Requisites…

The Real Thing ~ Louis Hayes | By Eddie Carter

This morning’s record from the library comes from the renowned drummer Louis Hayes. He’s recorded eighteen albums as a leader and is known for his work as a sideman with Cannonball Adderley, Horace Silver, Oscar Peterson, and many others. The Real Thing (Muse Records MR 5125) is his third date and second with this group. It was recorded in 1977 and hit the stores the following year. The album features the exceptional talents of Woody Shaw on flugelhorn (track: A2) and trumpet (A1, A3, B1 to B3), Slide Hampton on trombone (B1 to B3), Rene McLean on alto (B2, B3), soprano (A3, B1), and tenor sax (A1), Ronnie Matthews on piano and Stafford James on bass. My copy is the original U.S. Stereo album.

Side One opens with St. Peter’s Walk by Tex Allen. Hayes introduces this scorcher in an energetic exchange with the front line. After the ensemble’s theme, Woody races through the opening solo with extraordinary energy. Ronnie’s electrically charged fingers move like a shot of adrenaline, then Louis soars out of sight in a vigorous workout. Rene is featured in the opening and closing ensemble but does not solo. Nisha by Louis Hayes is a quartet feature featuring Woody on the flugelhorn. Ronnie’s gentle introduction segues to Woody’s delicate melody. Ronnie picks up the pace in a gentle first solo that hits the mark. Woody follows with a charming sincerity that fits like a glove. Stafford sustains the thoughtful mood in the closer, while Louis’s timekeeping holds everything together ahead of the climax.

Loose Suite by Ronnie Matthews is a play on Louis’s first name. The song opens with the drummer’s razor-sharp introduction ahead of an abstract quintet melody. Rene leads off with an adventurous reading. Woody charges into the second solo with lightning-fast intensity. Louis leaves the listener’s ears sizzling with explosive fireworks preceding the reprise and ending. Side Two starts with My Gift To You by Stafford James. Slide comes on board for the sextet’s medium-fast melody. Rene digs deep into the opening statement and then steps aside for Stafford, who walks briskly in the following presentation. Louis stamps his personality on the finale with propulsive power before the sextet’s closing chorus fades into oblivion.

Jack’s Tune, aka Blue Fable, is by Rene’s father, Jackie McLean, and begins with the ensemble’s vigorous melody. Rene ignites the opening solo with a fire-breathing showcase. Ronnie comes behind him with a blazing interpretation, and then Slide follows with an aggressive statement. Louis gets the last word with a brisk workout, leading to the closing chorus and abrupt climax. Marilyn’s House by Tex Allen keeps the high-voltage exhilaration of the earlier tune, with the front line leading a fiery sextet melody. Woody starts the opening statement with joyous determination. Rene comes in next to give an electrifying presentation. Slide provides the exclamation point in a dazzling reading ahead of the restatement of the theme.

Michael Cuscuna produced The Real Thing, and the recording engineer was Chuck Irwin. The sound quality is not just good, but an enjoyable sit-down and listening experience with a wide soundstage that’s sure to please the most discriminating jazz fan. This is the only studio album the group made together. Still, they also recorded a 1977 live album, The Woody Shaw Concert Ensemble Live at The Berliner Jazztage. At the end of his liner notes, noted jazz journalist Bob Blumenthal states, “Louis Hayes no longer leads this band with Woody Shaw, but it left its mark during 1976 and 1977, and the music remains real.”

Despite the group’s short tenure, the impact of their music is undeniable. The Real Thing by Louis Hayes is one of the jewels of his discography that I’m sure will leave a lasting impression on the listener. For any fan seeking a solid hard-bop album to unwind with after a long day or evening, I invite you to check out this first-rate release on your next record-shopping trip. It’s a perfect starting point to get acquainted with one of the quintessential jazz drummers and a pleasure from start to finish!

~ The Woody Shaw Concert Ensemble Live at The Berliner Jazztage (Muse Records MR 5139) – Source: Discogs.com

~ The Horace Silver Quintet, The Oscar Peterson Trio, The Cannonball Adderley Quintet and Sextet – Source: Album liner notes by Bob Blumenthal.

© 2025 by Edward Thomas Carter

More Posts: choice,classic,collectible,collector,drums,history,instrumental,jazz,music

Daily Dose Of Jazz…

Gene Lake was born Oliver Gene Lake, Jr. on January 12, 1966 in St. Louis, Missouri. He began playing drums when he was five years old, and took lessons with Pheeroan akLaff as a high schooler at The High School of Music & Art in New York City. He attended Berklee College of Music, where he worked with Tommy Campbell, and played in local Boston bands in a variety of styles.

Gene played with his father in New York City in 1987 and 1988, then joined Henry Threadgill’s ensemble in 1990. Later in the Nineties, Gene worked with Steve Coleman, Lunar Crush with David Fiuczynski and John Medeski, Marcus Miller, Brandon Ross, David Sanborn, the World Saxophone Quartet, and Joe Zawinul.

He has recorded seven albums as a leader that includes The Oliver Lake Quartet, Dedication, and At This Time and another ten as a sideman. Outside of jazz, Lake also performed and recorded with R&B musicians Maxwell and Me’Shell Ndegeocello.

Drummer Gene Lake, who is the son of saxophonist Oliver Lake, continues to perform and record.

