ERIC SCOTT REED & GENERATION X, Y & Z

Giveton Gellin – trumpet | Jon Beshay – tenor saxophone | Eric Reed – piano | Nick Joz – bass | Ethan Kogan – drums
Pianist Eric Reed leads this exciting quintet–Generation X, Y, and Z. His latest album, Black, Brown, and Blue, celebrates the rich and diverse music of composers of color. Reed calls the work a personal milestone and “the culmination of my life thus far. I’m freer than I’ve ever been in my personal life, and I’m freer than I’ve ever been in my music. I’m accepting who I am. I love who I am. And as I continue to evolve – my artistry, my sexuality, and my overall humanity – my music will continue to become more and more personal.” A widely respected and popular musician and mentor, Reed first rose to fame with Wynton Marsalis and has performed with artists as varied as Jessye Norman, Quincy Jones, and Patti Labelle. His perpetually swinging and sophisticated style has made him one of the important ambassadors of the music.
“Eric Reed has fully established himself in the forefront of jazz pianists.” – All About Jazz
*PLEASE NOTE: All 7PM and 9PM shows at Smoke are Dinner Shows

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Daily Dose Of Jazz…

Darius Brubeck was born David Darius Brubeck on June 14, 1947 in San Francisco, California into a musical family. His father Dave and mother Iola Brubeck named after his father’s teacher and mentor, French composer Darius Milhaud. Moving from Oakland, California they settled in Wilton, Connecticut in 1960 and ultimately graduated from Wilton High School in 1965.

Darius majored in ethnomusicology and the history of religion at Wesleyan University, graduating cum laude in 1969. While there he composed and performed the music for the film Christopher’s Movie Matinee. During the next decade and into the early 1980s he would go on to lead two groups, The Darius Brubeck Ensemble and Gathering Forces, cross America as a sideman with Don McLean and record two albums with guitarist Larry Coryell. He toured the world and recorded as a member of Two Generations of Brubeck and The New Brubeck Quartet, both led by his father.

In 1983, Brubeck and his South African wife, Catherine, moved to Durban, South Africa, joined the music Department at the University of Natal and initiated the first degree course in Jazz Studies offered by an African university. In 1989, he was appointed as Professor of Jazz Studies and Director of the Centre for Jazz and Popular Music, where he taught until 2005.

A move to London, England in 2005, Darius taught courses at the Guildhall School of Music and Drama and Brunel University. Appointed as a Fulbright Senior Specialist in Jazz Studies in 2007, he taught at Yıldız Technical University in Istanbul, turkey and subsequently at the Gheorghe Dima Music Academy in Cluj-Napoca, Romania, in 2010.

His years in South Africa saw him forming five student/staff bands, record the album The Jazzanians: We Have Waited Too Long to be released in 2024, form the band Afro Cool Conceptwhich toured for nearly 15 years and recorded a live album in New Orleans.

As a composer Brubeck has written music for all types of ensemble, large and small. He has arranged and written an original composition for his father’s 80th birthday, and the Rockefeller Foundation awarded him a residency as a composer at the Bellagio Study and Conference Center in Italy.

Pianist, author, composer, arranger and educator Darius Brubeck, who has had a documentary film made by Michiel ten Kleij titled Playing the Changes: Tracking Darius Brubeck, currently leads The Darius Brubeck Quartet.

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THE HEAVY HITTERS

Mike LeDonne piano | Eric Alexander tenor saxophone | Vincent Herring alto saxophone | Sean Jones trumpet | Alexander Claffy bass | Kenny Washington drums

The Heavy Hitters is the eponymous album from a brand-new sextet featuring some of the most established players in the jazz game. The group is led by Mike LeDonne, New York-based bop pianist best known for his sideman work with Milt Jackson and Benny Golson. His partner in crime, Eric Alexander (himself a first-rate soloist working with Harold Mabern amongst others) was his quartet-mate on a well-received series of releases on the Venus label in the mid-2000’s. The two friends came together for this, their first sextet release as leaders, featuring a set composed entirely of originals.

The music is built to tickle your mind, hit you in the heart and get your head swaying back and forth. The Heavy Hitters have been swinging hard their whole lives! It’s a true “Jazz” sound, recorded by some of the greatest jazz musicians of their generation.

