Daily Dose Of Jazz…
Steve Swallow was born on October 4, 1940 in Fair Lawn, New Jersey. As a child he studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960 he left Yale, settled in New York City and played with Jimmy Giuffre’s trio with Paul Bley.
After joining Art Farmer’s quartet in 1964, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton’s various bands began. The early 1970s saw him switch exclusively to electric bass guitar, preferring the 5-string.
Steve became an educator in 1974 for two years teaching at the Berklee School of Music. In ‘78 he became an essential and constant member of Carla Bley’s band, toured extensively with John Scofield in the early 1980s, has returned to this collaboration several times over the years.
Bassist Steve Swallow has consistently won the electric bass category in Down Beat magazine’s Critics and Readers yearly polls since the mid-80s. Having grown a catalogue of some five-dozen albums as a leader and sideman, he continues to compose, perform and record.
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Daily Dose Of Jazz…
Walter Benton was born September 9, 1930 in Los Angeles, California and first began playing saxophone as in high school. After three years of service in the Army in the early 1950s, he played in 1954 with Kenny Clarke, Max Roach and Clifford Brown.
From 1954 to 1957 he played Afro-Latin jazz with Perez Prado, touring Asia with the band. Returning to the States, he went on to work with Quincy Jones in 1957 and Victor Feldman in 1958-59. He led his own group from 1959, recording under his own name in 1960 with Freddie Hubbard, Wynton Kelly, Paul Chambers and Tootie Heath.
That same year he worked again with Max Roach and Julian Priester. In 1961 he recorded with Abbey Lincoln, Roach once more, Eric Dolphy and Slide Hampton. By the late 1960s he was working with Gerald Wilson and John Anderson.
As so often happens with great players, in the late 60’s Benton became discouraged with the state of jazz and the overall music business, disappeared from the scene, sank into poverty never re-discovered. He stopped playing and lived the rest of his days in cheap rooming houses and collected a pittance of social assistance.
On August 14, 2000, West Coast tenor saxophonist Walter Benton, who played cool and bluesy, ventured into free and wild before returning to his roots with his beautiful dark and somewhat diffused sound coupled with his own ideas and phrasing, passed away in total obscurity in Los Angeles at the age of 69.
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Daily Dose Of Jazz…
Pete Jolly was born Peter Ceragioli Jr. on June 5, 1932 in New Haven, Connecticut. He began playing the accordion at age three under his father’s tutelage, then took lessons from age seven and appeared on the CBS radio program Hobby Lobby at the age of eight. The emcee called him Jolly and liking it, adopted the name. He would soon add piano to his musical talents.
Moving to Phoenix, Arizona with his family, by high school Pete was playing at the Jazz Mill behind such visitors as Chet Baker and Benny Carter. After graduation he moved to Los Angeles in 1954 and within days was playing behind Shorty Rogers. Over the next ten years he would play with Gerry Mulligan, Mel Torme, Red Norvo, Buddy DeFranco, Terry Gibbs, Art Pepper, Anita O’Day, Ray Conniff and Marty Paich.
He also began his long recording career as a leader in 1955 with the album, Jolly Jumps In for RCA. Over the next forty-five years, Jolly would record over twenty albums, but rarely more than twice with the same label. The highlight of his career came in 1963, when his bossa nova flavored composition, “Little Bird” recorded for Ava Records, earned him a Grammy nomination. He formed the Pete Jolly Trio in 1964, recording as a solo artist and with trio several albums until his final in 2000.
Pete was well known for his performances on television programs such as Get Smart, The Love Boat, I Spy, Mannix, M*A*S*H and Dallas, as well as hundreds of movie soundtracks. He continued performing with his trio until shortly before being hospitalized in August 2004. Jazz pianist and accordionist Pete Jolly passed away on November 6, 2004 in Pasadena, California from complications of multiple myeloma at age 72.
Requisites
Forest Flower & Soundtrack: This 1967 release was recorded when Charles Lloyd brought his band to Monterey for an unprecedented performance. A set of far-reaching, sophisticated progressive jazz that was rich and accessible was what a floored audience heard that day. The hippie and college-aged audience were witness to superb interplay, melodic gifts that skirted the edges of what was going on at the time, pushed the boundaries and the talents of this young band. This is decidedly one requisite for the budding initiate of jazz.
Personnel: Charles Lloyd – saxophone, Keith Jarrett – piano, Jack DeJohnette – drums, Cecil McBee – bass
Record Date: September 8, 1966
Songs: Forest Flower – Sunrise, Forest Flower – Sunset, Sorcery, Song Of Her, East Of The Sun, Sombrero Sam, Voice In The Night, Pre-Dawn, Forest Flower ‘69
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