More Posts: bandleader,drums,history,instrumental,jazz,music

SULLIVAN FORTNER

For the past decade, Sullivan Fortner has been stretching deep-rooted talents as a pianist, composer, band leader and uncompromising individualist. The Grammy Award-winning artist out of New Orleans received international praise as both key player and producer for his collaborative work on The Window (Mack Avenue, 2018), alongside multi-Grammy winner, vocalist-composer Cecile McLorin Salvant. As a solo leader, he has released Moments Preserved (Decca, 2018) and Aria (Impulse!, 2015) to critical acclaim, and he’s only getting started. Now based in New York, Fortner has earned recognition in multiple DownBeat Critics Poll categories, winning first place in Rising Star Piano and Rising Star Jazz Artist.

In addition to associations with such diverse voices as Wynton Marsalis, Paul Simon, Diane Reeves, Etienne Charles and John Scofield, Fortner’s frequent and longtime collaborators have included Ambrose Akinmusire, Dee Dee Bridgewater, Stefon Harris, Kassa Overall, Tivon Pennicott, Peter Bernstein, Nicholas Payton, Billy Hart, Gary Bartz, Christian Scott aTunde Adjuah, Fred Hersch and the late Roy Hargrove. Recent collaborations include GRAMMY-nominated releases Dear Love (Empress Legacy) and Generations from leaders Jazzmeia Horn and The Baylor Project, respectively.

A highly-sought improviser, Fortner has performed across the country and throughout the world at such cultural institutions as Snug Harbor, New Orleans Center for the Creative Arts, Sweet Lorraine’s and The Jazz Playhouse in New Orleans, and Jazz at Lincoln Center, Jazz Standard and Smalls Jazz Club in New York City. He’s appeared at celebrated festivals, including Newport, Monterey, Discover, Tri-C and Gillmore Keyboard, among others. In 2019, Fortner brought his band to the historic Village Vanguard for a week-long engagement he would reprise in 2020 as a virtual performance during lockdown. His notable studio contributions include work on Etienne Charles’s Kaiso (Culture Shock, 2011), Donald Harrison’s Quantum Leap (FOMP, 2010), and Theo Croker’s The Fundamentals (Left Sided Music, 2007).

The Trio: Sullivan Fortner~Piano, Yasushi Nakamura ~ bass and Kayvon Gordon ~ drums

Tickets: $37.00 fee included

More Posts: adventure,bandleader,bass,club,drums,genius,instrumental,jazz,music,piano,preserving,travel

THE HEADHUNTERS

The Headhunters, the legendary jazz-funk ensemble co-led by percussionist Bill Summers and drummer Mike Clark with NEA Jazz Master Donald Harrison on alto saxophone, celebrated the band’s 50th anniversary in 2023, having formed around Herbie Hancock’s classic recordings, Head Hunters, in 1973, Thrust in 1974 and Man-Child in 1975. The band continued without Mr. Hancock and has released 8 albums under the Headhunters name starting with Survival of the Fittest in 1975 and on Straight from the Gate in 1977 (featuring the smash hit “God Make Me Funky” sampled on over 350 hip hop and pop songs), and most recently Speakers In the House in 2022 and Live From Brooklyn Bowl in 2023. The band’s new album The Stunt Man comes out October 11th, 2024 on Ropeadope recorded at the legendary Hyde Street Studios.

Few bands can boast a history as fortuitous and storied as The Headhunters. What each member brings to the table forged a history that most bands can only dream of. Their blend of jazz with funk and rock would go on to sell over a million albums worldwide, while the band’s legacy would inspire musicians of every genre for years to come, be sampled by hundreds of hip-hop artists throughout the ’80s and ’90s, and influence countless musicians’ playing today. The Headhunters’ impact remains a global phenomenon, and their time with Hancock proved to be a life changing experience.

Bill Summers – percussion
Mike Clark – drums
Donald Harrison – saxophone
Chris Severin – bass
Kyle Roussel – piano

Cover Chaege: $25.00 – $50.00 + $3.50 fee

More Posts: adventure,bandleader,bass,club,drums,genius,instrumental,jazz,music,percussion,piano,preserving,saxophone,travel

FROM NEW YORK: NICK HEMPTON QUARTET CD RELEASE

In the summer of 2024, Hempton made one of his regular visits to Vancouver to reunite with his very soulful co-conspirators Jesse Cahill and Nick Peck for a weekend at Frankie’s, the city’s legendary jazz club. After some cajoling, Van City tenor legend Cory Weeds agreed to join on stage to form a two-horn quartet. Mics were set up, favourite tunes were chosen, cocktails were consumed; and with the Frankie’s crowd in fine fettle, urging us on with stomps and hollers, we laid down a set of hard-driving soul jazz.

In between shows, to balance the live feel, the cats descended into the murky shadows of a grungy basement studio, the carpeted walls dripping with years of accumulated funk. In keeping with the free blowing feel of the club gig, the studio session took place live, with no isolation and no safety net; and in the subterranean twilight the quartet knocked out a set of swingers in a couple of hours, each tune needing only one or two takes.

Weeds and Hempton are long-time friends and mutual admirers, and it was a gas to engage in a little sporting, good-natured combat, tipping their hats to the great two-tenor matchups of the past: Dexter Gordon and Herschel Evans, Gene Ammons and Sonny Stitt, Johnny Griffin and Lockjaw Davis. And while they were wailing, Peck & Cahill were getting down to serious business, lighting the fire and keeping it burning until the last note faded.

Celebrate the release of their new cd Horns Locked!

The Band: Nick Hempton~tenor sax, Cory Weeds~tenor sax, Nick Peck~organ and Jesse Cahill~drums

Cover: Sold Out | Both Shows

More Posts: adventure,bandleader,club,drums,genius,instrumental,jazz,music,organ,preserving,saxophone,travel