Daily Dose Of Jazz…

Buddy Montgomery: The Youngest Brother Who Kept the Music Alive
Charles “Buddy” Montgomery was born on January 30, 1930, in Indianapolis, Indiana—the youngest of the Montgomery brothers, a family that would become one of jazz’s most remarkable musical dynasties. While his older brothers Monk and Wes would achieve fame on bass and guitar respectively, Buddy carved his own path, mastering both piano and vibraphone with equal facility.

Early Steps in a Legendary Family
Buddy began his professional career in 1948 at just eighteen years old. By the following year, he was playing with blues shouter Big Joe Turner, then working alongside the innovative trombonist Slide Hampton—learning the ropes from established masters while developing his own voice.

After fulfilling his military service in the Army—where he led his own quartet, never letting Uncle Sam keep him away from music for long—Buddy returned to civilian life ready to make his mark.

The Mastersounds Era
In the late 1950s, Buddy joined forces with his brother Monk to form the Mastersounds, a vibrant West Coast jazz group that produced ten recordings and helped define the accessible, groove-oriented sound that made jazz appealing to wider audiences without sacrificing musicality. The Mastersounds were part of that great wave of organ-and-vibes combos that kept the clubs packed and the jukeboxes humming.

Simultaneously, Buddy led the Montgomery-Johnson Quintet with saxophonist Ray Johnson from 1957 to 1959, helming his first recording session as a leader—proof that even within the family business, he had his own ideas about what jazz could be.

A Brief Brush with Miles
Buddy played briefly with Miles Davis—imagine being good enough to catch Miles’ attention, even momentarily. But when the Mastersounds disbanded, family called once again. Buddy and Monk joined their brother Wes for a series of “Montgomery Brothers” recordings, with Buddy contributing sophisticated arrangements that showcased all three siblings’ talents.

Tragedy on the Road
The brothers toured together in 1968, three Montgomery brothers bringing their distinctive Indianapolis sound to audiences across the country. But in the middle of that tour, tragedy struck: Wes died suddenly of a heart attack at just 45 years old, robbing jazz of one of its most influential guitarists and the Montgomery family of its brightest star. The loss was devastating, both personally and professionally.

Starting Over, Giving Back
In 1969, still processing his grief, Buddy moved to Milwaukee, Wisconsin, where he dedicated himself to teaching music—passing on what three generations of Montgomerys had learned about swing, harmony, and making music that moved people. He spent years nurturing young talent, ensuring that the knowledge didn’t die with his brother.

Oakland and a Second Act
In the 1980s, Buddy relocated to Oakland, California, where he experienced something of a renaissance. He released solo material that showcased his mature artistry and played with the Riverside Reunion Band alongside heavyweights like saxophonists Charlie Rouse and David “Fathead” Newman, and vibraphonist Bobby Hutcherson, peers who understood and appreciated what Buddy brought to the bandstand.

A Full Musical Life
Buddy Montgomery—vibraphonist, pianist, composer, arranger, bandleader, producer, and teachercontinued working in all these capacities right up until his death on May 14, 2009. He produced fourteen recordings as a leader over his career, each one a testament to his versatility and his refusal to be limited by anyone’s expectations.

More Than “The Other Montgomery Brother”
It would have been easy for Buddy to be overshadowed by Wes’ legendary status or defined solely as “one of the Montgomery brothers.” Instead, he built a career that honored the family legacy while establishing his own distinct identity. His vibraphone playing had a clarity and swing that was unmistakably his own. His piano work combined the influence of Indianapolis stride players with bebop sophistication. His arrangements showed a deep understanding of how to make a small group sound rich and full.

And perhaps most importantly, his decades of teaching ensured that the Montgomery musical tradition, that Indianapolis approach to swing, melody, and making accessible music still challenges close listening. His legacy would continue through his students who never met Monk or Wes but learned from Buddy what it meant to be a complete musician.

The Youngest, But Not the Least
Buddy Montgomery lived to 79, longer than either of his famous brothers—and used that time wisely, creating, teaching, and keeping the music alive. He proved that being the youngest Montgomery brother wasn’t a limitation but an opportunity to build something that lasted.

From teenage piano prodigy in Indianapolis to elder statesman of Oakland’s jazz scene, Buddy Montgomery showed that longevity in jazz isn’t just about surviving, it’s about continuing to grow, give, and create until the very end.

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ROY AYERS TRIBUTE

Atlanta is  celebrating the legendary Roy Ayers. A pioneer of jazz-funk, vibraphonist, composer, and producer whose sound became the heartbeat of Black culture from the 1970s through today. Often dubbed the “Godfather of Neo-Soul,” Ayers’ genre-bending artistry shaped the sonic foundation for countless artists, from Erykah Badu and The Roots to A Tribe Called Quest and Common.

