Daily Dose Of Jazz…
Bob Florence was born on May 20, 1932 in Los Angeles, California. He began taking piano lessons at five and initially intended to be a concert pianist. His direction changed when he was exposed to jazz while attending Los Angeles City College.
At the beginning of his career Bob worked as a pianist and arranger with Dave Pell. He went on to found his first band in the late 1950s, working with, amongst others, Herb Geller, Bud Shank, Frank Capp and Enevoldsen.
Florence later participated in big band projects in the Los Angeles area, working mainly with session musicians and as an accompanist to various singers. Throughout his career he worked as an arranger for Harry James, Louis Bellson, Stan Kenton, Buddy Rich, Count Basie and Doc Severinsen.
In 2000, Florence won a Grammy for Best Large Ensemble Performance. He died of pneumonia in Los Angeles, California on May 15, 2008 at the age of 75.
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Review: Julie Dexter & The HC3 | The Smiling Hour
There is an inherent understanding of individual artistry I bring to this listening experience. I am filled with anticipation, expectation and a curiosity of what this ensemble will do with the compendium of genius represented in part by Carmichael, Ellington, Lins, Shorter and Higginbotham.
The true measurement of a vocalist is the musicians encircling her and this storyteller has chosen well. With minimalistic accompaniment, they cajole the melody along with a voice that undeniably understands what the lyricist penned. Her interpretations are pure and simple statements from the emotional depths of her soul. Of course, I speak of Julie Dexter, who brings to bear a jazz sensibility reminiscent of the legendary jazz vocalists of the last century.
But do not be deceived. This is far from a project of solo amplitude but a synergy of rhythmic voices that speak volumes. The subtleties in their playing do not bemoan their complete lack of ego as they unfold the story in each song. Like children passing notes in school, this rhythm section comprised of pianist Nick Rosen, bassist Kevin Smith and the anchor Henry Conerway III on drums, easily play off one another, keeping the improvisation of the story vibrant while maintaining the integrity of the composition.
They begin the set with an up-tempo swing invitation to come along to the Black Nile interjected with a bit of scatting on her interpretation of a Vanessa Rubin lyric. Turning to a light-hearted lament, Julie relates her loss of words that’s more a compliment that a complaint with You Leave Me Breathless. The quartet reaches back some forty years to remind the listener that Thom Bell and Linda Creed are still relevant in this modern day world of strife with People Make The World Go Round.
There are three moments of quiet during this session where the ballad takes the spotlight: Jay Livingston’s Never Let Me Go, Hoagy Carmichael’s The Nearness Of You and Good Morning Heartache by Irene Higginbotham. Kevin’s refreshing bowing and plucks, Nick’s offerings of piano accents and Henry’s brush setting tempos compliment Julie’s heartfelt interpretations.
Returning to the fun, we have Nat Adderley’s composition The Old Country, an easy romp with That’s Livin’, a tribute to Duke Ellington that showcases the trio’s interaction on the lone instrumental, Cotton Tail. Well placed in the lineup is the gentle Ivan Lins’ bossa title track The Smiling Hour giving you to sway to the rhythms before closing out the set with the classic Mongo Santamaria’s Afro Blue.
In a world where the milieu seeks style over substance, this formidable foursome is notorious for the honesty of their sound, thus proving substance is their style. There is sparseness in their articulation exhibiting a maturity that echoes less is more. Within this offering lies an unscripted collective intimacy that captures the discipline and freedom in each performance and they have given a new bloom to the classics that will stand the test of time. But what I like most about this expose they’ve aptly titled The Smiling Hour is… the promise of things to come.
carl anthony | notorious jazz | may 19, 2015
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Daily Dose Of Jazz…
Wu Fei was born on May 12, 1977 in Beijing, China. From the age of four she began her music studies first on the guzheng and then piano the following year, practicing two to four hours everyday. At fourteen she tested into the China Conservatory of Music and studied composition before and then at Mills College in the United States.
Wu Fei, who is also a composer, vocalist and improviser, combine East with West in her approach to her music. In 2007 she released her debut solo album A Distant Youth with accompanying guitar, violin and percussion. Her sophomore project titled Yuan followed the following year.
She has recorded with Abigail Washburn Carla Kihlstedt, Helge Andres Norbakkeh and two Fred Firth albums, as well as on his soundtrack for the PBS documentary film The Happy End Problem. Her performance was highlighted in the 2009 Shan Qi music DVD and she gave a live performance on guzheng and voice at the Hermes fashion show during Paris Fashion Week. Wu Fei, avant-garde and experimental jazz musician, continues to perform, compose and record.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Alekos Vretos was born on May 11, 1976 in Athens, Greece. He studied oud and piano in his youth. While attending Berklee College of Music he studied composition. Since graduating he has been masterfully merging jazz, Arabic, Greek and Latin music in a blend of sounds from traditional instruments. As a bandleader, he has developed a unique atmosphere for his music by keeping traditional sound in the front line and expanding it through jazz improvisation and exploding rhythmic development.
Vretos made his first appearance on a recording titled Yunan with The Meliti Ensemble in 2004 to critical acclaim. As a leader he released his debut album Mergin in 2009, taking the oud into unchartered waters leaning heavily on jazz but with a fine hint of traditional Arabian sound.. That same year he launched his own indie label and management company Jadeo Music, making this the inaugural project.
Alekos features world, jazz and classical music in his playing as well as his fellow artists. He was included in 2013 list of the 100+1 most influential people in the Greek music scene. He has performed in major venues in Grece, the UK, Palestine, Mexico and the United States. He continues to perform, record, tour and collaborate with jazz big bands, orchestras and fellow composers.
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Daily Dose Of Jazz…
Mickey Tucker was born on April 28, 1941 in Durham, North Carolina and began on piano at age six, playing in church when he was young. By the 1960s he was doing studio work with R&B musicians such as Little Anthony & The Imperials, Damita Jo, and accompanying comedian Timmie Rogers, switching to jazz music late in the decade.
In the late ’60s and ’70s Mickey played with Bill Harman, Junior Cook, James Moody, Frank Foster, Roland Kirk, Eric Kloss, Thad Jones, Mel Lewis, Roy Brooks, Eddie Jefferson, Billy Harper, Philly Joe Jones, George Benson,, Willis Jackson and Final Edition.
The 1980s saw Tucker performing with the Art Farmer and Benny Golson group The Jazztet, and with Richie Cole, Phil Woods and Louis Hayes. He would work with Junior Cook, and the Jazztet again in the Nineties as well as with Bob Ackerman.
Pianist Mickey Tucker has released eleven albums as a soloist or leader, and another 10 as a sideman. He moved to Sydney, Australia and is currently pursuing his musical endeavors in jazz as a pianist and organist.
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