Daily Dose Of Jazz…
David Frishberg was born March 23, 1933 in Saint Paul, Minnesota. Resisting learning classical piano as a boy, he developed an interest in blues and boogie-woogie by listening to recordings of Pete Johnson and Jay McShann. As a teenager he played in the house band at the Flame in St. Paul where Art Tatum, Billie Holiday and Johnny Hodges appeared. After graduating from the University of Minnesota as a journalism major in 1955, he spent two years in the Air Force.
In 1957, Dave moved to New York City where he played solo piano at the Duplex in Greenwich Village. He first became known for his work with Carmen McRae, Ben Webster, Gene Krupa, Bud Freeman, Eddie Condon, Al Cohn and Zoot Sims.
He later found celebrity writing and performing his own, frequently humorous, songs, including his most famous My Attorney Bernie, and favorites I’m Hip, lyrics only, in collaboration with Bob Dorough, Blizzard of Lies, Do You Miss New York, Peel Me a Grape, Quality Time, Slappin’ the Cakes on Me, and Van Lingle Mungo, the lyrics of which entirely consist of the names of old-time baseball players.
Citing songwriter Frank Loesser as an influence, Frishberg has also worked strictly as a lyricist on a number of occasions collaborating with Johnny Mandel, Alan Broadbent, Al Cohn, Blossom Dearie, David Shire, Julius Wechter, Dan Barrett, Bob Brookmeyer, Gerry Mulligan and Johnny Hodges.
Dave’s tunes have been performed and/or recorded by Blossom Dearie, Rosemary Clooney, Shirley Horn, Anita O’Day, Michael Feinstein, Irene Kral, Diana Krall, Stacey Kent, John Pizzarelli and Mel Torme, among other.
He is also noted for composing the music and lyrics for I’m Just A Bill, the song about the forlorn legislative writ in the ABC Schoolhouse Rock series, as well as Walkin’ on Wall Street, a song that describes how the stock market works, and $7.50 Once a Week, a song about saving and balancing a budget.
Pianist, vocalist, composer and lyricist Dave Frishberg has recorded three albums as a leader, one solo project and has sat in the sideman chair with Jim Goodwin and Rebecca Kilgore on the Arbor Records label.
Uplift Someone’s World
Daily Dose Of Jazz…
Meredith D’Ambrosio was born into a musical family in Boston, Massachusetts on March 20, 1941. She studied piano and voice from age six and ultimately studied at the Boston Museum School in 1958-59, pursuing a career in painting as well as music.
Meredith was offered the chance to tour Japan with John Coltrane but turned down the offer. Her first major recording for Spring Records didn’t happen for more than a decade later with her husband Eddie Higgins. Two more albums followed her debut recording three years later in the early Eighties for Shiah and Palo Alto Records. She has since released a dozen albums on the Sunnyside Records label from 1985 to 2006. During this period she recorded with Lee Konitz, Fred Hersch, Ben Riley, Erik Friedlander, Jay Leonhart and Gene Bertoncini among others.
She was voted in the Top Five for Talent Deserving Wider Recognition category for Female Vocalist in Down Beat International Critics Jazz Poll from 1982 to 1985 and from 1987-1991. In 1994, D’Ambrosio was the featured guest on Marian McPartland’s syndicated radio program Piano Jazz. Although she worked primarily as a jazz singer and pianist, she is also well known as a composer, lyricist, and teacher.
A respected visual artist, watercolorist, creator of eggshell mosaics and calligrapher, she took off from recording to concentrate on painting, touring, performing at festivals and teaching. She re-emerged in 2012 recording By Myself, a collection of 14 songs by the late composer Arthur Schwartz, her only album of 19 dedicated to a single composer and her solo piano accompaniment. Vocalist Meredith D’Ambrosio continues to perform, record, tour, teach and paint.
Inspire A Young Mind
Daily Dose Of Jazz…
Bertha “Chippie” Hill was born on March 15, 1905 in Charleston, South Carolina, one of sixteen children. Her family moved to New York City in 1915 and she began her musical career working as a dancer in Harlem. By the time she turned 14 in 1919 she was working with Ethel Waters and while working a t stint at then popular nightclub Leroy’s, was given her nickname Chippie because of her young age.
