
Daily Dose Of Jazz…
Antoine Hervé was born on January 20, 1959 in Paris, France. He studied composition at the Conservatoire National Supérieur de Musique. Between 1987 and 1989 he was director of the French National Jazz Orchestra.
Next to musicals, soundtracks for movies and dance shows Hervé has composed a concert for trumpet and a piece for drums and orkest. During 1997 he and Markus Stockhausen founded a quintet.
Emerging as a gifted representative of his generation of improvisers, his delve into fusion music, European classical music, contemporary and modern jazz led him and 12 other musicians to form the group Bob 13. He would go on to create a trio with bassist Michel Benita and drummer Peter Gritz.
His influences have been Bill Evans, Wynton Kelly, Oscar Peterson and McCoy Tyner, as well as Chopin, Debussy and Bartok.
Pianist Antoine Hervé continues to explore the realm of jazz through his compositions and performance.
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KENNY BARRON
Starting his week as Resident Artistic Director in grand style, Kenny Barron performs with his ironclad working trio with bassist Kiyoshi Kitagawa and drummer Johnathan Blake. Kitagawa’s 27-year association with Barron and Blake’s nearly twenty-year tenure have made them the finest working piano trio in jazz, a unit that has developed a singular depth of communication as captured on Barron’s 2016 Impulse! album Book of Intuition — a sterling session nominated for “Best Instrumental Jazz Recording” at the 2016 GRAMMY Awards.
Called “one of the top jazz pianists in the world” by The Los Angeles Times, Kenny Barron is a 2010 NEA Jazz Master and eleven-time GRAMMY nominee who helped define and extend the jazz tradition since his work with Dizzy Gillespie in the early ‘60s catapulted him into the spotlight. Extensive associations with Freddie Hubbard, Yusef Lateef, Stan Getz, James Moody and Ron Carter built his peerless reputation as a sideman, and he has recorded over 50 albums as a bandleader over his five-decade career. A seven-time recipient of Best Pianst by the Jazz Journalists Association, Barron leads an ironclad trio with bassist Kiyoshi Kitagawa and drummer Johnathan Blake, and regularly performs as a soloist and settings from duo to big band.
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RENÉ MARIE
In a span of two decades, René Marie has cemented her reputation not only as a singer but also as a composer, arranger, actress and educator. Guided and tempered by powerful life lessons and rooted in jazz traditions laid down by icons of past generations, this two-time Grammy Nominee melds jazz with elements of spirituals, folk, R&B, classical and even country to create a captivating hybrid style. Her body of work is musical, but it’s more than just music. It’s an exploration of the bright and dark corners of the human experience, a musical architecture for the human spirit.
Her body of work is musical, but it’s more than just music. It’s an exploration of the bright and dark corners of the human experience, and an affirmation of the power of the human spirit.” – All About Jazz
7:00pm Performance ~ Sold Out
9:00pm Performance ~ Tickets Available w/$5.00 service charge
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KENNY WILLIAMS
In his acclaimed 25-year musical career, vocalist Kenny Williams has lit up stages nationally and internationally, and spent nearly a decade performing on Broadway in New York City, making his Broadway debut in Disney’s hit musical The Lion King. A tornado of talent and charisma, Williams possesses an impressive vocal range and a light-from-within aura. The Austin native studied voice at the University of Texas, and cut his teeth as an actor and an entertainer in clubs on the city’s famed 6th Street and at ZACH Theatre. Williams was born to entertain, and his star shines brightly. He is a truly gifted vocalist, while his spirit, energy, and passion will bring you back for more.
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Daily Dose Of Jazz…
Raymond Eberle was born on January 19, 1919 in Mechanicville, Saratoga County, New York. He started singing in his teens without formal training. In 1938 while looking for a male vocalist for his big band asked Bob Eberly if he had any siblings at home who could sing and his brother was hired on the spot.
Eberle went on to find success with Miller, deeming the songs for the film Orchestra Wives, such as the jazz standard “At Last”, to be among his favorites, as they were songs he could make a story out of. During the Forties he appeared in Twentieth Century Fox movies, and several Universal Studios films, singing mostly ballads.
He led his own orchestra, The Ray Eberle Orchestra, as well as the Serenade In Blue Orchestra from 1943. In the 1950s and 1960s.he also appeared on numerous television variety shows. He maintained his band until his death.
After his departure from Miller, Eberle briefly joined Gene Krupa’s band before launching a solo career. He later joined former Miller bandmate Tex Beneke’s orchestra in 1970 for a national tour, and reformed his own orchestra later in the decade.
Vocalist Ray Eberle died of a heart attack in Douglasville, Georgia on August 25, 1979, aged 60.
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