Daily Dose Of Jazz…
Johnny Simmen was born Hans Georg Simmen on April 7, 1918 in Brugg, Switzerland. He learned to play the piano for seven years, but never performed publicly. After a Louis Armstrong concert at the Zurich Tonhalle in 1934, he became fascinated with jazz. In 1935, he founded the first jazz club in Zurich, Switzerland where jazz enthusiasts could meet, where recording evenings were held, and lectures were given.
As early as the start of the Forties, Simmen was reporting from Switzerland for the American magazine Down Beat. Since he felt his high school English skills were inadequate, he took lessons and obtained the Cambridge Certificate of Proficiency in 1942, enabling him to be fully effective as a Swiss correspondent . He was able to resume his work for Down Beat in the first two years after the war.
He published numerous articles in journals such as the Bulletin du Hot Club de France, the British Melody Maker, Down Beat and the Canadian Coda. He lectured internationally on jazz and was friends with Bill Coleman, Teddy Wilson, Joe Turner and Horace Silver. He was considered one of the most knowledgeable jazz writers, specializing in musicians of the pre-bop era. Johnny’s knowledge of piano technique made his articles on jazz pianists very concise.
Simmen wrote liner notes for new editions, beginning with the prestige album Benny Carter in 1933. Starting in 1979, he produced recordings with important musicians of the 1930s. Most notably, in 1994, he released a whole series of recordings on Best of Jazz .
Holding down several day jobs, Johnny was a civil servant for the city of Zurich from 1943. Three years later Johnny joined Swissair, where as the exclusive designer of the in-flight jazz programs to entertain Swissair passengers until 1987. He delivered programs every two months, initially lasting one hour, later one and a half hours, and finally two hours.
Author and music producer Johnny Simmen died on September 23, 2004 in Zurich, Switzerland.
Daily Dose Of Jazz…
Sonny Burke was born Joseph Francis Burke on March 22, 1914 in Scranton, Pennsylvania and grew up in Detroit, Michigan. He attended St. Ambrose High School, where he was All-State fullback. After one year at the University of Detroit, he transferred to Duke University, where he formed and led the jazz big band known as the Duke Ambassadors.
During the Thirties Burke was a big band arranger in New York City, worked with Sam Donahue’s band, and in the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955 he wrote, along with Peggy Lee, the songs to Disney’s Lady and the Tramp, and with John Elliot for Disney’s Toot, Whistle, Plunk and Boom, which won the 1953 Oscar for Best Short Subject – Cartoons.
He wrote the music for a number of popular songs, including Black Coffee and Midnight Sun, co-written with jazz vibraphonist Lionel Hampton. The song’s lyrics were added later by Johnny Mercer. He was an active arranger, conductor and A&R man at major Hollywood record labels, especially Decca Records where he worked with Charles “Bud” Dant.
Sonny would go on to become musical director of Warner Bros. Records / Reprise Records, and was responsible for many of Frank Sinatra’s albums, producing Sinatra’s My Way, Petula Clark’s This Is My Song, written by Charles Chaplin for his movie, A Countess From Hong Kong.
Burke was the bandleader for recordings of leading singers that included Dinah Shore, Bing Crosby, The Andrews Sisters, The Mills Brothers, Ella Fitzgerald, Mel Tormé and Billy Eckstine.
Arranger, composer, big band leader and producer Sonny Burke died from cancer on May 31, 1980, in Santa Monica, California, aged 66.
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Daily Dose Of Jazz…
Dom Minasi was born on March 6, 1943 in New York City, New York and was primarily self-taught, a natural musician. In his youth he backed singers and played his share of rock and roll, church dances and small jazz combo gigs beginning when he was fifteen.
While launching his professional career at a young age with Blue Note Records he took on numerous private students. In the mid-1970s, however, Blue Note was being sold and Minasi dropped out of the recording scene and over the next fifteen years he began freelancing, going back to school and occasionally performing with Dennis Moorman.
1993 saw Dom doing off-Broadway shows, writing hundreds of compositions and working with youth in the New York public school system. While doing all this he wrote several books on music disciplines, improvisation, theory and chord substitutions.
By the turn of the century he returned to producing compact discs for his independent label. He would go on to collaborate with a host of musicians and his improvisational excursions opened up a new audience.
Guitarist, composer, and music producer Dom Minasi, who recorded thirteen albums as a leader, died on August 1, 2023, at the age of 80.
