Daily Dose Of Jazz…
James Robert Haslip was born in the Bronx, New York on December 31, 1951 to Puerto Rican immigrants, Spanish being his first language and learned to speak English in kindergarten. His family moved to Huntington, New York when he was four years old. At age seven, he began playing drums and then moved onto other instruments such as trumpet and tuba until at age 15 when he started playing bass.
Considering himself self-taught though he took music lessons and went to a private music school, he originally went to a local music shop with his father and purchased a right-handed bass and learned to play it upside down, as he is left-handed. Surrounded by music as a young boy, from visiting nightclubs and concert venues, there was always music in the house as well. His older brother listened to classic jazz, his father to Latin and orchestra jazz and his aunt listening to sappy stuff like Jerry Vale and Johnny Mathis. In high school, Jimmy created his first band called Soul Mine with his high school classmates, playing soul music at school dances and parties.
By the early 1970s he toured alongside musicians, and moved to Los Angeles, California in 1976, playing with guitarists Tommy Bolin and Harvey Mandel. A founding member of the jazz fusion group the Yellowjackets, in 2012 he took a year hiatus that turned permanent and has gone on to produce independent projects as well as being involved with the charitable organization Union Station Foundation that serves the needs of the homeless. He has worked with Jeff Lorber, Eric Marienthal, Bruce Hornsby, Rita Coolidge, Gino Vannelli, Kiss, Tommy Bolin, Allan Holdsworth, Marilyn Scott, Chaka Khan, Al Jarreau, Donald Fagen, and Anita Baker.
A part of a combo with Allan Holdsworth, Alan Pasqua, and Chad Wackerman, he has also collaborated with Jing Chi with Robben Ford and Vinnie Colaiuta, and Modereko. Bass player and record producer Jimmy Haslip, who is an early user of the five-string electric bass, continues to produce and perform.
Inspire A Young Mind
More Posts: bass
Daily Dose Of Jazz…
Reuben Radding was born on December 29, 1966 in Washington, DC and began his musical career in the DC punk scene. After moving to New York City in 1988, he studied double bass with Mark Dresser and composition with Edgar Grana, who were strong influence on his musical development as well as William Parker.
He played in various genres from avant-garde jazz to swing, folk, pop, Klezmer and chamber music with musicians such as John Zorn, Elliott Sharp, Anthony Coleman, Andrea Parkins, Dave Douglas, Roy Campbell and Rashid Bakr. With Marc Ribot he toured Europe and Canada in 1995 and leading his own band Myth Science, he played compositions by Sun Ra. He recorded the album Love in Outer Space at the Knitting Factory. Radding co-founded the experimental trio Refuseniks with John Hollenbeck and Ted Reichman .
By early 1997 he moved to Seattle, Washington playing in the trio of alto saxophonist Wally Shoup, and performing improvisationally with musicians Saadet Türköz , Carlo Actis Dato and Wolfgang Fuchs . In 2001 he performed in a duet with Daniel Carter on the Earshot Jazz Festival, and in 2003 gained international notoriety with his release of Luminescence.
He has recorded albums with Ursel Schlicht , Stephen Gauci, Carlos Bechegas, Nate Wooley, Mary Halvorson, Frank London and Tomas Fujiwara. Currently back in New York, bassist Reuben Radding performs and records with his trio comprised of vibraphonist Matt Moran and clarinetist Oscar Noriega, as well as with an improvising trio with Tara Flandreau and Carrie Shull, and operates Pine Ear Music label.
Dose A Day-Blues Away
More Posts: bass
Daily Dose Of Jazz…
Monty Rex Budwig was born on December 26, 1926 in Pender, Nebraska and began playing bass while in high school. He continued after enlisting in the Air Force as a member of the military band.
In 1954 he moved to Los Angeles, California and went on to record and perform with Carmen McRae, Barney Kessel, Woody Herman, Red Norvo, Scott Hamilton, Toshiko Akiyoshi, Chet Baker, Bud Shank, Gary Burton, Frank Butler, Conte Candoli, Betty Carter, June Christy, Rosemary Clooney, Sonny Criss, Herb Ellis, Bill Evans, Stan Getz, Stan Kenton, Junior Mance, Charles McPherson, Art Pepper, Shorty Rogers, Bola Sete and Sarah Vaughan, to name a few.
