RONI BEN-HUR QUARTET
While many of the compositions on Love Letters were written by giants such as Leonard Bernstein (“Lonely Town”), Benny Golson (“Fair Weather”), and Ben-Hur’s long-time mentor, the late, great Barry Harris (“To Dizzy with Love”), Ben-Hur once again showcases his formidable composing chops with four original compositions. With the Quartet on Love Letters, Ben-Hur creates an irresistible atmosphere of musical harmony and loving connection. Each of Ben-Hur’s compositions reflect an aspect of the love that has propelled the guitarist to ever greater heights in the life and in jazz. With “To Dizzy with Love,” he shares a memory of his friend Barry Harris with a buoyant rendition of a song they once played together at Birdland. In this interpretation we are treated to a joyous dance of swing and Caribbean rhythms. On “Seul `a Paris” (alone in Paris), Ben-Hur’s wistful strings and muted trumpet speak of what it is like to fly solo in the “City of Love.” With the composition, “Waiting for JH”, co-written with the late American pianist Chris Anderson,
Ben-Hur sends a “love letter” to the late Jim Harrison, one of the genre’s most indomitable advocates and promoters, who worked tirelessly for a “who’s who” in jazz. The voice of the unspeakable is heard in “The House that Yosef Built,” a love letter to Ben-Hur’s father. The tune evokes a rush of memories about the hardships his parents faced in their escape from Tunisia in the aftermath of World War II. Guitar, bass and drum deftly lay a rhythmic foundation, and Jensen’s triumphant trumpet celebrates the family’s resilience and the sturdy house and home that Yosef Ben-Hur was determined to build for his family.
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Daily Dose Of Jazz
Siegfried “Sigi” Schwab was born in Ludwigshafen, Rhineland-Palatinate, Germany on August 5, 1940. He played in a wide variety of styles, including baroque and jazz. He played in German groups like Et Cetera with pianist Wolfgang Dauner, bassist Eberhard Weber, and drummers Fred Braceful and Roland Wittig.
With Embryo he was joined by drummer and percussionist Christian Burchard, Mal Waldron on piano, and bassist Dave King, and with percussionist Ramesh Shotham. He played with the Diabelli Trio, Peter Horton, Freddie Santiago, Guillermo Marchena, and Andreas Keller.
In 1980 he played with flutist Chris Hinze at the 5th North Sea Jazz Festival. In addition, Schwab has also published several books about various guitar playing styles. He was a teacher, and performed on more than 15,000 recordings for film, television, and as an accompanist to various artists.
Sigi Schwab, who recorded twenty-eight albums as a leader and died after a long illness on January 11, 2024 at the age of 83 in Munich, Bavaria, Germany.
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Daily Dose Of Jazz…
Gordon “Gordy” Johnson was born July 31, 1952 in Minneapolis, Minnesota, and was quickly immersed in the world of music as his father Clifford was in the bass section of the Minnesota Orchestra for 47 years and his mother Thelma taught piano. His main instrument growing up was the flute, however, he also played bass, keyboards and guitar, and sang rock and roll.
Graduating in 1974 from Eastman School of Music at the University of Rochester in New York, Gordy played flute in the Eastman Wind Ensemble and bass in the Eastman Jazz Ensemble, Studio Orchestra and Arrangers Workshop Orchestra.
Johnson spent a year breaking into the New York City music scene often playing with pianist and college classmate Phil Markowitz. In 1975, Gordy hit the road for a three-year stint with the Maynard Ferguson Orchestra, alongside drummer Peter Erskine. World tours followed with Gene Bertoncini, Roy Buchanan, the Paul Winter Consort and Chuck Mangione. He was also busy with studio recordings.
Moving back to the Twin Cities in 1989 where he became one of the most in-demand bass players in town ever since. He has performed, toured and/or recorded with Joanne Brackeen, Herb Ellis, Rosemary Clooney, Scott Hamilton, Michael Johnson, Jay McShann, Dewey Redman, Jim Rotondi, Diane Schuur, Marlena Shaw, Stacey Kent and Toots Thielemans, among others.
Double bassist and bass guitarist Gordy Johnson, who has recorded five albums as a leader and fourteen as a sideman, continues to play an average of 250 gigs a year, which keeps quite busy.
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JEFF LORBER FUSION
A consummate musician, Jeff Lorber’s passion, technical wizardry, forward-thinking and earnest approach, and sheer musicianship, has inspired legions of musicians for over five decades. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, he is also one of the most in-demand producers in Contemporary Jazz.
JEFF LORBER …KEYS/RHOADS
JIMMY HASLIP …BASS
GARY NOVAK …DRUMS
ALEX SILL – GUITAR
$40.00 1st Set | $35.00 2nd Set are Inside Seating
$20.00 Patio Seating is a live video concert, not inside the club.
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Daily Dose Of Jazz…
Rubén “Baby” López Fürst was born July 26, 1937 in Buenos Aires, Argentina. From the age of five he studied music and piano, and was soon attracted to jazz. In 1951 the 14 year old Ruben got the nickname Baby from the other musicians because he was a child. He made his debut on the jazz scene performing at the concerts organized by the Hot Club de Buenos Aires.
In 1953 Baby played in a string ensemble led by the López Fürst brothers who performed a jazz concert at the Provincial Hotel in the city of Mar del Plata, Argentina. With his brother Héctor on banjo and him on piano they created the Hot Jammers group and made two 78-single records for Victor. He went on to be part of the Dixie band, The Picking Up Timers.
In 1957 the big succes of Oscar Alemán inspired Baby to leave the piano and take up the guitar, trying to emulate one of his idols: Django Reinhardt. Then began regular performances with a string-group named the Blue Strings. It was a quartet in the vein of gypsy string swing.
Modern jazz captivated him in 1959, when he listened to Gerry Mulligan at the Hot Club de Montevideo in Uruguay. Trying to play those new sounds, in 1962 he joined the modern group of pianist Sergio Mihanovich. On the two albums recorded in 1962, the work began Argentine cool jazz with saxophonist Leandro “Gato” Barbieri, Sergio Mihanovich on piano, drummer Osvaldo “Pichi” Mazzei, trumpeter Rubén Barbieri, Oscar López Ruiz on electric guitar, Rubén López Furst on piano, Domingo Cura on percussion, Osvaldo Bissio vibráphone, and baritone saxophonist Julio Darré.
Fürst is one of the most important pianists in the history of Argentinean jazz and opted to stay in Buenos Aires and make a name for himself at home unlike his counterparts Barbieri and Lalo Schiffrin. He played for over 20 years, mainly with his own trio or quartet.
The hard bop musician also formed a swing group. Pianist and guitarist Baby Fürst, whose primary influences were Teddy Wilson and Bill Evans, died on July 26, 2000 at the age of 63 in Buenos Aires.
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