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William “Red” Garland was born in Dallas, Texas on May 13, 1923. Showing an early interest in music, he began his musical studies on the clarinet and alto saxophone but switched to the piano. Garland spent copious amounts of time practicing and rapidly developed into a proficient player. A short early career as a welterweight boxer did not seem to hurt his playing hands and he fought a young Sugar Ray Robinson before making the switch to a full-time musician.
Garland’s trademark block chord technique, a style that would influence many forthcoming pianists in the jazz idiom and a commonly borrowed maneuver in jazz piano today, was unique and differed from the methods of earlier block chord pioneers such as George Shearing and Milt Buckner. His block chords were constructed of three notes in the right hand and four notes in the left hand, with the right hand one octave above the left. The right hand played the melody in octaves with a perfect 5th placed in the middle of the octave.
After WWII he performed with Roy Eldridge, Coleman Hawkins, Charlie Parker and Lester Young. He found steady work in Boston, New York and Philadelphia and by the late 40s he was touring with Eddie Vinson at the same time that John Coltrane was in Vinson’s band. His creativity and playing ability continued to improve, though he was still somewhat obscure. By the time he became a pianist for Miles Davis he was influenced by Ahmad Jamal and Charlie Parker’s pianist Walter Bishop.
Red Garland found fame in 1955 when he joined the Miles Davis Quintet along with John Coltrane, Philly Joe Jones and Paul Chambers and together they recorded several Prestige albums such as Workin’, Steamin’ Cookin’ and Relaxin’, that would later influence the free jazz movement. He would go on to play on ‘Round About Midnight and Milestones but would be eventually be fired by Miles.
In 1958 Garland formed his own trio. Among the musicians the trio recorded with Pepper Adams, Nat Adderley, Ray Barretto, Kenny Burrell, Eddie “Lockjaw” Davis, Jimmy Heath, Harold Land, Leroy Vinnegar and many others to numerous to list.
Red released some 46 albums as a leader, recording sessions for Prestige, Fantasy, Galaxy, Jazzland, Keystone, Xanadu, Alfa, Moodsville and New Jazz record labels. He sat in as a sideman for such greats as Arnett Cobb, Art Pepper, John Coltrane and Phil Woods.
Stopping his playing professionally for a number of years in the 1960s when jazz lost popularity to rock and roll, he returned to Dallas to care for his mother. Pianist Red Garland recorded sparsely through the 70s but continued recording and performing until his death of a heart attack on April 23, 1984 at the age of 61.
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Daily Dose Of Jazz…
Julian Joseph was born May 11, 1966 in London, England. As a jazz pianist, bandleader, composer, arranger and broadcaster he has worked solo, in his all-star big band, trio, quartet, forum project band or electric band.
Joseph’s style combines a respect for the modern developments in jazz piano with its history and works in both contemporary and traditional situations with his music. He is also active in jazz education helping to form the jazz syllabus for the Associated Board of the Royal Schools of Music in Great Britain.
Starting with his first album The Language of Truth in 1991, Julian has a total of seven albums to date, one single, and a soundtrack to his credit, and a baker’s dozen as a sideman. He has focused on live performance such as, at the London Jazz Festival, also broadcasting as he hosts several radio shows on BBC Radio 3, including Jazz Line-up and the celebrated Jazz Legends as well as composing and teaching.
He has also made two jazz television series for Meridian, a jazz series for Sky TV’s Artsworld Channel and the documentary A Festival of Jazz Piano for the BBC in Wales directed by Celia Lowenstein. He continues to perform and record.
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Daily Dose Of Jazz…
Mike Melvoin was born on May 10, 1937 in Oshkosh, Wisconsin and began playing piano at age three. He studied English at Dartmouth College but after graduating decided to pursue a career in music.
In 1961 he moved to Los Angeles and began playing with Frank Rosolino, Leroy Vinnegar, Gerald Wilson, Paul Horn, Terry Gibbs, Joe Williams, Peggy Lee, Tom Waits and others.
He worked extensively as a studio musician, in addition to playing Los Angeles clubs, accompanying singer Bill Henderson and playing with Herb Ellis and Plas Johnson on concord Jazz releases. As a composer he lent his scoring talents to the Partridge Family, Fame and MacGyver.
