Daily Dose Of Jazz…
Joseph Bowie was born October 17, 1953 in St. Louis, Missouri and was greatly influenced by his older brothers, saxophonist Byron and trumpeter Lester. His first international tour was with Oliver Lake of the Black Artists Group in 1971. During this time in Paris, France he worked with Alan Silva, Frank Wright, and Bobby Few. He also worked with Dr. John in Montreux, Switzerland in 1973.
Moving to New York City, and with the help of Off Broadway Theater impresario Ellen Stewart he established La Mama children’s theater. He performed with Cecil Taylor, Human Arts Ensemble, Nona Hendryx, Leroy Jenkins, Vernon Reid, Stanley Cowell, Sam Rivers, Philippe Gaillot, Dominique Gaumont and Ornette Coleman.
In 1976 Joseph relocated to Chicago, Illinois where he led bands for Tyrone Davis and other R&B artists. Returning to New York City in 1978 he began singing with punk and funk musician James Chance and the Contortions. Defunkt was born during that time and over the next 25 years, Defunkt recorded 15 albums.
Bowie has collaborated with Jean-Paul Bourelly and Jamaaladeen Tacuma. He has performed “big band funk” arrangements with Ed Partyka at Music School Lucerne, Barbary Coast Ensemble at Dartmouth College, JazzArt Orchestra, and the HR Frankfurt Radio Big Band. The first Defunkt Big Band debuted in 1999 in New York City at the Texaco Jazz Festival sponsored by the Knitting Factory.
In 2003, he moved to the Netherlands where he met Hans Dulfer and was introduced to the Dutch music scene. He has performed with Hans, Candy Dulfer, Saskia Laroo Band, Naked Ears, Monsieur Dubois, Emergency Room, Funkateer, Seven Eleven, and Almost Three.
In 2014 he produced Sax Pistols Allergy for the U.S (ZIP Records) with lyricist Hilarius Hofstede. The album Defunkt Mastervolt was released in 2015 on ZIP Records. Robin van Erven Dorens directed the documentary In Groove We Trust about Bowie’s life.
Trombonist and vocalist Joseph Bowie continues to perform and record.
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Daily Dose Of Jazz…
Fred Norman was born on October 5, 1910 in Leesburg, Florida. After attending Howard University, in Washington, DC he joined the Claude Hopkins band in 1932. Touring with the group as both a trombonist and singer for much of the 1930s, he notably recorded his own composition, Church Street Sobbin’ Blues, as the trombone soloist with the band in 1937 for Decca Records. He also appeared in short films with the Hopkins band during the 1930s.
Moving away from performance in 1938 he went on to work as a full-time music arranger. The late Thirties and 1940s saw him writing arrangements for Bunny Berigan, Tommy Dorsey, Benny Goodman, Lionel Hampton, Gene Krupa, Teddy Powell, Artie Shaw, Charlie Spivak, and Jack Teagarden.
In the 1950s he was the music director and arranger for multiple records made by the singers Sarah Vaughan and Dinah Washington. He continued to work as an arranger until his retirement in the 1970s.
Composer, arranger, trombonist, and vocalist Fred Norman died on February 19, 1993 in New York City.
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Daily Dose Of Jazz…
Wilfred Theodore Wemyes, known to the world as Ted Weems, was born on September 26, 1901 in Pitcairn, Pennsylvania. He learned to play the violin and trombone, and his start in music came when he entered a contest, hoping to win a pony. He won a violin instead and his parents arranged for music lessons, and was a graduate of Lincoln School in Pittsburgh. While still at Lincoln, he organized a band there, initially providing some instruments himself.
As an enterprising young man he reinvested money given him by his teacher and that collected from band members to buy better instruments for the band. His family moved to Philadelphia, Pennsylvania where he enrolled at West Philadelphia High School, joined the school’s band and became its director. Ted went on to the University of Pennsylvania, where he and his brother Art organized a small dance band that became the All American Band. They soon started receiving offers to perform in well-known hotels throughout the United States. They were one of the bands that played at the inaugural ball of President Warren G Harding in 1921.
Going professional in 1923, Weems toured for the MCA Corporation and began recording for the Victor Talking Machine Company. His first #1 hit was Somebody Stole My Gal in early 1924 and recorded for Victor/RCA Victor and their Bluebird Records arm. He then signed with Columbia, and on to Decca. He also co-wrote several popular songs: The Martins and the McCoys, Jig Time, The One-Man Band, Three Shif’less Skonks, and Oh, Monah!, which he co-wrote with band member Country Washburn.
Moving to Chicago, Illinois with his band around 1928, his orchestra charted more success in 1929 and the band gained popularity in the 1930s, making regular radio broadcasts. He would go on to enlist with his entire band into the United States Merchant Marine in 1942, directing the Merchant Marine Band. After the war, with his new-found popularity of the 1938 Heartaches, Decca continued to re-release several of his hits, however, he reaped no benefit as his contract expired while he was in the military.
Weems made front-page news in 1947 when he publicly repaid his debt to disc jockey Kurt Webster, who had revived Heartaches and thus his career. He staged a benefit performance by his band and gave all proceeds going to war veteran Webster. Decca cashed in once again on his new popularity by reissuing another oldie, I Wonder Who’s Kissing Her Now with vocals by Perry Como, which became another major chart hit.
The hits dried up after 1947 but Ted continued touring until 1953 then accepted a disc jockey position in Memphis, Tennessee, later moving on to a management position with the Holiday Inn hotel chain.
Violinist, trombonist and bandleader Ted Weems, who operated a talent agency in Dallas, Texas with his son, and has a star on the Hollywood Walk of Fame, died of emphysema in Tulsa, Oklahoma, on May 6, 1963.
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Daily Dose Of Jazz…
John L. Thomas was born September 18, 1902 in Louisville, Kentucky but relocated to Chicago, Illinois as a child where he received his formal education. He slid into on-stage trombone performances with the Clarence Miller Orchestra around 1923. Between 1927 and 1928 he worked with Erskine Tate, leading to Louis Armstrong’s Hot Seven. He continued freelancing with a wide range of classic jazz bandleaders Freddie Keppard, Tate and Reuben Reeves.
He was briefly with McKinney’s Cotton Pickers in the Thirties and in 1937 he was part of a touring revue fronted by pianist and singer Nat King Cole. Thomas was once again with Tate as well as drummer Floyd Campbell’s outfit. During WWII he gave up his trombone case for a tool box in a defense plant.
His performance hiatus from playing took place prior to dropping out completely during the ’50s, as he did gig once again in a group led by guitarist Walter Dysett in 1944. Trombonist John L. Thomas died on November 7, 1971 in Chicago, Illinois.
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WYCLIFFE GORDON & ERIC REED
Wycliffe Gordon and Eric Reed are veteran members of the Wynton Marsalis Septet and original members of Lincoln Center Jazz Orchestra. Wycliffe Gordon has had an impressive career touring the world performing hard-swinging straight-ahead jazz, receiving great acclaim from audiences and critics alike. His unmatched modern mastery of the plunger mute and his exceptional technique and signature sound, has solidified Gordon a place in musical history known as one of the top trombonists of his generation.
When you think of hard-driving swing, daring expression, sophistication and elegance in artistry, formidable technique and a thunderous sound, there are only a very small handful of contemporary pianists you think of and one of them is most assuredly Eric Reed. But don’t think of him as just a pianist; Eric is one of his generation’s most advanced thinkers in music.
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