Daily Dose Of Jazz…
Leon Lee Dorsey was born on March 12, 1958 in Pittsburgh, Pennsylvania. The post bop genre bassist began as a child and matriculated through Oberlin College receiving two Bachelor of Music Degrees and the University of Wisconsin and the Manhattan School of Music receiving Maters degrees from both.
Dorsey’s chops for composing and arranging are witnessed on his 1995 debut album on the Landmark label titled The Watcher with Don Braden, Vincent Herring, Lafayette Harris Jr., Cecil Brooks III and Jimmy Madison followed by his 1999 release of Song of Songs that maintains a supreme sense of melody throughout the session.
He has performed and recorded with Lionel Hampton, Art Blakey, John Lewis, Cassandra Wilson, Freddie Hubbard, Dizzy Gillespie, Wynton Marsalis, Kenny Clarke, Jon Hendricks, Gloria Lynn, Harry “Sweets” Edison, has played with symphonies, orchestras and big bands of Duke Ellington, Benny Carter and Charlie Persip, with opera diva Marilyn Horne and with Frank Sinatra at Carnegie Hall.
Bassist Leon Dorsey completed his doctorate in Classical Double Bass under Ron Carter and is currently Assistant Professor of Jazz Performance at the University of Pittsburgh.
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Daily Dose Of Jazz…
Chauncey Morehouse was born on March 11, 1902 in Niagara Falls, New York and was raised in Chambersburg, Pennsylvania where he learned and played drums from an early age. He also played piano and banjo and while in high school led a group called the Versatile Five. He landed a job with Paul Specht’s orchestra in 1922, touring with him through Europe in 1923.
Through the Roaring Twenties Chauncey played with The Georgians, Jean Goldkette, Adrian Rollini and Don Voorhees. He recorded with Frankie Trumbauer, Bix Beiderbecke, Red Nichols, The Dorsey Brothers, Joe Venuti and many others.
By 1929 Morehouse was active for the next decade chiefly as a studio musician, working in radio and television in and around New York City. In 1938, he put together his own percussion ensemble which played percussion tuned chromatically.
Morehouse invented a set of drums called the N’Goma drums, which were made by the Leedy Drum Company who endorsed Morehouse during his career. His career in the studios continued into the 1970s when he retired from studio work and began playing jazz again, mostly at festivals.
In his later years Morehouse made appearances at Carnegie Hall for the Tribute to Bix concert for the Newport Jazz Festival, and at one of the early Bix Beiderbecke Memorial Jazz Festivals in Davenport, Iowa. Chauncey Morehouse passed away on October 31, 1980 in Medford, New Jersey, aged 78.
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Daily Dose Of Jazz…
Mino Cinelu was born on March 10, 1957 in Saint-Cloud, Haute-de-Seine and was introduced to music as a child playing percussion in concert halls in the suburbs of Paris. He became interested in jazz, rock, salsa eventually expanded into fado, flamenco, African, Japanese and other varieties.
His first instrument was the bongo drums, which led him to decide to try and live from his music. He often played the bongos in the streets experimenting with improvisation. By the end of the 1970s he became more and more interested in the French jazz-fusion scene working with Jef Gilson, Chute Libre and Moravagine
In 1979 Mino moved to New York, met George Benson, Wayne Shorter, Kenny Barron and Cassandra Wilson, added new instruments to his repertoire, and was soon joining Miles Davis on tour. This recognition led Joe Zawinul asking him to be a part of Weather Report during which time he began composing with the help of Wayne Shorter and Zawinul.
Cinelu also played with Michel Portal prior to beginning his solo career in the 1990s with his self-titled debut album Mino Cinelu was released in 2000, followed by Quest Journey in 2002 and La Californie in 2006. He continues to compose, record and perform.
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Daily Dose Of Jazz…
Keely Smith was born Dorothy Jacqueline Keely on March 9, 1932 in Norfolk, Virginia and showed a natural aptitude for singing at a young age. By 14, she was singing with a naval air station band. At 15, she got her first paying job with the Earl Bennett band.
Smith made her professional debut with Louis Prima in 1949 who later became her husband, playing the ” straight guy” in the duo and making the Mercer/Arlen tune “That Old Black Magic” a standard that won them a Grammy for Best Performance by a Vocal Group.
Keely appeared with Prima in the 1959 film, Hey Boy! Hey Girl! singing Fever, appeared in and sang on the Thunder Road soundtrack, and her first big solo hit was with “I Wish You Love”. Signing with Reprise in 1961 she began working with Nelson Riddle, though those recordings have never been released. Through the 60s she had minor hits but it wasn’t until 1985 that she made a comeback with “I’m In Love Again” and her 2001 album “KeelySings Sinatra” was nominated for a Grammy.
Smith released Vegas ’58 – Today, a compilation album of her best known songs, all recorded live by her own admission, she has never had a singing lesson and cannot read music. In recent years she has been booked at New York’s Café Carlyle, performed “That Old Black Magic” with Kid Rock at the 50th Grammy Awards and continued to work a light-touring schedule until her passing away on December 16, 2017 of heart failure in Palm Springs, California.
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Daily Dose Of Jazz…
Billy Childs was William Edward Childs on March 8, 1957 in Los Angeles, California and began piano lessons when he was six. By age 16 he started attending the Community School of the Performing Arts, a prestigious music program sponsored by the University of Southern California, in which he ultimately attended in 1975.
Childs was playing professionally as a teenager and he made his recording debut in 1977 with the J. J. Johnson Quintet’s Yokohama Concert during a tour of Japan. He would gain significant attention during his six-year stint playing with trumpeter Freddie Hubbard’s group from 1978 to ’84.
His early playing influences were Herbie Hancock, Keith Emerson and Chick Corea and in his composing came by Paul Hindemith, Maurice Ravel and Igor Stravinsky. Adept in both the jazz and classical idioms, Childs develop his own voice with an original conception near the start of his career. His solo recording career began in 1988 with the release of Take for Example, This… the first of four critically Windham Hill Jazz label. He would go on to record two albums for Stretch/GRP and Shanachie.
In 2000 Childs arranged, orchestrated and conducted for Dianne Reeves’ project The Calling: Celebrating Sarah Vaughan that won a Grammy for Best Jazz Vocal. He has also arranged for Sting, Yo-Yo Ma, Chris Botti, Gladys Knight, Michael Bublé, David Foster, Phil Ramone and Claudia Acuna.
Billy’s 2005 “Lyric, Jazz-Chamber Music, Vol. 1”, a jazz chamber music ensemble recording, influenced by the Laura Nyro-Alice Coltrane collaboration, garnered three Grammy nominations; he has received a total of three Grammy awards, a Guggenheim Fellowship, and Chamber music grant, and has been commissioned for more than a dozen jazz and classical compositions and arrangements.
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