Daily Dose Of Jazz…
Della Griffin was born June 12, 1925 in Newberry, South Carolina but grew up in New York, the 19th of 20th children. She greatly admired and was influenced by Count Basie, Charlie Barnet, and most specifically Billie Holiday. She began singing when she was 12 and a few years after her graduation in 1943 from Jamaica High School in Queens, New York, she began singing professionally.
1950 found Griffin and Frances Kelley forming one of the first all female R&B singing group that played in small clubs whenever they could for about a year. In 1951, Della invited Jerry Blaine, the owner of Jubilee Records, to hear the group perform. So impressed by the group that he signed them the next day and in January 1952 Jubilee released “The Enchanters” first record, they began touring, dropped their second record and two members left the group.
Della and Kelley were determined to continue their careers and replaced the two members becoming the “Dell-Tones” after lead singer and drummer Della. They went on to record with Brunswick and Rainbow record labels, and toured with Jimmy Forrest. By 1957 the Dell-Tones slowly began to drift apart and Della left to perform on her own.
Over the years Griffin migrated towards jazz touring with and playing in support to many artists including Sonny Stitt, Benny Green, Illinois Jacquet, and Etta Jones. She began performing again in New York City clubs including the Blue Note and The Blue Book where she stayed for years.
In 1984, Della was hit by a car and took a break from singing. She came back as a featured singer that garnered her more attention than her drumming. Recording with Houston Person, she began performing overseas at age 88, she has since all but ceased her performances and appearances. While singing remained her passion, vocalist Della Griffin, who was also proficient on the drums, alto saxophone, and piano, transitioned in New York City on August 9, 2022, at the age of 100..
Inspire A Young Mind
Daily Dose Of Jazz…
Nils Lindberg was born on June 11, 1933 in Uppsala, Sweden to a family of musicians from Gagnef, Dalecarlia. His musical taste and influence come from the traditional folk music of his home. He studied piano as a child and classical composition at the Royal College of Music in Stockholm with Lars-Erik Larsson and Karl-Birger Blomdahl.
Lindberg is known both as a jazz composer and musician, but also compases for choir and symphony. Several of his works are written in a style combing elements of jazz, Swedish folk music and classical music. He has recorded sixteen albums as a leader since his debut with Sax Appeal in 1960.
For several years Nils Lindberg worked together with one of Sweden’s leading vocalists Alice Babs, as a composer, arranger, pianist and conductor. He has also written arrangements for Duke Ellington, with whom Babs performed and recorded with. He has collaborated with internationally renowned artists like Josephine Baker, Mel Tormé and Judy Garland, and has toured Europe and Brazil, as well as the United States, where he has also been invited to give lectures.
Nils Lindberg, pianist and composer was awarded the Jussi Björling scholarship in 1990 and the medal Litteris et Artibus in 2006 for his contributions to music. He continues to compose, perform, record and tour.
Dose A Day – Blues Away
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Daily Dose Of Jazz…
Elisabetta Serio was born on June 1, 1972 in Italy. Inspired by the music of all genres she heard helped form her artistic personality. As a child, she trained in classical and modern studying at the Conservatorio Nicola Sala in Benevento, Italy. She graduated with a degree in jazz and pursued further studies with Maestro Valerio Silvestro and followed with seminars in Rome with Barry Harris and also the Italian musicians Rita Marctulli and bassist Pippo Matino.
Her musical journey in the strict sense is “the street” with the conventional forms of love and sacrifice make it a viable learning ground. This makes each performance unique and unrepeatable.
Modern jazz pianist Elisabetta Serio continues to collaborate with her countrymen musicians such as Pino Daniele, Rino Zurzolo – double bassist, Matino as well as James Senese, Tullio De Piscopo, Rino Zurrolo, Enzo Gragnianello. She has worked with international pop stars Noa, dipped into the funky blues with British singer Z Star and ventured into world music withSarah Jamne Morris.
She leads her own trio, drummer Leonardo De Lorenzo and bassist Marco de Tilla performing throughout Italy, at festivals around the world and in most jazz clubs. She often invites trumpeter Fulvio Siqurta for her quartet and Morris is a frequent guest. With all this she still finds time to participate on numerous recording and performing projects as a sideman/woman.
Jazz Is Global – Share
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Daily Dose Of Jazz…
Wycliffe Gordon was born May 29, 1967 in Waynesboro, Georgia and was heavily influenced musically by the church music his organist father played at several churches in Burke County as well as being a classical pianist and teacher.
