Daily Dose Of Jazz…
Christine Rosholt was born January 3, 1965 in Minneapolis, Minnesota. Graduating from the Minneapolis Children’s Theater Company & School, she went on to earn a bachelor’s degree in performance art and photography from the Art Institute of Chicago.
Her training in theater helped her become adept at working and holding a room. She was a consummate entertainer, connecting instantly with her audience, bantering with her band, telling stories, laughing at herself.
She first appeared in theaters as an actress and singer. By the early 2000s she began performing as a jazz vocalist in clubs in her hometown, as the band singer of Beasley’s Big Band. Influences from Anita O’Day, Ella Fitzgerald, Billie Holiday, Blossom Dearie and Frank Sinatra were prevalent in her delivery.
She recorded and released three full-length CDs between 2006 and 2011, Detour Ahead, Lipstick: Live at the Dakota, and Pazz with British songwriter Kevin Hall, featuring a new direction blending pop, jazz and R&B.
Beyond a packed performance schedule which took her across the twin cities and as far as Fargo, or cramming in rehearsals for fundraisers, she was an avid volunteer, activist, committee member, craftspeople recruiter. Vocalist Christine Rosholt transitioned suddenly on December 27, 2011 in Minneapolis.
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Daily Dose Of Jazz…
Joe Lee Wilson was born on December 22, 1935 in Bristow, Oklahoma of African-American and Creek Native American parentage who were farmers.
Seeing Billie Holiday perform in 1951 began his interest in a music-industry career. Moving to Los Angeles, California at the age of 15, he went to Los Angeles High School, where he majored in music and sang in an a cappella choir. Graduating with honors in 1954, Joe won a scholarship to the Los Angeles Conservatory of Music, where he studied opera, leaving after a year and then attending Los Angeles Junior College.
He began singing with local bands in 1958 and toured the West Coast, where he sat in with Sarah Vaughan, and down to Mexico. Relocating to New York City by 1962, he worked with Sonny Rollins, Lee Morgan, Miles Davis, Pharoah Sanders, Freddie Hubbard, Kenny Dorham and Jackie McLean. During the 1970s, Wilson operated a jazz performance loft in New York’s NoHo district known as the Ladies’ Fort at 2 Bond Street. His regular band, Joe Lee Wilson Plus 5, featured the alto saxophonist Monty Waters and for several years the Japanese guitarist Ryo Kawasaki. Archie Shepp and Eddie Jefferson were frequent collaborators at these sessions.
Wilson had a minor radio hit on New York jazz radio in 1975, a rendition of Norman Mapp’s Jazz Ain’t Nothing But Soul. In 1977 he and his English wife Jill Christopher moved to Europe and settled in Brighton, Sussex. He recorded regularly with pianist Kirk Lightsey, including the Candid recording Feelin’ Good. One of his last albums was an Italian recording with Riccardo Arrighini and Gianni Basso, Ballads for Trane.
Inducted into the Oklahoma Jazz Hall of Fame in 2010, he gave his last public performance at the event. He is the subject of a documentary film, Around Joe Lee, by Yves Breux and Brad Scott. Vocalist Joe Lee Wilson transitioned from congestive heart failure at his Brighton home on July 17, 2011, aged 75.
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Daily Dose Of Jazz…
Cousin Joe was born Pleasant Joseph on December 20, 1907 in Wallace, Louisiana. He worked at Whitney Plantation throughout his childhood. Until 1945, he toured Louisiana, but that year he was asked to take part in the King Jazz recording sessions organized by Mezz Mezzrow and Sindey Bechet.
In the 1970s, Cousin Joe toured extensively throughout the United Kingdom and Europe, both individually and as part of the American Blues Legends ’74 revue organised by Big Bear Music. He also recorded the album Gospel-Wailing, Jazz-Playing, Rock’n’Rolling, Soul-Shouting, Tap-Dancing Bluesman From New Orleans for Big Bear.
