.
Lingle moved to Honolulu, Hawaii in 1952, where he played until his death on October 30, 1963. A talented stride pianist that also played ragtime, he released almost no recorded material during his lifetime, doing only one session for Good Time Jazz in 1952. Euphonic Records posthumously released several volumes of private recordings that were critically acclaimed.
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Daily Dose Of Jazz…
Cliff Jackson was born Clifton Luther Jackson on July 19, 1902 in Culpepper, Virginia. Learning to play stride piano he played in Atlantic City until moving to New York City in 1923. He played with Lionel Howard’s Musical Aces in 1924, recorded with Bob Fuller and Elmer Snowden, led his own ensemble, the Krazy Kats, for recordings in 1930, and following this group’s dissolution he played extensively as a solo pianist in several New York nightclubs.
During this time Jackson accompanied singers such as Viola McCoy, Lena Wilson, Sara Martin and Clara Smith. He recorded with Sidney Bechet in the early Forties and would record as a soloist or leader by mid-decade and again in the Sixties. His greatest success came as house pianist at Cafe Society from 1943-5; but he also toured with Eddie Condon, and played with Garvin Bushell, J.C. Higginbotham and Joe Thomas.
Cliff married singer Maxine Sullivan, had his powerful stride piano style showcased on such solo recordings as “Limehouse Blues”, and his left-hand techniques highlighted and explained in detail in books Ricardo Scivales’ method Jazz Piano: Left Hand. Stride pianist Cliff Jackson passed away of heart failure on May 24, 1970 in New York City.
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Daily Dose Of Jazz…
Fats Waller was born Thomas Wright Waller on May 21, 1904 in New York City. He started playing the piano when he was six and graduated to the organ in his father’s church four years later. At the age of fourteen he was playing the organ at the Lincoln Theater in Harlem. Within twelve months he had composed his first rag, and recorded his first piano solos “Muscle Shoals Blues” and “Birmingham Blues” in 1922 when he was 18 years old.
The prize pupil, friend and colleague of stride pianist James P. Johnson, he became one of the most popular performers of his era, finding critical and commercial success at home and Europe. Waller was a prolific songwriter, composing hundreds with his closest collaborator Andy Razaf and many became standards such as Honeysuckle Rose, Ain’t Misbehavin’ and Squeeze Me. He recorded profusely for RCA, Victor and EMI and performed and recorded with Gene Austin, Billy Banks, Adelaide Hall, Erskine Tate, Bill Coleman, Al Casey, Rudy Powell and Jack Teagarden among others.
Waller was kidnapped in Chicago leaving a performance in 1926, taken to the Hawthorne Inn, and upon insistence at gunpoint became the surprise guest at Al Capone’s birthday. Rumored he played three nights but when he left he was drunk, tired and thousands of dollars richer. He appeared on one of the first BBC radio broadcasts, influenced many pre-bop pianists such as Count Basie and Erroll Garner and was first to play syncopated jazz compositions were performed on a full sized church organ.
He received a Grammy Lifetime Achievement Award and was inducted into the Grammy Hall of Fame, Gennett Records Walk of Fame, Jazz At Lincoln Center: Nesuhi Ertegun Jazz Hall Of Fame, Big Band and Jazz Hall of Fame and the Songwriters Hall of Fame. Pianist, organist, composer, singer and comedic entertainer Fats Waller, passed away of pneumonia in Kansas City, Missouri on December 15, 1943.