It wasn’t until 1980 that Gordon became particularly inspired in jazz at age thirteen, listening to jazz recordings inherited from his great aunt. The collection included a five-LP jazz anthology produced by Sony-Columbia and was drawn in particular to Louis Armstrong and the Hot Fives and Hot Sevens.
Wycliffe attended, at that age, Sego High School in Augusta, Georgia and played in the band under direction from Don Milford. He graduated from Butler High in 1985, performed in New York City as part of the McDonald High School All-American Band, went on to study music at Florida A&M where he played in the marching band.
His early works as a professional were with Wynton Marsalis but in recent years he expanded beyond swing and experimented with new instruments, notably the indigenous Australian wind instrument, didgeridoo. In 1995, Gordon arranged and orchestrated the third version of the theme song for NPR’s All Things Considered, the widely recognized melody composed in 1971 by Donald Joseph Voegeli.
In 2006 he founded Blues Back Records, his was an independent jazz label and released his Rhythm On My Mind album, a collaboration with bassist Jay Leonhart. His desire for full artistic control was the impetus for creating Blues Back. Blues Back had produced other artists in Wycliffe’s universe who met Gordon’s criteria for originality, however, since 2011 has been inactive.
Jazz trombonist, arranger, composer, bandleader and music educator at the collegiate-conservatory level, Wycliffe Gordon also plays didgeridoo, trumpet, tuba, piano, and sings. To date he has a catalogue of 19 albums as a leader and another eight as a sideman performing with John Allred, Marcus Roberts, Randy Sandke, Maurice Hines, Ron Westray, and Chip White. He continues to perform, tour, record and educate.
Take A Dose On The Road
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Daily Dose Of Jazz…
Archie Shepp was born on May 24, 1937 in Fort Lauderdale, Florida but was raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before focusing on the tenor saxophone. He studied drama at Goddard College from 1955-59, eventually turning professional.
Shepp played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. His debut recording as a leader was under his own name, Archie Shepp-Bill Dixon Quartet on the Savoy label. The 1962 session included an Ornette Coleman composition was the initial link to the formation of the New York Contemporary Five, which included Don Cherry. Two years later with the admiration of Coltrane he recorded Four For Trane on Impulse Records with trombonist Roswell Rudd, bassist Reggie Workman and alto John Tchicai.
Archie participated in the sessions for Coltrane’s A Love Supreme in late 1964, but none of the takes were included on the final release but has since been made available on a 2002 reissue. He would cut Ascension with Coltrane in 1965, and his place alongside Coltrane at the forefront of the avant-garde jazz scene was epitomized when the pair split the record New Thing At Newport, the first side a Coltrane set, the second a Shepp set.
During the decade he would develop his political consciousness and Afrocentric orientation, recording albums that reflected. His albums Fire Music and The Magic of Ju-Ju put him at the forefront of the free-form avant-garde movement along with Pharoah Sanders. He continued to experiment into the new decade, at various times with harmonica players and even spoken word poets. Never far from political and social commentary Archie released Attica Blues for the prison riots and The Cry Of My People that spoke to civil rights. He also wrote for theater including The Communist and Lady Day: A Musical Tragedy.
In 1971, Shepp was recruited to the University of Massachusetts Amherst that began a thirty-year career as a professor teaching Revolutionary Concepts in African-American Music and Black Musician in the Theater, also teaching African-American Studies at SUNY in Buffalo, New York.
In the late 1970s and beyond Archie would record blues, ballads, spirituals, tributes to traditional jazz musicians, as well as R&B. He would perform with Sun Ra’s Arkestra, French trumpeter Eric Le Lann, with Michel Herr creating the original score for the film Just Friends. He also appeared on the Red, Hot Organization’s tribute to Fela Kuti titled Red, Hot and Riot.
He has been featured in two documentary films, 1981’s Imagine The Sound, in which he discusses and performs his music and poetry, and Mystery Mr. Ra in which he discusses and performs his music and poetry. Shepp also appears in Mystery, Mr. Ra, a 1984 French documentary about Sun Ra.
In 2004 he founded his own record label, Archieball, together with Monette Berthomier in Paris. Tenor and soprano saxophonist, pianist, vocalist Archie Shepp continues to perform, collaborate and record.
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