Daily Dose Of Jazz…
Nesuhi Ertegun was born November 26, 1917 in Istanbul, Turkey, moving to Washington, DC when his father was appointed Ambassador to the United States in 1935. From an early age, Nesuhi’s primary musical interest was jazz, having attended concerts in Europe. While at the Turkish Embassy he also promoted jazz concerts during 1941-44.
After his father’s death in 1944, Ertegun stayed in the U.S., moved to California, got married and established the Crescent record label. He purchased Jazz Man Records and issued traditional jazz recordings producing classic Kid Ory revival recordings plus sessions with Pete Daily and Turk Murphy. He went on to work with Contemporary Records and Imperial Records developing their jazz catalog for the later.
In 1955, he was preparing to work for Imperial Records to develop their jazz record line and develop a catalog of LPs. However, his younger brother Ahmet Ertegun and Jerry Wexler persuaded him to become a partner in Atlantic Records over the jazz and LP department.
As a producer he worked with John Coltrane, Charles Mingus, Ornette Coleman, the Modern Jazz Quartet, Ray Charles, Chris Connor, the Drifters, Bobby Darin, Roberta Flack and numerous others while being first recruiting songwriters and producers Leiber and Stoller. He went on to establish WEA International venturing into Latin-American rockers and other world music groups and remained at the helm until his retirement in 1987.
Nesuhi Ertegun, writer, editor, producer, educator, art collector and soccer promoter died on July 15, 1989, at the age of 71, due to complications following cancer surgery. He was posthumously inducted into the Rock and Roll Hall of Fame, awarded the Grammy Trustees Award for lifetime achievement, the National Soccer Hall of Fame and had the Nesuhi Ertegun Jazz Hall of Fame at Jazz at Lincoln Center dedicated to him.
Daily Dose Of Jazz…
Leonard Geoffrey Feather was born on September 13, 1914 in London, England and learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At age of twenty-one, Feather made his first visit to the United States and after working in the U.K. and the U.S. as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles, California in 1960.
His compositions have been widely recorded, including “Evil Gal Blues” and “Blowtop Blues” by Dinah Washington, and what is possibly his biggest hit, “How Blue Can You Get?” by blues artists Louis Jordan and B. B. King, and some of his own recordings as a bandleader are still available. But it was as a journalist, critic, historian, and campaigner that he made his biggest mark as one of the most widely read and most influential writer on jazz, and having written the liner notes for hundreds of jazz albums.
Leonard wrote the lyrics to the Benny Golson jazz composition “Whisper Not” which was then recorded by Ella Fitzgerald on her 1966 Verve release of the same name. He was co-editor of the Metronome Magazine and served as the chief jazz critic for the Los Angeles Times until his death on September 22, 1994 in Sherman Oaks, California at age eighty.
He leaves a legacy of a talented daughter, vocalist Lorraine Feather, a couple of dozen albums and several books such as The Encyclopedia Yearbook of Jazz in the Sixties, Inside Jazz and From Satchmo to Miles among others.
Daily Dose Of Jazz…
Nat Hentoff was born Nathan Irving Hentoff on June 10, 1925 in Boston, Massachusetts. He graduated from the Boston Latin School, matriculated through Northeastern University with honors, did graduate work at Harvard University and was a Fulbright fellow at the Sorbonne in Paris.
He became an American historian, novelist, jazz and country music critic and a syndicated columnist having written for Down Beat, Jazz Times as well as the New York Times, the Washington Post, the Village Voice, The New Yorker amongst others.
Hentoff joined Down Beat Magazine as a columnist in 1952 and from 1953 through 1957 was an associate editor. In 1958 he co-founded The Jazz Review, a magazine that he co-edited with Martin Williams until 1961. His broadcast career began with a notable radio show called “JazzAlbum”, that would continue into the 50s. During this period he would also host radio shows “Evolution of Jazz” and “The Scope of Jazz”.
In June 1955, Hentoff co-authored with Nat Shapiro “Hear Me Talkin’ to Ya: The Story of Jazz by the Men Who Made It”. The book features interviews with some of the best-known names in jazz, including Dizzy Gillespie, Duke Ellington and Paul Whiteman. He went on to author numerous other books on jazz.
Hentoff is a Guggenheim Fellow, NEA Jazz Master, and has been honored y Northeastern University, National Press Foundation, Human Life Foundation and the American Bar Association. He has written twenty non-fiction books and nine novels, of which eight are dedicated to jazz. Writer, author and record producer Nat Hentoff passed away of natural causes at his Manhattan apartment on January 7, 2017.
More Posts: writer