Daily Dose Of Jazz…
Winard Harper was born Hiram Winard Harper on June 4, 1962 in Baltimore, Maryland and started beating on cans at age three and his natural affinity was encouraged by his father. By age five he was making guest nightclub appearances with his older brother Danny’s band. It was his hearing of the Clifford Brown/Max Roach recording that sealed his inspiration to play jazz.
Harper’s first major gig was in 1982 with Dexter Gordon, followed by Johnny Griffin and then spent four years with Betty Carter. It was with the later that he learned much about the music business, preparing him to be a bandleader and giving him the inside track on bookings. This experience gave him the foundation to launch The Harper Brothers along with his brother Philip, and a few of the hottest young talents of the Nineties – Justin Robinson, Javon Jackson, Walter Blanding, Kioshi Kitagawa, Stephen Scott, Kevin Hayes, Michael Bowie and Nedra Wheeler.
The Harper Brothers recorded four albums prior to the dissolution of the band and Winard went on to record seven albums to date as a leader. He has played the sideman to Avery Sharpe, Ray Bryant, Abdullah Ibrahim, Pharoah Sanders, Clifford Jordan, Steve Turre, Joe Lovano, Frank Wess, Jimmy Heath and Wycliffe Gordon. Since the turn of the century the drummer, composer and bandleader continues to perform, tour and record with his own sextet.
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Requisites
We Insist! Freedom Now Suite: This classic piece of art stands at the intersection of politics and music. It was recorded at a time when the civil rights movement was starting to heat up and drummer Max Roach composed and performed the seven-part suite dealing with black history, particularly slavery and racism.
Driva’ Man has a powerful statement by veteran tenor Coleman Hawkins and there is valuable solo space elsewhere for trumpeter Booker Little and trombonist Julian Priester, but it is the overall performance of Abbey Lincoln that is most notable. Formerly a nightclub singer, Lincoln really came into her own under Roach’s tutelage and she is a strong force throughout this intense set. On Triptych: Prayer / Protest / Peace, Lincoln is heard in duets with the drummer and her wrenching screams of rage are quite memorable.
Personnel: Max Roach – drums, Coleman Hawkins – tenor saxophone, Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophone, James Schenk – bass, Olantunji / Ray Mantilla – percussion, Abbey Lincoln / Oscar Brown Jr. – vocal
Record Date: Nola Penthouse Sound Studio, New York / August 31, 1960 & September 6, 1960 / Candid Records
Producer: Nat Hentoff
Songs: Driva’man, Freedom Day, Triptych: Prayer/Protest/Peace, All Africa, Tears For Johannesburg
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Daily Dose Of Jazz….
Elaine Leighton was born on May 22, 1926 in New York City and while in high school she was in the same class as Stan Getz and Shorty Rogers. Early in her career around 1949 Leighton worked with Jackie Cain and Roy Kral. She then went to work with Ann Mae Winburn who led the International Sweethearts of Rhythm.
In the mid-Fifties Leighton would play in a trio with pianist Carl Drinkard and accompanied Billie Holiday, recording with her on several sessions including the 1954 Koln live recording. She would be part of an all female trio with bassist Bonnie Wetzel and pianist/singer Beryl Booker. Following a European tour Elaine started freelancing in New York, from 1957 to 1959, then led her own trio.
She has worked with Buddy DeFranco and Red Norvo, was a part of the Jazz USA tour with Clark Terry, Lucky Thompson, Tal Farlow, Kenny Clarke, Terry Pollard, Norma Carson and Mary Osborne, and recorded as a part of the Leonard Feather “Cats vs. Chicks” sessions for MGM. Drummer Elaine Leighton never led a recording session but performed on many classic recording dates but no longer performs at the age of 91.
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Daily Dose Of Jazz…
Bob Leatherbarrow was born on May 3, 1955 in Buffalo, New York. He studied drums with Charlie Lorigo, orchestral percussion with John Rowland of the Buffalo Philharmonic, and the vibraphone with Dave Samuels. He began working professionally at age 14, attending the Berklee College of Music in Boston, Massachusetts before moving to Los Angeles in 1978 to further pursue a career in music.
Throughout his career in jazz, Bob has been a member of Ernie Watts Quartet for over 25 years, has performed and recorded with Joe Farrell, Victor Feldman, Horace Silver, Rosemary Clooney, Natalie Cole, The Bill Holman Band, the Bob Florence Jazz Orchestra and Howard Roberts among others. He has also recorded in other genres with Gordon Lightfoot, Bette Midler, Placido Domingo, Dolly Parton and Henry Mancini.
Leatherbarrow has appeared of film and television soundtracks for The Simpsons, Family Guy, Austin Powers, Bruce Almighty, The Cleveland Show and The Life Aquatic to name a few, and drummed the iconic snare rolls that begin the sound signature of 20th Century Fox Studios.
Doubling on vibraphone, Bob Leatherbarrow has backed singers like Peggy Lee, Greta Matassa, Lorraine Feather and Nelly Furtado along with Stanley Clarke, Bill Perkins and his own group Polychrome, with whom he continues to compose and perform.
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Daily Dose Of Jazz…
Eddie Marshall was born Edwin Marshall on April 13, 1938 in Springfield, Massachusetts and learned to play the drums as a child. He played in his father’s swing group and R&B bands while in high school. He moved to New York City in 1956, developing his percussion style under the influence of Max Roach and Art Blakey.
Two years later he was playing with Charlie Mariano followed by a stint with Toshiko Akiyoshi prior to Army service. He reunited with Akiyoshi in 1965, then worked with the house band at The Dom in New York, and with Stan Getz, Sam Rivers and toured with Dionne Warwick.
In 1967 he was a member of the fusion group The Fourth Way, touring San Francisco during the early Seventies, followed by work with Jon Hendricks and the Pointer Sisters. He would go on to work in Almanac with Bennie Maupin, Cecil McBee and Mike Nock releasing an album in ’77.
In the 1980s he worked in the project Bebop & Beyond, recording tribute albums to Dizzy Gillespie and Thelonious Monk. Undergoing heart surgery in 1984, temporarily sidelined his career, but he continued to perform on the recorder. He then taught at the San Francisco School of the Arts, issued his second release as a leader in 1999 and in the 2000s worked on the San Francisco Arts Commission. Drummer Eddie Marshall died of a heart attack on Wednesday, September 7, 2011.
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