Daily Dose Of Jazz…
Bobby Stark was born on January 6, 1906 in New York City and started playing music at age 15. He played piano, clarinet, saxophone, and alto horn before deciding on trumpet. In the mid-1920s he played with June Clark, Edgar Dowell, Leon Abbey, Duncan Mayers, Bobbie Brown, Bobby Lee, Billy Butler, Charles Turner, McKinney’s Cotton Pickers, and Chick Webb, the last in 1926-27.
From 1927 to 1933, he played in the Fletcher Henderson Orchestra as a featured soloist. He returned to duty under Chick Webb behind Taft Jordan from 1934 to 1939. After Webb’s death, he remained in the orchestra, now under the direction of Ella Fitzgerald.
In 1940, he left the group to freelance, however, from 1942 to 1943 he served in the Army. Discharged in 1944 he then played with Garvin Bushell and Benny Morton shortly before his death.
Trumpeter Bobby Stark, who never led a recording session, transitioned on December 29, 1945 in New York City at the age of 39.
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CYRUS NABIPOOR
Oregon trumpeter Cyrus Nabipoor on his West Coast ‘Known Entity’ tour is a distinctive voice both on the horn and in his songwriting, His singular sound has garnered him international acclaim. He has been a featured festival artist at PDX Jazz, Cathedral Park, Montavilla Jazz, New Orleans French Quarter, and Chicago Instigation.
To date, he has released 2 albums under his own name, and collaborated on numerous more. Cyrus has served on faculty at Loyola University New Orleans. He is an artist-in-residence at multiple Portland Public Schools, and runs a private trumpet studio.
Cover Charge: $18.00~$23.00
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Daily Dose Of Jazz…
Ray Starling was born in London, England on Jauary 4, 1933 and began his musical training on piano. He started playing trumpet when he moved to the United States at age 16. He started his career as a member of the Kai Winding band and played the mellophone on two songs on Kai’s 1960 album The Incredible Kai Winding Trombones.
By the time he joined the Stan Kenton band in 1961, he had made several recordings not only on trumpet but also on flugelhorn and mellophone. He played in, and wrote for, Kenton’s band in 1961 and ’62. He replaced Gene Roland in the mellophone section, while Roland took the arranger position for the band. Starling played on the album Adventures In Blues consisting entirely of original compositions and arrangements by Roland.
After leaving the Kenton outfit, Ray briefly co-led with Joel Kaye the New York Soundstage Orchestra #1 that accompanied vocalists such as Annette Sanders and Tony Bennett. The name changed in the Seventies to the New York Neophonic Orchestra under Kaye’s leadership..
Starling continued to record through the ‘60s, notably in Johnny Richards’ big band and on J.J. Johnson’s 1965 big band album Goodies. He played piano in Buddy Rich’s big band in 1967.
Moving to Phoenix, Arizona is where he spent his remaining years. Trumpeter, mellophonist, pianist and arranger Ray Starling, who also played and recorded with Ray Eberly, Claude Thirnill, Johnny Richards, Sal Salvador, Peter Appleyard and Tony Ortega among others, died on May 15, 1982.
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Daily Dose Of Jazz…
Tom “Kid” Albert was born on December 23, 1877 on a plantation field in Plaquemines Parish, Louisiana.. He later relocated to New Orleans, Lousiana sometime in his early childhood, settling in the Algiers neighborhood. Living in a run-down shack on Saux Lane, an impoverished strip near the Naval station. He initially played the guitar before learning how to play the violin and was taught basic methods for each instrument by Jimmy Palao.
In the 1890s he began working with the bands with violinist Johnny Gould, and with “Big Eye” Louis Nelson Delisle on clarinet. Soon after he mastered the cornet and the violin Albert’s first band in 1908 was his own which included Papa Celestin and Manuel Manetta. In 1920, he founded the Eureka Brass Band and during the earlier years his band played in Algiers with Henry Red Allen Sr. Band.
