Daily Dose Of Jazz…
The hard bop alto saxophonist John Jenkins was born January 3, 1931 in Chicago, IL where he initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949-1956 going on to play with Art Framer in 1955 and led his own group in Chicago later that year.
Jenkins had a sound similar to Jackie McLean and the 50’s saw his most active period. In 1957 he played with Charles Mingus s and recorded two albums as a leader, “Jenkins, Jordan & Timmons” on the New Jazz label and “John Jenkins with Kenny Burrell” on Blue Note.
He played as a sideman with Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab and Wilbur Ware. in the late 1950s and early 1960s, but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman.
After leaving the jazz world John worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983 he began practicing again and playing live on street corners and he played with Clifford Jordan shortly before his death on July 12, 1993.
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Daily Dose Of Jazz…
Frank Morgan was born on December 23, 1933 in Minneapolis, Minnesota and took after his father playing the guitar until he was seven, when he went to see Charlie Parker. Meeting him backstage, Parker suggested the clarinet for embouchure and two years later he switched to the saxophone.
Moving to California at age of 14, Frank entered and won a talent contest that provided him the opportunity to solo with Freddy Martin. But he hung out in the wrong circles and started taking heroin at 17, subsequently becoming addicted. He recorded with Teddy Charles in ’53 and Kenny Clarke in ’54 and touted as Charlie Parker’s successor, he would cut his first self-titled album “Frank Morgan” in 1955.
It would be three decades before his sophomore project due to his addiction and spending some twenty years in prison for various drug-related crimes. He would, however, form a small ensemble at San Quentin prison in the 1960s with another addict and sax player Art Pepper.
The Frank Morgan Quartet featured pianist Dolo Coker on piano, Flip Greene on bass and drummer Larance Marable. In 1985 he started recording again, releasing Easy Living in June 1985. This kicked off one of jazz’s most amazing comebacks. He recorded and toured vigorously but suffered a stroke in 1998. He subsequently recovered and once again began recording and performing.
Though mainly playing alto saxophone, Frank also played soprano and has recorded a string of excellent sets for Contemporary, Antilles, and Telarc, and has become an inspiring figure in the jazz world. Bebop alto saxophonist Frank Morgan passed away on December 14, 2007.
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Daily Dose Of Jazz…
Sonny Red was born Sylvester Kyner Jr. on December 17, 1932 in Detroit, Michigan. He learned a lot in the shadow of hard bopper Charlie Parker but went on to develop his own voice and style.
He started professionally in the 1940s playing with Detroit pianist Barry Harris. By the mid-Fifties he was playing tenor with both the trombonist Frank Rosolino, and Art Blakey. Three years later he performing and recording in New York with the trombonist Curtis Fuller.
A fluent soloist, Sonny found success as a sideman and in the late 1950s and early Sixties his reputation increased leading albums for the Blue Note and Jazzland labels. With Barry Harris and Cedar Walton splitting piano duties on the “The Mode” and Harris solely on “Images” these two albums showcased his talent and established his voice. He would go on to work as a sideman with Clifford Jordan, Donald Byrd, Bill Hardman, Paul Quinichette, Bobby Timmons, Frank West and others.
The fortunes of jazz diminishing and changes in the music offered limited opportunities for him to record a slim discography and unfortunately gained him a modest reputation. Sonny Red fell into obscurity in the Seventies and he died in his hometown on March 20, 1981 at 49 years old.
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Daily Dose Of Jazz…
René McLean was born on December 16, 1946 in New York City, the son of altoist Jackie McLean. He started playing guitar before receiving his alto saxophone and instruction from his father at age nine. He made his debut with his father’s band in the mid Sixties as well as leading his own bands. His debut as a bandleader and producer began at the age of 16 in 1963.
He later studied music with the Jazz Arts Society, Haryou Act Cultural Program, and the Jazz Mobile, New York College of Music, the University of Massachusetts at Amherst and privately with George Coleman, Sonny Rollins, Frank Foster, Kenny Dorham and Barry Harris among others. By the mid -1970’s McLean played in a quintet with Woody Shaw and Louis Hayes and toured with Hugh Masekela in 1978.
René has performed and recorded extensively as a leader and featured sideman with the Dizzy Gillespie Big Band, Lionel Hampton All Stars, Tito Puente Orchestra, Horace Silver, Dr. Bill Taylor, Hugh Masekela, Miriam Makeba, Abbey Lincoln, Dexter Gordon, James Moody, Yusef Lateef, Jaco Pastorius and Jerry Gonzales’ Forte Apache Band, as well as collaborating with poet-activist Amiri Baraka.
As a music educator McLean has performed, conducted workshops and lectured at numerous universities and cultural programs in the U.S. and Caribbean (including Cuba), as well as in South America, Europe, Lebanon, Japan, Indonesia, South Africa, Lesotho, Botswana, Swaziland, Namibia, Mozambique, Zimbabwe, Madagascar and Mauritius and is presently Professor of African American music of the Jackie McLean Institute at The Hartt School, University of Hartford and Master Artist-in-Residence of Music at the Artists Collective in Hartford, Connecticut.
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Daily Dose Of Jazz…
Freddy Martin was born Frederick Alfred Martin on December 9, 1906 in Cleveland, Ohio. Raised largely in an orphanage and with various relatives, he started out playing drums, then switched to C-melody saxophone and later the tenor saxophone that he would come to be identified with. He led his own band in high school, played in several local bands and took that money to enroll in Ohio State University.
After working on a ship’s band, Martin joined the Mason-Dixon band, then joined Arnold Johnson and then Jack Albin, with whom he would make his first recording with the “Hotel Pennsylvania Music” for Columbia’s Harmony, Velvet Tone, and Clarion 50 cent labels in 1930. However it was while filling in for Guy Lombardo one night that kick started his career. It was in 1931 at the Bossert Marine Room in Brooklyn, New York that Freddy pioneered the “Tenor Band” style that swept the sweet-music industry. With his own tenor sax as melodic lead, Martin fronted an all-tenor sax section with just two brasses and a violin trio plus rhythm.
The Martin band recorded first for Columbia, Brunswick and RCA’s Bluebird and Victor, backed singers, played hotels and became a staple on NBC’s Maybelline Penthouse Serenade. His adaptation of a Tchaikovsky tune released as Tonight We Love became his biggest hit.
Freddy Martin was nicknamed “Mr. Silvertone” by saxophonist Johnny Hodges and Chu Berry has named him his favorite saxophonist. He used the banner “Music In The Martin Manner.” Having a good ear for singers at one time or another, Martin employed Helen Ward, Stuart Wade, Merv Griffin, Buddy Clark as well as pianists Sid Appleman and Terry Shand, violinist Eddie Stone and many others.
Martin’s popularity as a bandleader led him to Hollywood in the 1940s where he and his band appeared in a handful of films, in the 1950s and 1960s he continued to perform on the radio, appear on television, be the musical director for Elvis Presley’s first Vegas appearance, and continue his hotel gigs. He would continue to lead his band until the early 80s, although by then, he was semi-retired. Bandleader and tenor saxophonist Freddy Martin passed away on September 30, 1983, in a Newport Beach hospital after a lingering illness. He was 76 years old.
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