Daily Dose Of Jazz…
Jose Mangual Sr. was born on March 18, 1924 in Juana Diaz, Puerto Rico. He began playing percussion at the age of ten and by 1938 moved to New York at the age of 14. In 1952 he began playing timbales and percussion for Machito’s Orchestra.
In the 1950s Mangual played with the godfather of modern-day salsa Arsenio Rodriguez and with Latin jazz pioneer Cal Tjader. Then he joined Erroll Gardner’s band with whom he traveled the world, playing jazz for international audiences. During this time he performed and recorded with Cannonball Adderley, Sarah Vaughn, Herbie Mann. and appeared on Count Basie’s April in Paris, Miles Davis’ Sketches of Spain, Dizzy Gillespie’s Talkin’ Verve, Tito Puente’s Babarabatiri, Willie Bobo’s Spanish Grease, Gato Barbieri’s Viva Emiliano Zapata, as well as on multiple Charlie Parker’s compilations.
He has also performed with Dexter Gordon, Carmen McRae, Jorge Dalto, Stan Getz, Louis Jordan, Ray Charles, Tito Rodriguez, Xavier Cugat, Tito Puente and Chano Pozo.
In the 1970s, Mangual recorded two instructional albums Buyú and José Mangual* & Carlos “Patato” Valdez* – Understanding Latin Rhythms Vol. 1 with Carlos “Patato” Valdez for the drum maker Latin Percussion.
In 1986 he co-wrote and recorded Los Mangual – Una Dinastia with his sons Jose, Jr. and Luis Mangual. In 2001 he was posthumously inducted into the International Latin Music Hall of Fame.
Percussionist Jose Mangual Sr., world renowned for his bongo drum performances and recordings during the 1940s and 1950s, died on September 4, 1998 in New York City.
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Daily Dose Of Jazz…
Mayuto Correa was born March 9, 1943 in São Gonçalo, Rio de Janeiro, Brazil and began playing in local bands from the age of twelve when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them.
In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos’s ensemble RC-7 and performing in Chacrinha’s television shows.
Leaving Brazil for Mexico in 1969 he worked with the Brazilian bossa nova group Tamba 4 before moving to the United States. Establishing himself as a musician in Los Angeles, California in the early 1970s, Mayuto became a vital session player in hundreds of major and minor albums taped in the city by 1977.
Some of the artists he recorded with are Howard Roberts, Charles Lloyd, Nat Adderley, Cannonball Adderley, Cal Tjader, Miriam Makeba, Gábor Szabó, Gato Barbieri, Kenny Burrell, Moacir Santos, Donald Byrd, Henry Mancini, Jon Lucien, Freddie Hubbard, and Richard “Groove” Holmes, among numerous others.
During that period he toured with many of the artists and became the record producer for the Argentine group Arco Iris. He returned to Brazil in 1972 when he toured with Carlos Santana and again in 1979 when he appeared on the Rede Globo television show Sexta Super.
Among his compositions is the soundtrack for the 1979 documentary Homeboys depicting Chicano youth gang culture in East Los Angeles, California. In the later years of his career, Correa performed with his bands Mayuto & Genuises 2000, Mayuto & The Dream Team Big Band, and Mayuto & Samba Pack.
Mayuto Correa continues to perform, record and tour.
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LIFE, LOVE & LENNY
A Celebration of the life and music of Lenny White
The iconic Grammy-winning drummer, who is among jazz music’s most prolific and celebrated artists, producers, composers and sidemen — will be fêted at a one-night-only celebration filled with music and memories at Jazz at Lincoln Center’s Frederick P. Rose Hall.
Presented by Tzedakah 4 All, the event will feature performances in multiple combinations – Return to Forever w/ Stanley Clarke, Al DiMeola and orchestra conducted by Maestro Steve Mecurio, Miles Davis Bitches Brew, Red Clay, Echoes of an Era, as well as exploring material from his illustrious five + decade career. Laurence Fishburne will serve as emcee with appearances from fellow artists Buster Williams, Omar Hakim, Patrice Rushen, Al Foster, Mike Clark, Billy Hart, and Billy Drummond.
Tickets: $175.00~$250.00
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CHARMAINE NEVILLE BAND
Charmaine Neville, daughter of legendary saxophonist Charles Neville of the Neville Brothers, carries the torch of a rich New Orleans musical legacy. While she is rooted in the city’s vibrant traditions, Charmaine brings her own unique voice to the stage, blending R&B, Jazz, and world rhythms into a sound that’s all her own. Her performances are a reflection of the city’s spirit—bold, diverse, and deeply soulful.
Renowned for her high-energy live shows, Charmaine and her band captivate audiences with an infectious sense of joy and a strong emphasis on audience participation. Whether delivering soulful ballads or rhythm-driven grooves, she creates an unforgettable experience, inviting listeners to feel the music and become part of the celebration. Charmaine Neville’s sound is a true reflection of the Crescent City: timeless, exciting, and impossible to resist.
The Band:
Charmaine Neville – lead vocals, percussion
Amasa Miller – piano, musical director
Detroit Brooks – guitar
Donald Ramsey – bass
Raymond Weber – drums
Cover: $25.00
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SUBA TRIO
Global Rhythms: Omar Sosa & Seckou Keita SUBA Trio
The Atlantic Ocean separates Cuba and Senegal, the respective birthplaces of piano virtuoso Omar Sosa and kora master Seckou Keita, a distance diminished by their shared ancestral connection to Africa.
Recorded during lockdown and released in October 2021, Sosa and Keita’s second album SUBA is a hymn to hope, to a new dawn of compassion and real change in a post-pandemic world, a visceral reiteration of humanity’s perennial prayer for peace and unity. Joining Omar and Seckou in the studio and for live performances is the inimitable Venezuelan artist Gustavo Ovalles.
Tickets: $25.00~$50.00
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