Daily Dose Of Jazz…

On January 31, 1928 Keshav Sathe was born in Bombay, India where he began his professional career in 1951, working with a local Indian vocalist by the name of Kelkar. He moved to the United Kingdom in 1956 and joined the Asian Music Circle, a pool of London-based Indian musicians run by former political activist Ayana Deva Angadi. He worked with visiting Indian sitarist Bhaskar Chandavarkar, and in 1961 they played together with the harmonica virtuoso Larry Adler. This was his initial contact with jazz.

In 1965 Sathe began his Indo Jazz Fusion performances and recordings with John Mayer and Joe Harriott, a musical relationship that lasted until 1970. In 1967 his trio was invited with Diwan Motihar on sitar, and Kasan Thakur playing the tamboura, to join the trio of jazz pianist Irène Schweizer together with Barney Willen, Mani Neumeier, Uli Trepte and Manfred Schoof. They appeared at the Donaueschingen Festival and Berlin Jazz Tage and recorded Jazz Meets India in Villingen, the Black Forest.

In the Seventies, he worked and toured with Julie Felix and Danny Thompson, joined the John Renbourn Group, toured the UK, Europe and the US, and produced records, including A Maid in Bedlam, Enchanted Garden and Live in America.

In the 1980s, Sathe formed a group with Tony Roberts which included the dancer Shobhana Jeyasingh, touring UK and Northern Ireland. With the singer Alisha Sufit and group, he made the record “Magic Carpet”. From 1965 to 1993 he regularly accompanied the late singer/dancer Surya Kumari in recitals and teaching workshops. He appears on Suns of Arqa’s live album Musical Revue which was recorded in Manchester in 1982.

Apart from these, Keshav has made numerous incidental recordings, worked for television, radio, and taught tabla until 2003. Indian tabla player Keshav Sathe, best known for his contributions to the Indo-jazz fusion genre passed away on January 18, 2012.

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Daily Dose Of Jazz…

Trilok Gurtu was born in Mumbai, India on October 30, 1951 to Hindu Brahmin parents and attended Don Bosco High School. His mother, singer Shobha Gurtu, encouraged him to learn playing tabla, and he studied playing the instrument under Shah Abdul Karim. He didn’t  begin playing western drum kit in the 1970s and developed an interest in jazz, and played played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.

One of Trilok’s earliest recordings was around 1977 in the record Apo-Calypso in an album of the German ethnic fusion band, Embryo. His mother also sang in that record, and later joined him in his first solo CD, Usfret. In the 1980s, Gurtu played with Swiss drummer Charly Antolini, John McLaughlin, Jonas Hellborg, Kai Eckhardt, Dominique DiPiazza and opened for Miles Davis in Berkeley, California in 1988. He went on to play and record three albums with Oregon after the death of drummer Collin Walcott. In the early 1990s he resumed his career as a solo artist and a bandleader.

In 1999, Zakir Hussain and Bill Laswell founded a musical group, Tabla Beat Science, bringing Trilok, Karsh Kale and Talvin Singh into the fold. Before going dormant in late 2003 they released three albums. He went on to record the album, Miles Gurtu, with Robert Miles, collaborate with the Arkè String Quartet and perform with Ricky Portera, Nick Beggs, Mario Marzi, Terl Bryant, John De Leo.

Percussionist, drummer and composer Trilok Gurtu has won awards from DRUM! Magazine, Carlton Television Multicultural Music Awards, Down Beat’s Critics Poll and has been nominated for the BBC Radio 3 World and continues to perform, compose, record and tour.

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Daily Dose Of Jazz…

Sameer Gupta was born July 1, 1976 in San Francisco, California and is a percussionist, tabla player, and composer. He is the founder of the jazz ensemble The Supplicants and drummer for the Marc Cary Focus Trio.

Gupta has performed with Kosmic Renaissance, vidyA, Grachan Moncur III, Victor Goines, Vincent Gardner, Sekou Sundiata, Sonny Simmons, Marcus Shelby, Calvin Keys, Richard Howell, Dayna Stephens, and Julian Lage.

With his playing has been described as kinetic, bass-heavy, and tender, he made his recording debut in 2006 with Marc Cary on Focus, adding Marc Cary and Focus Trio Live in 2010. He released his debut album as a leader, Namaskar that same year, and has also recorded with Srinivas Reddy and Ross Hammond. Percussionist Sameer Gupta continues to compose, perform and record.

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