MARCUS MILLER, TANK & THE BANGAS, SOUL REBELS, DJ LOGIC
The opening of our free concert series, SummerStage and long standing programming partner, Blue Note Jazz Festival, has assembled a group of performers that stretch the boundaries of jazz and funk to incorporate the wide variety of African Diaspora sounds. “Laid Black” multi-instrumentalist Marcus Miller has collaborated closely with artists who can be called legends without any hyperbole: Miles Davis, Herbie Hancock, Luther Vandross, Wayne Shorter, and David Sanborn– to name a few.
The two-time GRAMMY winning artist’s chops are deadly serious, but he still knows how to keep it loose, counting “Da Butt,” the tongue-in-cheek anthem from Spike Lee’s School Daze, among his impressive songwriting credits. The evening also features two New Orleans-based SummerStage alumni: Tank and the Bangas, the NPR Tiny Desk contest-winning ensemble that fuses funk, soul, hip-hop, rock, and spoken-word poetry into an unforgettable performance, fresh off a GRAMMY win for leading lady Tank’s spoken word album; and The Soul Rebels, an eight-piece ensemble revolutionizing the conventional brass band framework to inject new life into sounds from across the pop spectrum. DJ Logic will be on the ones and twos between sets.
Cover: Free
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Daily Dose Of Jazz…
Horace Kirby Dowell, known professionally as Saxie, was born on May 24, 1904 in Raleigh, North Carolina. Attending the University of North Carolina he met Hal Kemp and joined Kemp’s orchestra as a tenor saxophonist, clarinetist, flutist and vocalist in the fall of 1925.
He composed I Don’t Care, which was recorded by Kemp for Brunswick in 1928. When the band’s style changed in the early 1930s to that of a dance band, Dowell became the group’s comedic vocalist for novelty songs. After Three Little Fishies became a hit in 1939, Dowell was involved in a legal dispute with lyricists Josephine Carringer and Bernice Idins. In 1940 he wrote the song Playmates.
Dowell left Kemp and started a big band in 1940. Drafted during World War II he served as a bandleader aboard an aircraft carrier, the U.S.S. Franklin. He went on to record for Brunswick, Sonora, and Victor. Around 1946 he led a naval air station band with 14-year-old Keely Smith as a singer.
>After the war he reunited his orchestra, performing mostly in Chicago, Illinois. In 1949 he became a disc jockey for WGN radio in Chicago, and retired in the late 1950s. He moved to Scottsdale, Arizona and worked as a disc jockey part-time for KTAR in Phoenix during his retirement.
Saxophonist and vocalist Saxie Dowell died on July 22, 1974 in Scottsdale.
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Daily Dose Of Jazz…
Hanna Richardson was born on May 16,1956 in Alexandria, Virginia and as the daughter of a foreign service officer, much of her childhood was spent overseas. At the age of seven, while living in South America, she began piano lessons and also sang at home with the family. 1965 saw her father retiring to Geneva, New York where she met bass player Phil Flanigan while in high school.
College saw her singing professionally, first rock and folk music, then hearing an Ella Fitzgerald record she turned to singing jazz. However, it was the singing style of Maxine Sullivan that was to have the greatest impact upon her. After college, Richardson moved to Rochester, New York and continued to pursue her interest in both folk music and jazz and she also taught herself to play the mandolin.
A move to Syracuse, New York had her working at Syracuse University and becoming Assistant Dean in the School of Management. She sang professionally during this period as a session back-up singer. Connecting again with Flanigan who had toured and recorded with Sullivan, and began singing with him. They married and recorded their debut album, Something To Remember You By, in 2002.
Vocalist Hanna Richardson, who has released a half dozen albums, continues to regionally perform, record and educate.
TOMI BERRY
An accomplished, classically trained singer, Tomi has performed most of her life in multiple music genres, starting formally in gospel and spiritual church choirs in her hometown of Montclair, New Jersey. She continued to perform throughout college in classical and madrigal choirs, chorale and was the first soloist to sing with the college jazz band. She also performed with a campus band that did pop and R&B tunes for campus events and private functions.
In Atlanta, she performed with the Hillside Chapel and Truth Center Choir and Jubilee Singers and was a member of the “neo-spiritual” group I Am Unlimited. She has been a member and briefly served on the board of Southeastern Organization for Jazz Arts (SOJA) where she performed a two-woman show with vocalist Nina Carl, with support from Terry Harper on piano, Danny Harper on trumpet and Delbert Felix on contrabass.
She also had the opportunity to perform with jazz pianist/songwriter, Donald Brown during an in-home performance in the Atlanta area and has been supported by jazz pianist/musician/songwriter Takana Miyamoto on multiple projects as well as by pianist Rodney Martino Avery.
She was the featured performer at The Velvet Note Acoustic Living Room in 2013 where she performed two shows featuring GRAMMY Award winning, Atlanta-based producer/keyboardist, Phil Davis, bassist. Trey Gilbert, and drummer, Joey Williams.
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MYRNA CLAYTON
America’s Songbird, Myrna Clayton, captivates audiences worldwide with her unforgettable, classy, and soul-filled jazzy style. From the United States to five continents abroad, her performances leave audiences in awe. Alabama-born and Atlanta-raised, Myrna is a highly respected singer renowned for her versatility, particularly her mastery of Jazz: Standards, Straight Ahead, Bebop, Contemporary, and Smooth.
Commissioned by the U.S. State Department, she has represented American music at U.S. Embassies across the globe, including performances in France, Germany, Russia, Namibia, Guatemala, Nigeria, the Baltics, Switzerland, and most recently, Ghana’s 2024 Jazz in January Festival. A Jazz orchestra conductor in Kazan, Russia, even tagged her “The Maynard Ferguson of Jazz vocals,” highlighting her mesmerizing musical presence. Locally in Atlanta, Myrna graces stages at venues like the High Museum’s Friday Night Jazz and City Winery.
Beyond her vocal prowess, Myrna is a passionate advocate for accessibility for performing artists across the disability spectrum. She is deeply committed to highlighting their talents and improving their career trajectories and life possibilities. This dedication led her to found SHOWAbility, a non-profit organization serving artists and audiences across the disability spectrum. SHOWAbility creates accessibility and visibility for these artists, focusing on their unique talents and abilities rather than their challenges.
Jazz Brunch Tickets: $20.00 ~ $35.00 | $25.00 Food & Beverage Per Person
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