Daily Dose Of Jazz…
Peter Appleyard was born August 26, 1928 in Lincolnshire, England and became apprenticed to a nautical instrument maker after being forced to leave school due to economical reasons related to the Second World War. At that time the popularity of American Big Band music was growing in England, due to recordings by jazz legends like Benny Goodman, Duke Ellington and Count Basie.
Strongly influencing young Appleyard, he decided to pursue a career as a jazz musician and in the early 1940s began his career playing in the Boys Brigade, a youth organization. He went on to perform as a drummer in several other British dance bands and played in RAF bands.
In 1949 Appleyard moved to Bermuda, spent his holidays in Canada and picked up his first set of vibes, eventually settling in Toronto. He worked as a room booking clerk and a salesman studying music and soon thereafter began playing the vibraphone in concerts with Billy O’Connor in the early 1950s.
From 1954-1956 he played with a band at the Park Plaza Hotel, made numerous appearances on CBC Radio, his own jazz ensemble in 1957 and performed and toured throughout North America, appeared on American television during the 1960s. He would go on to host radio and television programs, work with Benny Goodman’s sextet, Frank Sinatra, Ella Fitzgerald, Count Basie Orchestra, and continue to perform in Toronto nightclubs and lounges while double as music director for several bands.
In 1982 Appleyard formed the All Star Swing Band that Swing Fever, earning a gold record and a nomination for a Juno Award for Instrumental Artist of the Year. Following Goodman’s death, he formed the Benny Goodman Tribute Band in 1985, leads the “Swing Fever Band”, has had several concert tours for NATO, and has performed for Canadian and American servicemen at the North Pole Christmas Show in Greenland.
With more than two-dozen albums under his belt, vibraphonist Peter Appleyard has received the Queen’s Diamond Jubilee award and regularly traveled, toured and performed around the world until his passing of natural causes on July 17, 2013 in Eden Mills, Ontario, Canada. He was 84 years old.
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Daily Dose Of Jazz…
Cecilia Smith was born on August 17th, in Cincinnati, Ohio and raised in Cleveland Heights. She began her musical odyssey at age eight with piano lessons and by age twelve, she had added drums to her repertoire. At fourteen, she was on to mallet percussion, studying in her early teens music theory with graduate students at the Cleveland Music Institute. This led to her discovery that music would be her life’s quest.
Upon graduating from high school, Cecilia attended the Berklee College of Music in Boston, Massachusetts and while there she pursued composing, arranging, film scoring and her instrument of choice, the vibraphone. Earning a Bachelor of Music degree in Professional Music from Berklee, Smith continued in a teaching capacity for four years before moving to New York City.
As a professional composer and recording artist, Cecilia Smith has received numerous commissions and grants. She is an avid midi programmer, is currently one of the leading vibraphonist of the Four-Mallet Technique, the first woman to release material on vibraphone on a national and international level and has performed in concert halls, nightclubs and festivals throughout North and South America, Europe and Asia. Vibraphonist Cecilia Smith has frequently been highlighted on national radio and television broadcasts and she continues to compose, arrange and perform.
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HENDRIK MEURKENS
One of the most unique and captivating voices in jazz brings his quartet to The Side Door. Hendrik Meurkens is a virtuoso on both the chromatic harmonica and the vibraphone and is widely regarded as the most important jazz harmonica player since Toots Thielemans. Born in Hamburg and now based in New York, his path to musical mastery is one of jazz’s most extraordinary stories. As a teenager, a Benny Goodman record with Lionel Hampton lit the fuse — he had to play vibraphone. Then, at nineteen, he heard Toots Thielemans for the first time and knew he had to play harmonica too. He perfected his unique musical voice at Berklee as a vibraphone major, then moved to Rio de Janeiro in the early 1980s to immerse himself completely in the music and culture of Brazil.
His poignant, emotionally affecting harmonica proved to be a sound that Brazilians strongly embraced, and that deep love of Brazilian music , samba, bossa nova, choro, has never left him, infusing everything he plays with a warmth and rhythmic vitality that is entirely his own. Back in Germany by 1983, he became a respected studio musician, recording with European Radio Orchestras and accompanying visiting legends like Harry “Sweets” Edison and Buddy Tate. He then moved to New York on an exclusive contract with Concord Records and has since released over fifteen acclaimed albums as a leader, performing at festivals and clubs around the world.
The Band
Hendrik Meurkens – Harmonica & Vibraphone
Steve Ash – Piano
Joe Fitzgerald – Bass
Ben Bilello – Drums
Cover: $27.98
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Daily Dose Of Jazz…
Joe Roland was born May 17, 1920 in New York City and began as a clarinetist, attending the Institute of Musical Art (The Juilliard School) from 1937 to 1939. He started playing the xylophone in 1940 and then the vibraphone in the middle of the decade, playing in the New York jazz clubs. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade.
By the 1950s he was playing with Oscar Pettiford, George Shearing, Howard McGhee, Mat Mathews, Aaron Sachs, and with Artie Shaw and his Gramercy Five alongside Hank Jones, Tal Farlow, and Tommy Potter. Mat Mathews and Aaron Sachs. Roland recorded occasionally as a leader releasing albums for Rainbow, Savoy, Seeco and Bethlehem records.
In the early sixties Joe moved to Miami Florida and became an influential part of a thriving South Florida jazz scene. While working the Coconut Grove he was credited for having trained many young musicians from the University of Miami. Vibraphonist Joe Roland would work steadfastly throughout his life until his death of natural causes at the age of 89 in Jupiter, Florida on October 12, 2009.
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Daily Dose Of Jazz…
Bob Leatherbarrow was born on May 3, 1955 in Buffalo, New York. He studied drums with Charlie Lorigo, orchestral percussion with John Rowland of the Buffalo Philharmonic, and the vibraphone with Dave Samuels. He began working professionally at age 14, attending the Berklee College of Music in Boston, Massachusetts before moving to Los Angeles in 1978 to further pursue a career in music.
Throughout his career in jazz, Bob has been a member of Ernie Watts Quartet for over 25 years, has performed and recorded with Joe Farrell, Victor Feldman, Horace Silver, Rosemary Clooney, Natalie Cole, The Bill Holman Band, the Bob Florence Jazz Orchestra and Howard Roberts among others. He has also recorded in other genres with Gordon Lightfoot, Bette Midler, Placido Domingo, Dolly Parton and Henry Mancini.
Leatherbarrow has appeared of film and television soundtracks for The Simpsons, Family Guy, Austin Powers, Bruce Almighty, The Cleveland Show and The Life Aquatic to name a few, and drummed the iconic snare rolls that begin the sound signature of 20th Century Fox Studios.
Doubling on vibraphone, Bob Leatherbarrow has backed singers like Peggy Lee, Greta Matassa, Lorraine Feather and Nelly Furtado along with Stanley Clarke, Bill Perkins and his own group Polychrome, with whom he continues to compose and perform.
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