Long before the dancefloors of Harlem to the airwaves of London and the sample-heavy beats of 90s hip hop, Roy Ayers’ Ayers started recording as a bebop sideman in 1962. In 1963, he released his debut studio album West Coast Vibes featuring a collaboration with the saxophonist Curtis Amy. He rose to prominence when he dropped out of Los Angeles City College and joined jazz flautist Herbie Mann in 1966. His music has transcended generations, inspiring a movement rooted in rhythm, liberation, and Black excellence.

Hosted by WCLK’s Morris Baxter, the evening will be opened by Heda Rose, followed by Mark Adams and a host of Atlanta musicians and vocalists.

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Daily Dose Of Jazz…

Jeno Beamter was born on August 7, 1912 in Budapest, Hungary. Graduating from high school in 1930 he was already trained as a drummer at the age of seven, although he was taught to play the violin. He completed his musical studies privately. From 1930 , he was taught to play the drums by Vilmos Roubal, a member of the Opera House. He soon began to play the vibraphone.

From 1933 he played in various bands, Bubi Vibraphone Ensemble, Solymossy–Beamter Duo, Ernő Vécsey Ensemble, Martiny Band, and Szabó–Beamter Duo. He made his first recordings with the Smiling Boys band.

The various jazz formations of Jenő Horváth’s Radiola Band, the Herrer band, the Durium band, Tabányi and its soloists, János Gaál Gyulai’s small band, and the Deák Big Band were the prominent bands in which he played. He made guest appearances in Austria, Switzerland, the GDR, England, and Yugoslavia.

In the 1970s, he performed with Barbra Streisand and Frank Sinatra in a joint show at the Kennedy Center. Jeno performed live with Tabányi on Hungarian Radio for fifteen years, almost every Sunday.

Drummer, vibraphonist, composer and educator Jeno Beamter, who performed in the traditional, modern and was one of the legendary figures of Hungarian swing music, died on January 11, 1984 in the city of his birth.

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EARL PHILIPS BIG BAND

Tribute to Terry Gibbs & His Dream Band | Steve Weiss Mallet Festival)

Earl Phillips is active as composer/arranger, educator, and bass trombonist in the greater Philadelphia area. As a composer/arranger, Earl directs and writes for the Earl Phillips Big Band and has led his own 17-piece big band since 2007.

As an educator, Earl is the Professor of Jazz Trombone and a member of the Composition / Arranging faculty at Rowan University.  Earl is also the Director of thel Jazz Ensemble, and teaches Music Theory and Music Technology at Cherokee High School.  Earl has also directed the Philadelphia Grammy Band (2005-2007), the All South Jersey Jazz Ensemble (2008 &2012), the All Central Jersey Jazz Ensemble (2014) and he has been a clinician/manager with the New Jersey All State Jazz Ensemble (2009-2014).

In 2020, through the COVID pandemic, Earl ran 2 All-State Jazz Ensembles to keep region jazz running and, for those efforts, was recognized as  the 2020 New Jersey Association of Jazz Education “Teacher of the Year” award.

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Daily Dose Of Jazz…

Adrian Francis Rollini was born June 28, 1903 in New York City, New York of French and Swiss extraction. Growing up in Larchmont, New York, he showed musical ability early on and began to take piano lessons at the age of two. Considered a child prodigy, he played a fifteen-minute recital at the Waldorf Astoria Hotel at the age of four. By age 14 he was leading his group composed of neighborhood boys, in which he doubled on piano and xylophone.

Leaving high school in his third year he cut piano rolls for the Aeolian company on their Mel-O-Dee label and the Republic brand in Philadelphia, Pennsyolvania. At 16 he joined Arthur Hand’s California Ramblers and being equally skilled at piano, drums, xylophone, and bass saxophone, gained him Hand’s respect. Hand transferred the band to Rollini when he retired from the music field.

During the 1920s not only was he a member of the California Ramblers with Red Nichols, Jimmy and Tommy Dorsey, he also held membership in The Little Ramblers, The Goofus Five, and The Golden Gate Orchestra. During this time, he managed to lay down hundreds of sessions with Annette Hanshaw, Cliff Edwards, Joe Venuti, Miff Mole, Red Nichols, Bix Beiderbecke, Roger Wolfe Kahn, and Frank Trumbauer.

The 1930s saw him forming the Adrian Rollini Orchestra which recorded on Perfect, Vocalion, Melotone, Banner, and Romeo labels, where he played both bass saxophone and vibraphone. During the early swing era, starting in 1935, he managed Adrian’s Tap Room, owned the Whitby Grill, and opened White Way Musical Products, a store for the sale and repair of musical instruments.

Gradually shifting from the bass saxophone to the vibraphone after popularity of the hot jazz era of the 1920s waned. He went on to play hotels, arranging and writing songs behind the scenes. After an exhaustive career, he made his last recording with his trio in the early 1950s. He relocated to Florida, opened the Eden Roc Hotel in 1955, ran the Driftwood Inn at Tavernier Key and his Driftwood offered deep-sea fishing charters.

Bass saxophonist, pianist, and vibraphonist Adrian Rollini, died under unsolved circumstances on May 15, 1956 at the age of 52 in Homestead, Florida.

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