Daily Dose Of Jazz…
Karel Velebný was born March 17, 1931 in Prague, Czechoslovakia and at seven years old, he played piano and at fifteen was a modern jazz enthusiast who taught himself to play alto saxophone. He graduated from Gymnasium then studied drumming at the Prague Conservatory, making his first public performance as a student, and became a full-time professional as soon as he graduated.
From 1955 to 1958 he played with Czech jazzman Karel Krautgartner’s orchestra, then joined contrabassist Luděk Hulan to co-found Studio 5, which became the key ensemble of modern Czech jazz. He continued to work with Krautgartner until the latter emigrated in 1968.
In 1960, the Studio 5 ensemble was absorbed by the Dance Orchestra of Czechoslovakia Radio, but Velebný and the original Studio 5 members soon quit. In 1961, he and flautist Jan Konopásek co-founded SHQ, initially part of the Spejbl and Hurvínek Theatre thus Spejbl and Huvínek Quintet, but later began taking independent performances.
SHQ became one of the most important bands in Czech jazz history. He was its leader, composer, arranger, played as a multi-instrumentalist and taught the younger band members. SHQ’s instrumental line-up and membership changed frequently. Karel played with various Czech jazz ensembles, including Kamil Hála’s orchestra, the Linha Singers ensemble and with other regular collaborators.
As a composer, Velebný concentrated solely on jazz, in compositional styles and arrangements reminiscent of Gerry Mulligan, Chick Corea, Gary Burton and Benny Golson. He wrote mainly for his own ensembles notably Studio 5 and SHQ but also for the Kamil Hála Orchestra, the Karel Vlach Orchestra and others.
In 1978 he was invited to the Berklee College of Music, where he studied jazz teaching and the different approaches of European and American jazz. He organized and led the Summer Jazz Workshop in Frýdlant, Czech Republic until his death. As a teacher, he emphasized knowledge of techniques which could be broadly applied on jazz standards. He also wrote the specialist jazz textbook The Jazz Practical.
Diagnosed with a serious heart disease he was forced to quit as a saxophonist and vibraphonist and was restricted to piano. On March 7, 1989 vibraphonist, pianist and saxophonist Karel Velebný,who was also a composer, arranger, actor, writer and music pedagogue and one of the founders of modern Czech jazz in the second half of the 20th century, died in Prague.
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LIFE, LOVE & LENNY
A Celebration of the life and music of Lenny White
The iconic Grammy-winning drummer, who is among jazz music’s most prolific and celebrated artists, producers, composers and sidemen — will be fêted at a one-night-only celebration filled with music and memories at Jazz at Lincoln Center’s Frederick P. Rose Hall.
Presented by Tzedakah 4 All, the event will feature performances in multiple combinations – Return to Forever w/ Stanley Clarke, Al DiMeola and orchestra conducted by Maestro Steve Mecurio, Miles Davis Bitches Brew, Red Clay, Echoes of an Era, as well as exploring material from his illustrious five + decade career. Laurence Fishburne will serve as emcee with appearances from fellow artists Buster Williams, Omar Hakim, Patrice Rushen, Al Foster, Mike Clark, Billy Hart, and Billy Drummond.
Tickets: $175.00~$250.00
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TOM BECKHAM TRIO
As a leader, vibraphonist Tom Beckham has released 4 CD’s to date: Suspicions, Center Songs, Rebound and a duo album with guitarist Brad Shepik entitled Flower Starter. He also performs on solo vibraphone. He also co-leads a quartet band with pianist Dred Scott called “Cali Mambo.”
As a versatile sideman in New York for 30 years, Beckham has toured with and performed and/or recorded with Brad Shepik’s “Across the Way” Quartet, George Schuller’s Circle Wide bands, JC Sanford’s Jazz Orchestra, lap steel guitarist Mike Neer, the Motown/Soul group The Soul Night Band; trombonist J. Walter Hawkes, the swing-era ensembles of Lapis Luna and Flying Home; Joseph C. Phillips’ Numinous Ensemble; the Boston Modern Orchestra Project (BMOP); pop/lounge artist Sylvia Black, as well as session work for film and TV such as PBS and HBO and has appeared on over 28 recordings to-date.
In 2018 he was featured in the book “Masters of the Vibes” (Mostly Marimba Productions) by Anthony Smith along with his own heroes of the vibes such as Stefon Harris, Joe Locke, David Friedman, Warren Wolf, and many other great players. Tom earned his Bachelor’s Degree at the Berklee College of Music and is a former student of Gary Burton and Ed Saindon.
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JASON MARSALIS
Jason Marsalis is the youngest son of piano patriarch and jazz luminary Ellis Marsalis Jr. Upon the presentation of their NEA Jazz Masters Award in 2011, The Marsalis’ were declared “America’s First Family of Jazz”. In addition to his renown as a drummer, Jason is also a respected vibraphonist whose 2018 release “Melody Reimagined ” with his 21st Century Trad Band rose swiftly to the top of the Billboard jazz chart. With a fire in his heart and a passion for the music, his will to swing has never been more resolute. The maturity and the command Jason possesses over his music is clearly evident to those who have heard or seen him.
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HENDRIK MEURKENS
Hendrik Meurkens, a virtuoso on both the chromatic harmonica and the vibraphone, is the most important jazz harmonica player since Toots Thielemans. A two-mallet player in the tradition of Milt Jackson and Bobby Hutcherson, Hendrik Meurkens was en-route to being an instantly recognizable vibraphonist when he heard Toots Thielemans. Inspired by the sound of Thielemans’ harmonica, he taught himself the difficult-to-master instrument.
His other life-changing musical experience was his introduction to samba and bossa nova. He was so moved by Brazilian music that after perfecting his unique musical voice at Berklee, as a vibraphone major, he moved to Rio in the early 80s to totally immerse himself in music and culture of Brazil.
Within ten years, he had established himself as the “new jazz harmonica voice,” and moved to New York, thanks to an exclusive contract with the prestigious label, Concord Records. He has since recorded fifteen albums, and continues to perform as both a guest artist, and with his own groups, both in festivals and clubs globally.
Hendrik Meurkens’ profound involvement in both jazz and Brazilian music resulted in a very personal and instantly recognizable version of Samba jazz. This music features his harmonica and vibes along with piano, bass and drums, playing his stirring originals and arrangements.
Tickets: $20 – $45 | $2.33 – $3.56 Fees
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