Daily Dose Of Jazz…
Julius Arthur Hemphill was born on January 24, 1938 in Fort Worth, Texas and attended M. Terrell High School, studied clarinet with John Carter before taking up the saxophone due to the early influence of Gerry Mulligan.
Hemphill joined the Army in 1964, served for several years, and later, for a brief period, performed with Ike Turner. In 1968 he moved to St. Louis, Missouri and co-founded the multidisciplinary arts collective. This brought together saxophonists Oliver Lake and Hamiet Bluiett, trumpeters Baikida Carroll and Floyd LeFlore and writer/director Malinke Robert Elliott.
A move to New York City in the mid-1970s witnessed Julius thriving in the free jazz community. He gave saxophone lessons to David Sanborn, and Tim Berne among others. He founded the World Saxophone Quartet in 1976 after collaboration with Anthony Braxton. He remained a member until the early 1990s and then formed a saxophone quintet.
Hemphill recorded over twenty albums as a leader and another ten records with the World Saxophone Quartet and recorded or performed with Bjork, Bill Frisell, Jean-Pau Bourelly and others. Late in his life his ill-health including diabetes and heart surgery, forced Hemphill to stop playing saxophone, but he continued writing music. His saxophone sextet, led by Marty Ehrlich, also released several albums of Hemphill’s music, but without Hemphill playing. The most recent is entitled The Hard Blues, posthumously recorded live in Lisbon.
Prior to his death on April 2, 1995 in new York City, composer and alto saxophonist and flautist recorded a multi-hour interview on his life and music for the Smithsonian Institute and it is held at the archive center of the National Museum of American History in Washington D.C.
Give The Gift Of Knowledge
Daily Dose Of Jazz…
Frank Wellington Wess was born on January 4, 1922 in Kansas City, Missouri, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz after moving to Washington, DC and by nineteen was working with big bands.
Although his career was interrupted during World War, he played with a military band in the period. After leaving the military, he joined Billy Eckstine’s orchestra, then a few years later he returned to DC and received a degree in flute at the Modern School Of Music. He played tenor saxophone and flute with Count Basie from 1953 to 1964.
Wess was considered one of the best jazz flautists of his time and from 1959 to 1964 he won the Down Beat Critic Poll for flute. He went on to be a member of Clark Terry’s big band from 1967 into the 1970s, played in the New York Jazz Quartet with Roland Hanna and did a variety of work for TV.
In 1968 Frank contributed to the landmark album The Jazz Composer’s Orchestra. Over the course of his career he played with Kenny Barron, Rufus Reid, Buck Clayton, Benny Carter, Billy Taylor, Harry Edison, Mel Torme, Ernestine Anderson, Louie Bellson, John Pizzarelli, Milt Jackson, Quincy Jones, Yusef Lateeef, Howard Alden, Dick Hyman, Jane Jarvis, Frank Vignola, Toshiko Akiyoshi Jazz Orchestra, Hank Jones and the list continues.
NEA Jazz Master, flautist, alto and tenor saxophonist Frank Wess passed away from a heart attack related to kidney failure on October 30, 2013.
Take A Dose On The Road
Daily Dose Of Jazz…
Samuel Most was born on December 16, 1930 in Atlantic City, New Jersey and learned to play the flute, saxophone and piano. He began his career in music at the age of 18 with the bands of Tommy Dorsey, Shep Fields, Boyd Raeburn and Don Redman. He also performed many times with his older brother Abe, a clarinetist.
His first recording was at age 23, a single called Undercurrent Blues and the following year he was awarded Down Beat magazine’s “Critic’s New Star Award”. Between 1953 and 1958 Sam led and recorded sessions for the Prestige, Debut, Vanguard and Bethlehem record labels. He also worked as a session player for Chris Connor, Paul Quinichette and Teddy Wilson and was a member of the Buddy Rich band from 1959 to 1961. He would go on to work as a sideman with Clare Fischer, Lalo Schifrin and Louie Bellson.