In his late thirties, Albert moved across the river to the French Quarter and reformed his band, branding it the Kid Albert Band. The band then began performing in several halls around the city, mostly in the Storyville and Treme sections. For a decade the Kid Albert Band played alongside jazz pioneers Louis Armstrong, Kid Thomas Valentine and other small brass bands but never recorded.
In 1949 trumpeter, violinist and bandleader Kid Albert retired from the bands and died on December 12, 1969, at the age of 91.
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Requisites
What Is This Thing Called Soul? ~ The Cannonball Adderley-Nat Adderley Quintet | By Eddie Carter
I revisited a few of my mom’s cherished albums a few nights ago. The first of them, this morning’s record from the library submitted for your approval, inspired today’s discussion. What Is This Thing Called Soul? (Pablo Live 2308-238) is a concise retrospective of three live performances by The Cannonball Adderley-Nat Adderley Quintet during their 1960 European Tour in Paris, France, Gothenburg, and Stockholm, Sweden. Released in 1984, the personnel for this live album are Nat Adderley on cornet, Cannonball Adderley on alto sax, Vic Feldman on piano, Sam Jones on bass, and Louis Hayes on drums. My copy is the original U.S. Stereo release.
Side One opens with Victor Feldman’s Azule Serape; the quintet sets things in motion with the effortlessly swinging melody. Cannonball is up first with a finger-snapping flight of pure joy. Nat provides the toe-tapping compliment in the following statement. Victor continues grabbing the listener in the third reading before the ensemble reassembles to take the song out, leaving the audience exhilarated. Cannonball takes a moment to announce the second tune, Big P, by Jimmy Heath, which turns the heat up significantly, beginning with Sam’s bass introduction to the group’s spirited theme. Cannonball is off to the races first with an inexhaustible flow of ideas. Nat follows with a solo full of energy ahead of the vigorous reprise and finale.
Cannonball quickly mentions Nat before presenting the next song, the cornetist’s One For Daddy-O, his tribute to the Chicago disc jockey, Daddy O-Daylie. The rhythm section starts with a relaxing introduction to the group’s laid-back theme. Cannonball’s opening solo is pleasant and friendly. Nat is as carefree as a day at the beach in the following reading preceding the out-chorus and ending. The second side opens with what Cannonball describes as a soul piece, The Chant by Victor Feldman. The ensemble starts the song with a happy melody, then steps aside for Cannonball’s funky opening statement. Nat emerges next with an enthusiastic performance; then Victor contributes an impressive interpretation before the quintet restates the theme.
What Is This Thing Called Love? by Cole Porter is a classic jazz standard from the thirties, or as Cannonball describes it in his introduction, What Is This Thing Called Soul? The quintet kicks off the melody vigorously; Cannonball then cooks up a storm in the opening statement so hard that the listener might need to check that their speakers aren’t on fire. Nat comes sailing in next and continues cruising down the road rapidly. Victor states his case in a furiously swinging solo, and then Louis engages in a heated exchange with Cannonball until the theme’s reappearance and climax. The ensemble launches into the melody of Cannonball’s Theme, where the saxophonist thanks the audience and reintroduces the group before the song ends as quickly as it began.
Cannonball and Nat Adderley produced What Is This Thing Called Soul? There’s no mention of who recorded these concerts, but I’m happy to say the album’s sound quality is excellent, allowing the listener to feel like they’re part of the French and Swedish audiences. My mom always loved Cannonball’s rapport with the crowd on his live albums, and his playing always possessed a soulful groove that got your fingers and toes tapping from the first note to the last. If you’re already a fan of both brothers and enjoy live hard-bop, I offer for your consideration What Is This Thing Called Soul? by The Cannonball Adderley-Nat Adderley Quintet on your next record hunt. It’s an overlooked but enjoyable album you won’t regret adding to your library!
~ What Is This Thing Called Love? – Source: JazzStandards.com
© 2024 by Edward Thomas Carter
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