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Daily Dose Of Jazz…
Louiz Banks was born Dambar Bahadur Budaprithi to Nepali parents on February 11, 1941 in Calcutta, West Bengal, British India and grew up in his hometown of Darjeeling. His early music education was at the hands of his father, a trumpeter, and his neighbour Mrs. Myers. He did his schooling at St. Roberts School, Darjeeling and around age thirteen he became interested in western music and he started playing the guitar and the trumpet. His father gave him piano lessons and played in his band. He went to college at St. Joseph’s College in Darjeeling, where he continued to study piano.
After college Banks moved to Kathmandu, Nepal with his father’s band and decided to become a full-time musician, it was there he discovered jazz music. In the late 1960s he had a three year residency at the Soaltee Hotel in Kathmandu. Moving back to Calcutta in 1971 he met singer Pam Craine and saxophonist Braz Gonsalves and formed The Louis Banks Brotherhood. They played hotel rooms and night clubs and he got work composing advertisement jingles and stage musicals.
In 1977 Louiz was in Mumbai with the R.D. Burman troupe and got introduced to world music. Popularizing live jazz he cemented his place and reputation in the city. Two years later along with Goan saxophonist Braz Gonsalves he formed the Indo-Jazz Ensemble, composing music on Indian classical scales and Jazz rhythms, incorporating Indian instruments like ghatam and thavil. In 1980, he was a member of the jazz quartet which was part of the orchestra to perform with Ravi Shankar in his noted suite Jazzmine at the ‘Jazz Yatra’ Festival.
He would go on to form several groups with vocalists, tabla and sitar. In addition he has composed music for several short films. He has performed at various concerts and with well-known jazz artists such as Radha Thomas and Joe Alvares. He worked on a progressive fusion jazz album titled Labyrinth with his son’s band Nexus.
He collaborated as co-producer, arranger and pianist and keyboards on the album Miles From India, a tribute to the founder of modern jazz Miles Davis was nominated for the 2008 Grammy Awards in the Best Contemporary Jazz Album category. In the same category, John McLaughlin’s fusion album Floating Point was also nominated, Banks was the featured keyboardist on the album.
Keyboardist, singer, film composer, record producer Louiz Banks, who has often been acknowledged as the Godfather of Indian Jazz, continues to perform, compose and produce.
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Daily Dose Of Jazz…
Ernest “EC3 Coleman III was born a second generation musician in Naples, Italy on February 9, 1963 to Ernest and Rebecca Coleman. His father, Ernest Jr. was a jazz musician who played tenor saxophone and was a great arranger and composer.
He studied at the Naval Conservatory of Music in Norfolk, Virginia and was awarded a special honor for being the youngest student to graduate from this conservatory. Moving to Los Angeles, California after his tour with the Navy Band, EC began his true musical quest performing for Guys & Dolls, Ain’t Misbehavin, and A Chorus Line.
Getting the call to work with Loretta Holloway in Las Vegas, Nevada he opened for Jay Leno, Bill Cosby, David Brenner, Yakov Smirnoff, Whoopi Goldberg, Don Rickles and many many more. Coleman took over as Loretta’s musical director and traveled around the world. For twelve years.
He eventually got called to play with jazz bassist Al McKibbon. Excited to get the call, he auditioned and got booked for The Bourbon Street Review show. For three years this was his training ground. Al being like a second father to him, they lived together for many years and this was where he attained most of his great knowledge of music.
When the show closed Billy Higgins was there to offer EC work with saxophonist Azar Lawrence and for the next year and a half they were on the road. A move to Las Vegas, Nevada saw him working with Frank Sinatra’s pianist and conductor Vincent Falcone. Meeting jazz pianist Kevin Toney led him to play with Kevin bassist Brad Bobo.
He went on to work with Kenny Burrell, Russell Malone, Lorendo Alameida, Lorez Alexandria, John Clayton, George Cables, Herman Riley, Charlie Owens, Frank Sinatra, Vic Damone, Diahann Carroll, Pudgy, and the orchestras of Caesar Palace, Harrah’s Tahoe and Reno, and The Las Vegas Symphony.
Since then he embarked on a solo career as a leader, recording eight albums and producing thirteen records for Misha, Wendy C, Wendy B, Rayshun Lamarr, Zac Williams, Fabian, and Troy “Sol” Edler.
Drummer, producer and bandleader Ernest “EC3” Coleman continues to expand the language of his musical talent.
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