Most resurfaced in the late 1970s and recorded six albums on the Xanadu label, was given a gift of an expensively carved flute by Frank Sinatra who had used it for breath control, and in the late Eighties recorded four albums, including Solo Flute with producer Fernando Gelbard of Liquidjazz.com. He was the guest of and played for the King of Thailand three times and was the subject of Edmond Goff’s 2001 documentary film Sam Most, Jazz Flutist.
Flautist and tenor saxophonist Sam Most, who according to jazz historian Leonard Feather, was probably the first great jazz flutist, passed away on June 13, 2013 from cancer, at the age of 82.
Give A Gift Of Jazz – Share
Daily Dose Of Jazz…
Vincent Herring was born November 19, 1964 in Hopkinsville, Kentucky. His formal musical education began at age 11, when he started playing saxophone in school bands and studying privately at Dean Frederick’s School Of Music in Vallejo, California. At age 16, he entered California State University at Chico on a music scholarship.
A year later, Vincent auditioned for a spot in the United States Military Academy Band Jazz Knights playing lead alto saxophone. He made the move to West Point, served one enlisted tour, which turned out to be a steppingstone to the New York jazz scene.
He first began touring Europe and the United States with Lionel Hampton’s big band. Since that turning point in his career Herring has recorded and performed over 200 sessions as a sideman working with Nat Adderley, Art Blakey and the Jazz Messengers, the Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Cedar Walton, Freddie Hubbard, Dizzy Gillespie, the Mingus Big Band, Nancy Wilson, the Roy Hargrove Big Band, Arthur Taylor, Dr. Billy Taylor, Carla Bley and the Phil Woods Sax Machine.
Vincent has been a special guest soloist with Wynton Marsalis and Lincoln Center as well as with Jon Faddis and the Carnegie Hall Big Band. As a leader he has recorded fifteen albums and taken bands to Japan and Europe, has appeared in nearly every major jazz festival in the world. Wearing his educator hat he gives clinics throughout Europe and the United States. He is currently performing with the Cannonball Legacy Band, which plays in jazz festivals, jazz clubs and occasionally small towns for benefit concerts.
Dose A Day – Blues Away
Daily Dose Of Jazz…
Seldon Powell was born on November 15, 1928 in Lawrenceville, Virginia. A classically trained saxophonist and flautist who studied at Juilliard in New York City, he went on to work briefly with Tab Smith in 1949 before joining and recording with Lucky Millinder the following year. For the next two years he would spend in the military and upon discharge became a studio musician.
A solid musician with the ability to move between genres from big band to hard bop to soul jazz and R&B, over a forty year career he would record four albums as a leader between 1956 and 1973 and another 60 album sessions as a sideman with Clark Terry, Johnny Hammond Smith, Buddy Rich, Louis Bellson, Neal Hefti, Billy Ver Planck, Sy Oliver,, Erskine Hawkins, Ahmed Abdul-Malik, Richard “Groove” Holmes, Gato Barbieri, Dizzy Gillespie, Gerry Mulligan,Benny Goodman, Woody Herman, roland Hana, Osie Johnson, Freddie Green, Gus Johnson, Sonny Stitt, Friedrich Gulda, Art Farmer, Cal Tjader, Billy Taylor, Ernie Wilkins, Panama Francis, Teri Thornton, Jimmy Forrest, Charlie Byrd, Oliver Nelson and the list goes on.
He recorded for Epic, Roost, Savoy, RCA, United Artists, Lion, Riverside, EmArcy, Golden Crest, Candid, ABC, New Jazz, Impulse, Solid State, Verve, 20th Century, Atlantic, and Sesac record labels. Tenor saxophonist and flautist who concentrated in the swing, progressive and soul jazz, big band and rhythm & blues genres passed away on January 25, 1997 in Hempstead, New York.
Jazz Is Global – Share