Chippie performed with Ma Rainey as part of the Rabbit Foot Minstrels before establishing her own song and dance act and touring on the TOBA (Theater Owners Booking Association) circuit in the early 1920s. Settling in Chicago around 1925 she worked at various venues with King Oliver’s Jazz Band, first recorded with Okey Records and was backed by Louis Armstrong and pianist Richard M. Jones. She also recorded a vocal duet in 1927 with Lonnie Johnson, another duet in 1928 with Tampa Red in 1928. Over the course of four years from 1925 to 1929 she recorded twenty-three titles.
In the 1930s she retired from singing to raise her seven children, however in 1946 Bertha Hill staged a comeback in 1946 with Lovie Austin’s Blues Serenaders, recorded for Rudi Blesh’s Circle label and began appearing on radio, in clubs and concerts in New York, including the 1948 Carnegie Hall concert with Kid Ory. She sang at the Paris Jazz Festival, and worked with Art Hodes in Chicago.
Bertha “Chippie” Hill returned to New York City in 1950 and was tragically run over by a car and killed on May 7, 1950 at the age of 45.
Uplift Someone’s World
More Posts: vocal
Daily Dose Of Jazz…
Carol Sloane was born on March 5, 1937 in Providence, Rhode Island. She has been singing professionally since she the age of 14. Between September 1967 and May 1968, she occasionally wrote album reviews for Down Beat and for a time in the 1970s she worked as a legal secretary in Raleigh, North Carolina
One of her early efforts was working with the Les and Larry Elgart orchestra. Later she filled in for Annie Ross of Lambert, Hendricks & Ross. But by 1961, with success at the Newport Jazz Festival Carol landed a multi-album contract with Columbia Records.
In the 70s her career stalled for a time, but Sloane was able to resume live performance and recording by the 1980s. She later signed with Concord Records and found some successes touring Japan.
She has worked with Tim Horner, George Duvivier, Art Davis, Barry Galbraith Clark Terry, Nick Travis, Bob Brookmeyer, Richie Pratt, Art Farmer, Clifford Jordan, Kenny Burrell, Kenny Barron, Rufus Reid, Grady Tate and Ken Peplowski, just to names a few. Vocalist Carol Sloane continues to perform, record and tour.
Uplift Someone’s World
More Posts: vocal
Daily Dose Of Jazz…
Roseanna Elizabeth Vitro was born in Hot Springs, Arkansas on February 28, 1951 and began singing at an early age, drawing inspiration from various musical genres like gospel from her mother’s side of the family, rock and R&B, theatre and classical. During the 1950s, her father owned a nightclub in Hot Springs called The Flamingo and he loved Dean Martin’s music and opera. . By the 1960s, Vitro was determined to be a rock singer.
She was exposed to jazz and it became her genre of choice after moving to Houston in the 1970s. It was there that Ray Sulienger discovered her and voice coached her and presented her to the Houston Jazz Community. Vitro sang frequently with tenor Arnett Cobb.
She worked for two years in Houston’s Green Room with her group Roseanna with Strings and Things, hosted a radio show on KUHF-FM, featuring guests like Cobb. Many jazz greats stopped in and played with Strings and Things, like Oscar Peterson, Bill Evans, Tommy Flanagan and Keter Betts. Encouraged to dedicate herself to jazz, in 1978 Roseanna moved to New York City with guitarist Scott Hardy and began to study with Professor Gabore Carellia at the Manhattan School of Music.
Vitro started performing with Kenny Werner and Fred Hersch, sat in with and ultimately toured with Lionel Hampton, and appeared at all the major New York jazz clubs. She also appeared with Steve Allen, recorded an album of his compositions and performed and recorded live with Kenny Werner at the John F. Kennedy Center in Washington, DC.
Throughout her career she has collaborated and recorded with Christian McBride, Elvin Jones, Gary Bartz, Kevin Mahogany, and David “Fathead” Newman. She has thirteen albums under her belt and a Grammy nomination for Best Jazz Vocal Album for The Music of Randy Newman. She has been inducted into the Arkansas Jazz Hall of Fame, a U.S. Jazz Ambassador for The John F. Kennedy Center and U.S. State Department, and The Rhythm Road: American Music Abroad featured artist with her band JazzIAm.
As an educator Roseanna Vitro has taught Vocal Jazz at State University of New York at Purchase and currently at New Jersey City University and the New Jersey Performing Arts Center. As a clinician she holds frequent workshops, clinics and master classes.
Give The Gift Of Knowledge
More Posts: vocal