“Together, these two ‘Heavy Hitters’ offer us a smokin’ hot production featuring five other heavy-hitters and a product plush with crème de la crème of both musicianship and original compositions.” – Dee Dee McNeil, Musical Memoirs

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BENITO GONZALEZ, BUSTER WILLIAMS, LENNY WHITE

Benito Gonzalez – Piano | Buster Williams – Bass | Lenny White – Drums

Pianist Benito Gonzalez “Two times Grammy nominee”is an internationally beloved artist who combines a long lineage of American jazz traditions with rhythms from around the world. He’s worked with dozens of the greats, and he always brings some of the best rhythm section players in the world.

Today a rising tide of young jazz pianists are attempting to find their distinct voices by taking cues from their elders. But only a few take their artistry beyond their predecessors to make bold 88-key statements on their journeys to new vistas, fresh sounds, inspired expressions. That personal-touch devotion to the wonders of the instrument brings with it a certitude of intuitive creativity.

That fortitude fuels Benito Gonzalez, an exhilarating pianist who won the 2005 Great America Jazz Piano Competition and was honored in 2020 to be a Steinway & Sons artist for “his sound [that] is recognizable for the powerful rhythm section and Afro-Latin patterns he prioritizes across his projects.” The Venezuela-born, New York-based artist grew up playing traditional Venezuelan folk music with his family before absorbing the inventiveness of such pianists as Herbie Hancock, McCoy Tyner,Chick Corea and Keith Jarrett who inspired him to join in the explorations on the instrument.

Gonzalez made his way to U.S. by a serendipitous route when an American cultural ambassador caught one of his trio gigs and later invited him to come to Washington, D.C. He was enlisted to play shows with Ghanaian master drummer Okyerema Asante that led to a recording. “After my first six months here, I decided to stay in this country to learn the music right,” Gonzalez said.

Gonzalez went on to play with Jackie McLean in 2003, then joined Kenny Garrett’s quartet for seven years until 2013—during which time he garnered two Grammy band nominations. After his stint with Garrett, he played with saxophonist Azar Lawrence’s band and then in 2019 joined saxophone legend Pharoah Sanders as his pianist/musical director.

Through the course of his career, Gonzalez has been instrumental as a sideman in performing and recording with such jazz greats as Bobby Hutcherson, Dave Liebman, Gary Bartz, Curtis Fuller, Al Foster, Lenny White, Billy Hart, Ignacio Berroa, Jeff”Tain”Watts, Buster Williams, Rene McLean, Steve Turre, Delfeayo Marsalis, Hamiet Bluiett, Ron Blake, Antonio Sanchez, Mark Gross, and Azar Lawrence.

Gonzalez also recorded his own albums, including Starting Point (2004) and Circles (2010), then continued his solo career with Dream Rhapsody (2015) with Slavic flutist/vocalist Sisa Michalidesová, and a loving tribute to McCoy Tyner Passion Reverence Transcendence (2018).

With propulsive pulse and Afro-Latin percussive drive, Gonzalez placed rhythm at the core of 2021’s Sing to the World, his fifth album and first released on the St. Petersburg, Russia label Rainy Days Records. He assembled an impressive team of collaborators, including Christian McBride, Essiet Okon Essiet, Jeff “Tain” Watts, and Nicholas Payton as well as rising stars Russian drummer Sasha Mashin, trumpeter Josh Evans.

In addition to his slow-to-upbeat originals, Gonzalez added to the set list two compositions that had never been recorded by their composers: Roy Hargrove’s soulful “Father” and the “Tain” beauty “416.” After almost seven years of touring with Kenny Garrett, Benito has added numerous festivals and international jazz club dates to his credit. In 2019 he joined legendary saxophonist Pharoah Sanders as pianist and musical director.

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The Jazz Voyager

Heading upstate New York a day early to catch the early summer of nature on the upper Hudson River and ultimately sit in a little place called the Jazz Forum Arts for an evening of great music. Established in 1985, the club has consistently been bringing talent at the top of their game to Westchester County and they have been instrumental in elevating the community’s appreciation for this unique American art form.

This week they welcome the Bill Charlap Trio for a two-day residency with bassist Peter Washington and drummer Kenny Washington taking the stage with the pianist. It’s a jazz super-group that has dazzled audiences for years and they haven’t lost their touch with an interplay and near-telepathic communication ranking among the best. Not only have they received a Grammy Award but also multiple nominations.

The venue is located at 1 Dixon Lane, Tarrytown, New York 10591. For more information you are invited to visit https://notoriousjazz.com/event/bill-charlap-trio-4.



CALIFORNIA JAZZ FOUNDATION

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