LOUIS HERIVEAUX

Heriveaux plays Mood Indigo, classic sounds inspired by the 1920s.

After graduating from Griffin High School in 1992, Louis settled in Atlanta, Georgia.  Louis began playing Jazz on Atlanta’s Jazz scene, at age 17. Heads began to turn and fellow musicians and club owners began to take notice of his early signs of professionalism and confidence at the piano. 

At age 19, a prominent Jazz guitarist began frequenting jam sessions in Atlanta, where Louis often sat in. After several visits to the jam session, it was Russell Malone that hand-picked Louis to join his world-class quartet. Louis graciously accepted the invitation and became an international Jazz musician, performing with Russell Malone for two years, on some of the most famous stages Jazz music has ever known. 

Louis’ time spent with Russell Malone was a pivotal move in his budding career as a Jazz musician. That gig opened doors for other opportunities for this young, gifted musician. Jazz vocalists began to seek Louis out for his ability to accompany them with an innate ability to assess their needs during a performance and at rehearsals. Vocalist Jeanie Bryson invited Louis to do a Southeast tour with her and he once again hit the road! His finesse on the piano also caught the attention of Nnenna Freelon, who sought him out as an accompanist for one of her engagements as well. 

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LOUIS HERIVEAUX

Heriveaux plays Mood Indigo, classic sounds inspired by the 1920s.

After graduating from Griffin High School in 1992, Louis settled in Atlanta, Georgia.  Louis began playing Jazz on Atlanta’s Jazz scene, at age 17. Heads began to turn and fellow musicians and club owners began to take notice of his early signs of professionalism and confidence at the piano. 

At age 19, a prominent Jazz guitarist began frequenting jam sessions in Atlanta, where Louis often sat in. After several visits to the jam session, it was Russell Malone that hand-picked Louis to join his world-class quartet. Louis graciously accepted the invitation and became an international Jazz musician, performing with Russell Malone for two years, on some of the most famous stages Jazz music has ever known. 

Louis’ time spent with Russell Malone was a pivotal move in his budding career as a Jazz musician. That gig opened doors for other opportunities for this young, gifted musician. Jazz vocalists began to seek Louis out for his ability to accompany them with an innate ability to assess their needs during a performance and at rehearsals. Vocalist Jeanie Bryson invited Louis to do a Southeast tour with her and he once again hit the road! His finesse on the piano also caught the attention of Nnenna Freelon, who sought him out as an accompanist for one of her engagements as well. 

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TARUS MATEEN

Tarus Mateen, a child prodigy on bass, went on a tour of the Caribbean when he was twelve years old. The double-bass and electric bassist, who works in jazz, pop, and R&B idioms.

Receiving his bachelor’s degree from Morehouse College, then relocated to New York City in 1988. He worked with Betty Carter, Marlon Jordan, Roy Hargrove, Eddie Harris, Kenny Burrell, Milt Jackson, Mark Whitfield, Tim Warfield, Rodney Kendrick, Terence Blanchard, Kenny Barron, Bobbi Humphrey, Marc Cary, Stefon Harris, Greg Osby, Bernard Purdie, Nasheet Waits, Stanley Cowell, Mark Shim, Jacky Terrasson, Michael Marcus, Logan Richardson, and Jason Moran among others.

The Band: Tarus Mateen ~ Bass |  Colin Chambers ~ Piano | Tyler Leak ~ Drums | Clarence Ward III ~ Horns | Tamika Love Jones ~ Vocal

 

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HERBIE HANCOCK

There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock. As Miles Davis said, “Herbie was the step after Bud Powell and Thelonious Monk, and I haven’t heard anybody yet who has come after him.”

Now in the sixth decade of his professional life, Hancock remains where he has always been: at the forefront of world culture, technology, business, and music. In addition to being recognized as a legendary pianist and composer, he has been an integral part of every popular music movement since the 1960s. As a member of the Miles Davis Quintet that pioneered a groundbreaking sound in jazz, he also developed new approaches on his own recordings.

Hancock is currently in the studio at work on a new album. He is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres while maintaining his unmistakable voice, and he continues to amaze audiences across the globe.

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EUGENIE JONES

Eugenie Jones was not supposed to be a jazz singer. She graduated with an MBA in marketing, and her post-graduate career took her deep within the nonprofit sector as a marketing communications executive. Her mother, a soprano gospel singer, was the singer of the family, and when cancer claimed her life, Jones managed her grief by setting out to see if she could carry forward that part of her Mom’s life.

Jones puts her Marketing MBA and business savvy to work producing music legacy events that commemorate Seattle’s African American musical history, including the Jackson Street Jazz Walk and, in partnership with legendary Crusaders drummer Stix Hooper, the Celebrating Ernestine Anderson Tribute series. These events go beyond entertainment by raising funds for Seattle nonprofits such as the Rotary Boys & Girls Club, the Central Area Senior Center, and the Northwest Harvest Food Bank. Jones’s community efforts were recognized in 2023 when she received the Jazz Hero Award from the Jazz Journalists Association.

Eugenie Jones, vocals
Peter Adams, piano
Bob Antolin, guitar and sax
Jonathan Green, bass
Ronnie Bishop, drums

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