Pianist, composer and arranger Mike Melvoin served as chairman and president of The Recording Academy, was nominated for a Grammy for Best Jazz Instrumental Solo from his album It’s Always You, played between the jazz, rock and pop genres. A prolific studio musician he associated with among numerous others Frank Sinatra, Natalie Cole, The Jackson 5, The Beach Boys, Barbra Streisand, John Lennon, and The Wrecking Crew, passed away at the age of 74 in Burbank, California on February 22, 2012.
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Daily Dose Of Jazz…
Keith Jarrett was born on May 8, 1945, in Allentown, Pennsylvania and had significant early exposure to music. He possessed absolute pitch and displayed prodigious musical talents as a young child. He began piano lessons just before his third birthday, and at age five he appeared on a TV talent program and by seven had given his first classical piano recital. During his teens he began leaning towards jazz, turned down classical training in Paris and attended Berklee College of Music
He started his career with Art Blakey and after his tenure as a Jazz Messenger moving on to play with Charles Lloyd and Miles Davis. Since the early 70s he has enjoyed a great deal of success in jazz, jazz-fusion, and classical music; as a group leader and a solo performer. His improvisations draw not only from the traditions of jazz but from other genres as well, especially Western classical music, gospel, blues, blues and ethnic folk music.
Jarrett has received the Polar Music Prize, the Leonie Sonning Music Prize, was inducted into the Down Beat Down Beat Hall of Fame, played with Jack DeJohnette, Charles Lloyd, Charlie Haden, Paul Motian, Dewey Redman, Airto Moreira, Palle Danielson and Jan Garbarek among others.
Jarrett’s compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet’s music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations. He has played as a soloist, trio, returned also to classical music, incorporates vocalizations of grunts, squeals and tuneless singing. He continues to compose, record, perform and tour.
In 2003, Jarrett received the Polar Music Prize, the first (and to this day only) recipient not to share the prize with a co-recipient,[1] and in 2004 he received the Leonie Sonning Music Prize. In 2008, he was inducted into the Down Beat hall of Fame in the magazine’s 73rd Annual Readers’ Poll. He continues to tour and record.
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Daily Dose Of Jazz…
John Aaron Lewis was born in LaGrange, Illinois on May 3, 1920 but was raised in Albuquerque, New Mexico. He learned classical music and piano from his mother starting at the age of seven, then continued his musical training at the University of New Mexico and also studied anthropology. He served in the Army stationed in France during World War II and during his three-year tour of duty he met and performed with Kenny Clarke. Together they formed a band and in the bop style, John composed and arranged.
After the war he went to New York where he found work in the 52nd Street clubs with Allen Eager, Hot Lips Page and others. This led to him joining dizzy Gillespie’s bop-style big band and further developing his skill as a composer and arranger while matriculating through the Manhattan School of Music. He soon returned to Europe on tour, remained a continued to write and study piano. By ’48 he was back in the States playing with Charlie Parker, Illinois Jacquet, Lester Young, Miles Davis and Ella Fitzgerald.
Lewis, vibraphonist Milt Jackson, drummer Kenny Clarke, and bassist Ray Brown had been the small group within the Gillespie big band that played their own short sets when the brass and reeds needed a break. This led to the foursome forming a full-time working group in 1950, known at first as the Milt Jackson Quartet. After replacing Brown with Percy Heath the name was changed to the Modern Jazz Quartet and assuming the role of musical director from 1954 to 1974, John oriented it toward a quiet, chamber style of music that found a balance between his gentle, almost mannered compositions and Jackson’s more elemental writing and playing.
Over a long and illustrious career, John directed the School of Jazz at the Music Inn, was musical director for the Monterey Jazz Festival from 1958 to 1982, taught at City College of New York and Harvard University, rejoined the re-formed MJQ, led his own sextet, founded the American Jazz Orchestra, participated in Re-Birth of the Cool, was involved in various Third Stream Projects all while continuing to teach, compose and perform.
John Lewis, conservative bop pianist, composer, arranger and musical director for the Modern Jazz Quartet passed away in New York City on March 29, 2001.
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