Daily Dose Of Jazz…
Horace Kirby Dowell, known professionally as Saxie, was born on May 24, 1904 in Raleigh, North Carolina. Attending the University of North Carolina he met Hal Kemp and joined Kemp’s orchestra as a tenor saxophonist, clarinetist, flutist and vocalist in the fall of 1925.
He composed I Don’t Care, which was recorded by Kemp for Brunswick in 1928. When the band’s style changed in the early 1930s to that of a dance band, Dowell became the group’s comedic vocalist for novelty songs. After Three Little Fishies became a hit in 1939, Dowell was involved in a legal dispute with lyricists Josephine Carringer and Bernice Idins. In 1940 he wrote the song Playmates.
Dowell left Kemp and started a big band in 1940. Drafted during World War II he served as a bandleader aboard an aircraft carrier, the U.S.S. Franklin. He went on to record for Brunswick, Sonora, and Victor. Around 1946 he led a naval air station band with 14-year-old Keely Smith as a singer.
>After the war he reunited his orchestra, performing mostly in Chicago, Illinois. In 1949 he became a disc jockey for WGN radio in Chicago, and retired in the late 1950s. He moved to Scottsdale, Arizona and worked as a disc jockey part-time for KTAR in Phoenix during his retirement.
Saxophonist and vocalist Saxie Dowell died on July 22, 1974 in Scottsdale.
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Daily Dose Of Jazz…
Hanna Richardson was born on May 16,1956 in Alexandria, Virginia and as the daughter of a foreign service officer, much of her childhood was spent overseas. At the age of seven, while living in South America, she began piano lessons and also sang at home with the family. 1965 saw her father retiring to Geneva, New York where she met bass player Phil Flanigan while in high school.
College saw her singing professionally, first rock and folk music, then hearing an Ella Fitzgerald record she turned to singing jazz. However, it was the singing style of Maxine Sullivan that was to have the greatest impact upon her. After college, Richardson moved to Rochester, New York and continued to pursue her interest in both folk music and jazz and she also taught herself to play the mandolin.
A move to Syracuse, New York had her working at Syracuse University and becoming Assistant Dean in the School of Management. She sang professionally during this period as a session back-up singer. Connecting again with Flanigan who had toured and recorded with Sullivan, and began singing with him. They married and recorded their debut album, Something To Remember You By, in 2002.
Vocalist Hanna Richardson, who has released a half dozen albums, continues to regionally perform, record and educate.
TOMI BERRY
An accomplished, classically trained singer, Tomi has performed most of her life in multiple music genres, starting formally in gospel and spiritual church choirs in her hometown of Montclair, New Jersey. She continued to perform throughout college in classical and madrigal choirs, chorale and was the first soloist to sing with the college jazz band. She also performed with a campus band that did pop and R&B tunes for campus events and private functions.
In Atlanta, she performed with the Hillside Chapel and Truth Center Choir and Jubilee Singers and was a member of the “neo-spiritual” group I Am Unlimited. She has been a member and briefly served on the board of Southeastern Organization for Jazz Arts (SOJA) where she performed a two-woman show with vocalist Nina Carl, with support from Terry Harper on piano, Danny Harper on trumpet and Delbert Felix on contrabass.
She also had the opportunity to perform with jazz pianist/songwriter, Donald Brown during an in-home performance in the Atlanta area and has been supported by jazz pianist/musician/songwriter Takana Miyamoto on multiple projects as well as by pianist Rodney Martino Avery.
She was the featured performer at The Velvet Note Acoustic Living Room in 2013 where she performed two shows featuring GRAMMY Award winning, Atlanta-based producer/keyboardist, Phil Davis, bassist. Trey Gilbert, and drummer, Joey Williams.
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MYRNA CLAYTON
America’s Songbird, Myrna Clayton, captivates audiences worldwide with her unforgettable, classy, and soul-filled jazzy style. From the United States to five continents abroad, her performances leave audiences in awe. Alabama-born and Atlanta-raised, Myrna is a highly respected singer renowned for her versatility, particularly her mastery of Jazz: Standards, Straight Ahead, Bebop, Contemporary, and Smooth.
Commissioned by the U.S. State Department, she has represented American music at U.S. Embassies across the globe, including performances in France, Germany, Russia, Namibia, Guatemala, Nigeria, the Baltics, Switzerland, and most recently, Ghana’s 2024 Jazz in January Festival. A Jazz orchestra conductor in Kazan, Russia, even tagged her “The Maynard Ferguson of Jazz vocals,” highlighting her mesmerizing musical presence. Locally in Atlanta, Myrna graces stages at venues like the High Museum’s Friday Night Jazz and City Winery.
Beyond her vocal prowess, Myrna is a passionate advocate for accessibility for performing artists across the disability spectrum. She is deeply committed to highlighting their talents and improving their career trajectories and life possibilities. This dedication led her to found SHOWAbility, a non-profit organization serving artists and audiences across the disability spectrum. SHOWAbility creates accessibility and visibility for these artists, focusing on their unique talents and abilities rather than their challenges.
Jazz Brunch Tickets: $20.00 ~ $35.00 | $25.00 Food & Beverage Per Person
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Daily Dose Of Jazz…
Monica Lewis was born May Lewis in Chicago, Illinois on May 5, 1922, the youngest of three children. Her father was a pianist, composer and musical director for CBS, while her mother was a singer with the Chicago Opera Company. She studied voice with her mother and when she was eleven the family moved to New York City due to The Great Depression.
She began singing on radio after a successful audition with WMCA in New York City, which led to her own program. At age seventeen she started working as a singer for a radio show titled Gloom Dodgers in order to support her family while studying at Hunter College. Shortly afterwards Lewis had a radio show titled Monica Makes Music and went on to co-star on The Chesterfield Supper Club radio show.
Winning a part as a singing cigarette girl in the Broadway show Johnny 2X4, her work on Broadway led to performing at the Stork Club. She dropped out of school, changed her name from May to Monica because she thought it was sexier. In 1943 at an audition in Times Square with hundreds of women participating, she earned the part as a singer.
She started singing on Hotel Astor’s roof with Goodman’s orchestra and established her career through nationally broadcast shows. Lewis went on to record for Signature Records, MGM Records, Decca Records, Capitol Records, and Verve Records.
She went on to sing in commercials, became the voice of Miss Chiquita Banana, and appeared on the Toast of the Town which would become the Ed Sullivan Show. It was created and produced by her brother Marlo Lewis.
By 1950 she was signed to a contract with MGM and movies were added to her trades. Over the next three decades she appeared in romantic comedies and disaster films along with television action, crime and western series. Resuming her singing career in the 1980’s and 1990s, she performed at popular clubs in Los Angeles and New York City.
Vocalist Monica Lewis died ten days after an interview with The New Yorker, on June 12, 2015. The article was posthumously published in the September 7, 2015 edition.
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