Daily Dose Of Jazz…
Pete Jolly was born Peter Ceragioli Jr. on June 5, 1932 in New Haven, Connecticut. He began playing the accordion at age three under his father’s tutelage, then took lessons from age seven and appeared on the CBS radio program Hobby Lobby at the age of eight. The emcee called him Jolly and liking it, adopted the name. He would soon add piano to his musical talents.
Moving to Phoenix, Arizona with his family, by high school Pete was playing at the Jazz Mill behind such visitors as Chet Baker and Benny Carter. After graduation he moved to Los Angeles in 1954 and within days was playing behind Shorty Rogers. Over the next ten years he would play with Gerry Mulligan, Mel Torme, Red Norvo, Buddy DeFranco, Terry Gibbs, Art Pepper, Anita O’Day, Ray Conniff and Marty Paich.
He also began his long recording career as a leader in 1955 with the album, Jolly Jumps In for RCA. Over the next forty-five years, Jolly would record over twenty albums, but rarely more than twice with the same label. The highlight of his career came in 1963, when his bossa nova flavored composition, “Little Bird” recorded for Ava Records, earned him a Grammy nomination. He formed the Pete Jolly Trio in 1964, recording as a solo artist and with trio several albums until his final in 2000.
Pete was well known for his performances on television programs such as Get Smart, The Love Boat, I Spy, Mannix, M*A*S*H and Dallas, as well as hundreds of movie soundtracks. He continued performing with his trio until shortly before being hospitalized in August 2004. Jazz pianist and accordionist Pete Jolly passed away on November 6, 2004 in Pasadena, California from complications of multiple myeloma at age 72.
Daily Dose Of Jazz…
Ian Shaw was born June 2, 1962 in St. Asaph, Wales and received his music degree from the University of London. He began his professional career singing in the 1980s on the Alternative Cabaret Circuit, while playing in piano bars and at festivals in London and throughout Europe.
In 1990 he began touring Europe and recording with fellow singer Carol Grimes, ultimately collaborating with Claire Martin, Linda Lewis, Liane Carroll and Sarah Jane Morris. By mid-decade he was a regular performing at Ronnie Scott’s Jazz Club and two albums on the club’s Jazzhouse label – Ghosthouse and a Rodgers & Hart tribute Taking It To Hart.
In 1996, Shaw led his own “Very Big Band” on a UK tour and by the late 90s he was performing regularly in USA. In 1999 he released In A New York Minute the first of two albums on the Milestone label, followed by Soho Stories in 2001. He has worked with Cedar Walton, Lew Soloff and Eric Alexander. His next release in 2003, A World Still Turning saw him working with Billy Childs, Peter Washington and Mark Murphy.
Ian continues to work regularly with Claire Martin, co-hosting the 2004 BBC Jazz Awards and appearing on the BBC’s Big Band Special. He won in the Best Jazz Vocalist category at the BBC Jazz Awards in 2004 and 2007. He has cut three more albums – Drawn To All Things, Lifejacket and Somewhere Towards Love. In 2011 Splashpoint Records released The Abbey Road Sessions where Shaw backed by a band. Shaw continues to perform regularly at festivals and jazz clubs in the UK and around the world, has delved into film acting and mounting a one-man show.
Daily Dose Of Jazz…
Darrell Grant was born on May 30, 1962 in Philadelphia, Pennsylvania but his family moved to Denver, Colorado while still a young child. He started piano lessons before his teens and was considered enough of a prodigy to join and tour for two years with the Boulder-based Pearl Street Jazz Band, from the age of fifteen.
At 17 Grant won a scholarship to the Eastman School of Music in Rochester, New York and while at Eastman focused on performance studies over theory, which he covered in his graduate studies in jazz theory and composition at the University of Miami.
Relocating to New York in the mid-’80s, Grant concentrated on a series of low-profile sideman gigs with the likes of Betty Carter, Chico Freeman and Greg Osby before finally stepping out as a bandleader for the first time. His 1994 Black Art was well received and reviewed and sold respectably, and his sophomore project The New Bop was an even bigger critical success.
He has recorded for 32 Jazz, Criss Cross, Monarch, Lair Hill and Origin record labels, has relocated to the Pacific Northwest and has added teaching credits to his resume of performance, composition and bandleader and sideman in Tony Williams’ quintet as he continues in the tradition of bop and post-bop jazz.
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Daily Dose Of Jazz…
Lynne Arriale was born May 29, 1957 in Milwaukee, Wisconsin. She was adopted as an infant only to discover the piano keyboard at three. Her initial training being classical, eventually earned her Master’s from the Wisconsin Conservatory of Music. However, it wasn’t until after college that her interest in the works of Keith Jarrett and Herbie Hancock led her to jazz.
She gained renown in the 1990s with her collaborator, drummer Steve Davis and bassist Jay Anderson. Lynne first came to prominence when she won the 1993 International Great American Jazz Piano Competition and performed at the Jacksonville Jazz Festival. She has toured Japan with the acclaimed 100 Golden Fingers ensemble, performed with jazz legends Hank Jones, Tommy Flanagan, Kenny Barron, Harold Mabern, Junior Mance, Monty Alexander, Roger Kellaway, Ray Bryant, and Cedar Walton.
An active educator and adjudicator pianist Lynne Arriale is a member of The Jazz Education Network has adjudicated the Montreux Jazz Competition, American Pianists Association Fellowship Awards, and The Kennedy Center’s Mary Lou Williams Competition, and the Jacksonville Piano Competition. She is currently Associate Professor of Jazz Studies and Director of Small Ensembles at The University of North Florida in Jacksonville and conducts educational clinics and master classes as she continues to perform and tour throughout the world.
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Daily Dose Of Jazz…
Rubén González was born on May 26, 1919 in Santa Clara, Cuba. He learned to play piano at the music high school of Cienfuegos. He studied medicine for a time, abandoned it due to financial difficulties and began playing with groups in Las Villas. In 1940, he moved to Havana, where he played in the charangas of Paulina Álvarez and Paulín, with Arsenio Rodríguez, Kubavana and Senén Suárez and in the big bands Siboney and Riverside.
By 1943, he released his first recording with Arsenio Rodriguez and during the 50s he served as a member of the Orquesta America, Orquesta de Enrique Jorrin and CMQ. Between 1957 and 1961, he worked in Venezuela but very soon he became known in Cuba and other parts of Latin America. In the early 1960s Rubén became the pianist for the Orquesta de Enrique Jorrín for 25 years, took over leadership after Jorrín’s death in 1987, but retired soon after.
It wasn’t until a meeting with Ry Cooder that González came out of retirement, recorded his first solo album in years and became a part of the Buena Vista Social Club with a host of veteran Cuban musician whose fame became worldwide.
Pianist Ruben González’s last public appearances were in Mexico and Cuba in 2002 and the next year the pianist passed away on December 8, 2003 at age 84.
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