Daily Dose Of Jazz…

Lalo Schifrin was born Boris Claudio Schifrin in Buenos Aires, Argentina on June 21, 1932. At the age of six he began a six-year course of study on piano with Enrique Barenboim and at 16 studied piano with Andreas Karalis and harmony with Argentine composer Juan Carlos Paz. By twenty he was attending the Paris Conservatoire during the day and playing at night in jazz clubs.

1955 saw Lalo playing with Astor Piazzolla and on stage at the International Jazz Festival in Paris. Back in Argentina he formed a jazz orchestra, met Dizzy in ’58 and wrote Gillespiana for his big band. He would go on to work with Xavier Cugat, move to New York, take the piano chair in Dizzy’s quintet and wrote a second extended composition titled, The New Continent.

The Sixties had MGM signing Schifrin to his first movie score, he moved to Hollywood, changed The Man from U.N.C.L.E. to a jazz melody and won an Emmy for the theme. He would go on to score television and movies like Mission Impossible, Mannix, Cool Hand Luke, Dirty Harry, The Exorcist, Bullitt and even ABC’s Eyewitness News.

Over the course of his career Lalo Schifrin has recorded over 50 albums and soundtracks, 90 television and film scores as a leader, composer and conductor; and has worked with Cannonball Adderley, Eddie Harris, Count Basie, Luiz Bonfa, Candido Camera, Louis Bellson, Al Hirt, Jimmy Smith, Sarah Vaughan, Cal Tjader, Paul Horn and many others.

In 1997, the composer founded Aleph Records; played an orchestra conductor in Red Dragon, has had his music sampled by hip-hop artists, has been nominated twenty-one times and won four Grammy Awards, one Cable Ace Award, received six Oscar nominations and has a star on the Hollywood Walk Of Fame. He continues to compose, conduct and perform.

FAN MOGULS

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Daily Dose Of Jazz…

Lammar Wright Sr. was born on June 20, 1907 in Texarkana, Texas but grew up in Kansas City, Missouri. He began his musical career playing and recording with Bennie Moten’s band in 1923. Relocating to New York City in 1927 Lammar played with The Missourians, staying with the group after Cab Calloway became its leader. Wright remained Calloway’s lead trumpeter until 1942.

Playing sporadically with Calloway through the rest of the decade, Wright would also played with Don Redman, Claude Hopkins, Cootie Williams, Lucky Millinder, Sy Oliver and Louis Armstrong.

In the 1950s and 1960s he taught music and worked as a studio musician, in addition to recording with Arnett Cobb, Count Basie, the Sauter-Finegan Orchestra and George Shearing.

Wright led his own groups from time to time, had a role in the 1968 film The Night They Raided Minksy’s. Trumpeter Lammar Wright passed away on April 13, 1973 in New York City.

ROBYN B. NASH

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Notorious Jazz App

Introducing you to the new Notorious Jazz APP. Now you can easily follow us anytime, anywhere on your Smart Phone and IPad by simply scanning our new QR CODE. Get all your favorite posts at the touch of your fingertip: Daily Dose Of JazzJazz In Film, From Broadway To 52nd Street, Hollywood On 52nd Street, Requisites (for the collector) and The Jazz Voyager (jazz for the world traveler).

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Scan the QR code to enjoy mobile applications from the Notorious Jazz site. Get your Daily Dose Of Jazz, Music, the Jazz Calendar and more.

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Jazz In Film

The Film: Carmen Jones

The Year: 1954

The Director: Otto Preminger

The Stars: Dorothy Dandridge, Harry Belafonte, Pearl Bailey and Brock Peters.

The Music: Soundtrack work done by Cozy Cole along with great performances by Pearl Bailey, Max Roach, Richie Powell and Curtis Counce.

The Story: This adaptation of the 1944 Broadway success provided a modern Black version of the Merimee story that retained the original Bizet music. At an all-black army camp, civilian parachute maker and “hot bundle” Carmen Jones is desired by many of the men. Naturally, she wants Joe, who’s engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them.

ROBYN B. NASH

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Daily Dose Of Jazz…

David Alden Lambert was born on June 19, 1917 in Boston, Massachusetts. His band debut was with Johnny Long’s Orchestra in the early 1940s and along with early partner Buddy Stewart; he successfully brought singing into modern jazz, concurrently with Ella Fitzgerald.

In the late 1950s Lambert teamed with wordsmith and vocalese pioneer Jon Hendricks. Annie Ross later joined the two vocalists and the trio lineup was a hit. After Ross left the group in 1962, Lambert and Hendricks went on without her by using various replacements, but the partnership ended in 1964.

Dave formed a quintet called “Lambert & Co.” which included the multiple voices of Mary Vonnie, Leslie Dorsey, David Lucas and Sarah Boatner. The group auditioned for RCA and was documented in a 15-minute documentary entitled Audition at RCA, and the Charlie Parker with Voices. It was one of the last images recorded of Lambert.

Lyricist and jazz singer Dave Lambert, an originator of vocalese best known for his work in Lambert, Hendricks and Ross, and who spent a lifetime experimenting with the human voice and expanding the possibilities of its use in jazz, was struck and killed by a truck on the Connecticut Turnpike while changing a flat tire, passed away on October 3, 1966.

DOUBLE IMPACT FITNESS

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