Vocalist and pianist Cousin Joe transitioned in his sleep from natural causes in New Orleans, Louisiana at the age of 81 on October 2, 1989.
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Daily Dose Of Jazz…
Lurlean Hunter was born in Clarksdale, Mississippi on December 1, 1919 and was taken to Chicago, Illinois when she was two months old. She attended Englewood High School in Chicago.
Her first paid singing performance came when she appeared with Red Saunders and his orchestra at Club DeLisa on Chicago’s South Side. Hunter was signed by Discovery Records in 1950 and subsequently was a featured performer with George Shearing and his quintet at Birdland in New York City.
In 1951 Lurlean was among a group of rising young stars of jazz, that were presented at the Streamliner night club in Chicago. She performed at the Cloister Inn, where an initial four-week booking turned into a 2.5-year stay. She went on to work in New York and Ottawa, Ontario, Canada.
Leaving Discovery, she began recording for Atlantic Records in 1961, with Blue and Sentimental as her first album for that label. She later recorded for RCA Victor. By 1963, Hunter became the first Black performer hired by WBBM radio in Chicago. After a successful on-air audition, she became a member of the staff of the all-live Music Wagon Show. Five years later the National Educational Television jazz broadcast featured her, accompanied by the Vernel Fournier Trio.
In 1958, she sued RCA Record Division after it used her image and her name on the cover of its, not her Lonesome Gal record album. The suit alleged “unfair competition, infringement of trade name, unfair business practices, unjust enrichment and invasion of the right of privacy.” Though the court acknowledged that the album contained the song “Lonesome Gal”, and that the use of one song’s title for an album’s title was common practice in the recording industry, it ruled in Hunter’s favor on the basis that she was the first person to “adopt and establish the name Lonesome Gal as a personality” and that name was exclusively associated with her. Damages of $22,500 were awarded to Hunter, and the company was ordered to destroy all material containing Hunter’s likeness in conjunction with “Lonesome Gal”.
Vocalist Lurlean Hunter, who was a contralto and made commercials for products such as peas and telephone directories, transitioned on March 11, 1983 in Kalamazoo, Michigan.
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Daily Dose Of Jazz…
Rosa Henderson was born Rosa Deschamps on November 24, 1896 in Henderson, Kentucky. Her career as an entertainer began in 1913 when she joined her uncle’s circus troupe. She married Douglas “Slim” Henderson in 1918 and began traveling with his Mason-Henderson show. As a musical comedian she started during the early 1920s after moving to New York City, where she performed on Broadway. She would eventually perform in London.
Over the course of nine years she recorded over one hundred songs beginning in 1923. During that time she sometimes used pseudonyms such as Sally Ritz, Flora Dale, Sarah Johnson, Josephine Thomas, Gladys White, and Mamie Harris. She was accompanied by the Virginians, Fletcher Henderson’s Jazz Five, Fletcher Henderson’s Orchestra, Fletcher Henderson’s Club Alabam Orchestra, the Choo Choo Jazzers, the Kansas City Five, the Three Jolly Miners, the Kansas City Four, the Three Hot Eskimos, and the Four Black Diamonds.
She recorded for Ajax Records, Columbia, Paramount, Victor, and Vocalion Records. Her recordings include Afternoon Blues, Doggone Blues, Do Right Blues, He May Be Your Dog But He’s Wearing My Collar, and Papa If You Can’t Do Better (I’ll Let a Better Papa Move In).
After 1926, due largely in part to the death of her husband her recordings became limited, however, she continued performing until 1932. At that point Rosa took a job in a New York department store, but continued to perform benefit concerts until the Sixties.
Unrelated to Fletcher, Horace, Katherine, or Edmonia Henderson, vocalist Rosa Henderson, who sang jazz, blues and was a vaudeville performer of the Harlem Renaissance era, transitioned from a heart attack in 1968 on April 6, 1968.
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