Monty spent a decade with Shelly Manne from 1957 to 1967 and recorded fifteen albums with him, including the live Blackhawk sessions. He is most notably known for his playing and recording with the Vince Guaraldi Trio tour in the1960’s along with drummer Don Joham, and on the seminal work Jazz Impressions of Black Orpheus that contained the classic version of Cast Your Fate To The Wind. However, controversy surrounds whether it was bassist Fred Marshall or Budwig heard on the Charlie Brown Christmas Album.
His only release as a leader during his career is the recording Dig on the Concord label. Double bassist Monty Budwig, who mainly performed in the West Coast jazz genre, passed away on March 9, 1992 at the age of 65.
Sponsored By
More Posts: bass
Daily Dose Of Jazz…
Marshall Brown was born on December 21, 1920 in Framingham, Massachusetts. Little recorded, he devoted most of his career to education, earning a music degree from New York University, as a member of the Zeta Psi Fraternity.
He was also a high school band director leading the Farmingdale New York Daler Band from the early 1950s through 1957. Brown was the first high school band director to initiate a jazz education program, which he did in his tenure at Farmingdale High. By 1956 his stage band, the Daler Dance Band, a jazz big band with an average age of 14 years old, was so formidable and impressive, boasted future jazz stars pianist Michael Abene, saxophonist Andrew Marsala, and whiz drummer Larry Ramsden. One night at the 1957 Newport Jazz Festival, Count Basie, who was late for his appearance as he entered the festival grounds heard the Daler Band performing their set and exclaimed, “Damn, they started already”, mistaking the Dalers for his band.
Marshall received some attention for performing and recording in a quartet with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane.
During the Sixties he was the resident trombonist at Jimmy Ryan’s, a noted dixieland venue. He also club dated with Luke O’Malley’s Irish band during this time. Brown also performed or recorded at one time or another with Ruby Braff, Beaver Harris, Lee Konitz, George Wein and Basie.
Conductor, arranger and educator Marshall Brown, who also played the valve trombone, trumpet, euphonium, electric bass and the banjo, passed away on December 13, 1983 in New York City.
Uplift Someone’s World
More Posts: banjo,bass,euphonium,trombone,trumpet,valve trombone
Daily Dose Of Jazz…
Walter Booker was born December 17, 1933 in Prairie View, Texas and moved with his family to Washington, D.C. in the mid-1940s. He played clarinet and alto saxophone in college with a concert band. In 1959 he began on bass while in the US Army, serving side-by-side in the same unit with Elvis Presley. He worked with Andrew White in Washington after his discharge, playing in the JFK Quintet during the early 1960s.
Moving to New York City in 1964, Booker was hired by Donald Byrd. After his stint with Byrd, he recorded and toured with Ray Bryant, Betty Carter, Chick Corea, Stan Getz, Art Farmer, Charles McPherson, Lee Morgan, Hank Mobley, Milt Jackson, Harold Vick, Thelonious Monk and Sonny Rollins. All this was done before joining the Cannonball Adderley Quintet in 1969, starting an association which lasted until Adderley’s death in 1975. He would go on to record and perform with Joe Zawinul, Joe Williams, Gene Ammons, Joe Chambers, Roy Hargrove, Archie Shepp, Kenny Barron and numerous others.
Walter’s next gig was a tour the United States with the Shirley Horn Trio, along with Billy Hart on drums. During the same time, Booker designed, built, and ran the Boogie Woogie Studio in NYC, a mecca for musicians from all over the world. Through the Eighties he played and recorded with Nat Adderley, Nick Brignola, Arnett Cobb, Richie Cole, John Hicks, Billy Higgins, Clifford Jordan, Pharoah Sanders, Sarah Vaughan, Leroy Williams, Marcus Belgrave, Roni Ben-Hur, Larry Willis, John HIcks and Phil Woods.
Booker married pianist Bertha Hope with whom he played in a trio that included drummer Jimmy Cobb. In addition to his own quintet, he also formed Elmollenium, based on the same core group as the Quintet plus Bertha and dedicated to playing the music of Elmo Hope.
Bassist Walter Booker, a highly underrated stylist whose playing was marked by voice-like inflections, glissandos and tremolo techniques, passed away in his Manhattan home on November 24, 2006, at the age of 72.
Sponsored By
www.whatissuitetabu.com
More Posts: bass