E. C. III

Ernest “EC3 Coleman III BIO Ernest, a second generation musician, was born in Naples, Italy to Ernest and Rebecca Coleman. His father, Ernest Jr., was a jazz musician who played tenor sax and was also a great arranger and composer.

Ernest studied at the Naval Conservatory of Music in Norfolk, Virginia and was awarded a special honor for being the youngest student to graduate from this conservatory. After his tour with the Navy Band, Ernest moved to Los Angeles, California and began his true musical quest. He performed for Guys & Dolls, Ain’t Misbehavin, Bourbon Street Review, and A Chorus Line.

Ernest got the call to work with Loretta Holloway in Las Vegas opening for Jay Leno, Bill Cosby, David Brenner, Yakov Smirnoff, Whoopi Goldberg, Don Rickles and many many more. Ernest soon took over as Loretta’s musical director and continued on to travel to places like Russia, Bermuda, Japan, Canada, Virgin Islands, and Brazil, among many places around the world. Ernest worked with Loretta for over twelve years, playing with major symphonies and was responsible for conducting from behind the drums.

The evening is curated by  Tyrone Jackson who is the quintessential jazz piano player. His boundless creativity coupled with harmonic mastery, utilizes the piano as a blank canvas.  Jackson is nationally recognized and has traveled the world as a solo artist and sideman.

As a composer, Jackson has composed original music for Pulitizer Prize winning author Natasha Tretheway’s book of poems “Native Guard” turned theatrical play, Pearl Clege’s play, “Tell Me My Dream”, “Ethel” and this year’s Alliance Theater production of “Nick’s Flamingo Grill.” Jackson has recorded 4 Albums—“Dedicated”, “Another Voyage”, “Melody In Nede”, and new release “From The Mind Of.”

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Daily Dose Of Jazz…

James Charles Jackson Jr. was born on January 18, 1957 and raised in Kalamazoo, Michigan. Hailing from a musical family, he grew up surrounded by instrumentalists and vocalists. Before reaching high school, he was the drummer in his brother’s band, Ripple, that recorded and played gigs in the area. When it was time to go on the road his mother was adamant that he must finish high school.

Graduating in 1977 he landed a job in Atlanta, Georgia as the drummer for The Counts. Jimmy played with them for a few years until they disbanded, then transitioned to the Mose Davis Trio. Though much younger than his bandmates, he played well beyond his years.

Getting his big break came with meeting jazz organist Jimmy Smith, who had a show in Atlanta and Davis loaned him his Hammond organ for the performance. After moving the instrument, Jackson asked if he could sit in on the sound check. Blowing Smith away with his playing during the sound check landed him a job with the organist. He would tour the world with the band.

While residing in Atlanta, Jimmy played with the Paul Mitchell Trio at Dante’s Down the Hatch, as well as freelancing around town. Leaving Atlanta in 2006 for New York City and then on to the Washington, D.C. area a year or so later. His heart always considered Atlanta as his second home

Drummer and vocalist Jimmy Jackson, who was affectionately known by most as Junebug, died on January 28, 2012 of complications associated with congestive heart failure at the age of 55.

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JOHNATHAN BLAKE QUARTET

TJG Mentoring Series Vol. 9 presents The Johnathan Blake Quartet ftg. Dabin Ry

Johnathan Blake, one of the most accomplished drummers of his generation, has also proven himself a complete and endlessly versatile musician. Blake’s gift for composition and band leading reflects years of live and studio experience across the aesthetic spectrum. Heralded by NPR Music as “the ultimate modernist,” he has collaborated with Pharoah Sanders, Ravi Coltrane, Tom Harrell, Hans Glawischnig, Avishai Cohen, Donny McCaslin, Linda May Han Oh, Jaleel Shaw, Chris Potter, Maria Schneider, Alex Sipiagin, Kris Davis and countless other distinctive voices. DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.

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Daily Dose Of Jazz…

Bobby Battle was born on January 8, 1944 and grew up in Detroit, Michigan. He moved to New York City in 1968, playing with Roland Kirk and Pharoah Sanders shortly after his arrival.

He studied at New York University from 1972 to 1975. He played with Don Pullen and Sam Rivers through the late 1970s, and worked often with Arthur Blythe in the 1980s and 1990s. He also worked with Kenny Dorham, Sonny Stitt, and Sonny Fortune. He worked as a duo with Jimmy Ponder in 1987.

Battle’s only release as a leader is The Offering, issued in 1990 on Mapleshade, on which Battle leads a quartet with David Murray, Larry Willis, and Santi Debriano. As a sideman he recorded four albums with Arthur Blythe and four with Don Pullen.

Drummer Bobby Battle, who occasionally played saxophone, died on December 6, 2019 in his hometown.

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Daily Dose Of Jazz…

William “Keg” Purnell  was born on January 7, 1915 in Charleston, West Virginia. He studied at West Virginia State College from 1932 to 1934, and played with the Campus Revellers while there. He toured for a year with King Oliver in 1934, then freelanced with his own trio in the late 1930s. In 1939, he worked with Thelonious Monk.

By the end of the decade and into the 1940s Keg was playing in the bands of Benny Carter, Claude Hopkins, and Eddie Heywood. He also recorded with Rex Stewart, Teddy Wilson, and Willie “The Lion” Smith. Late in his career he played with Snub Mosley in 1957 and subsequently on.

Drummer Keg Purnell, whose influences included Chick Webb and Big Sid Catlett died on June 25, 1965 at the age of 50.

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