Daily Dose Of Jazz…

Slide Hampton was born Locksley Wellington Hampton on April 21, 1932 in Jeannette, Pennsylvania, one of twelve children born to Laura and Clarke Hampton, who taught them to play instruments. One of the few left-handed trombonists, not naturally having received a left-handed trombone from his father, by age twelve the Hamptons were living in Indianapolis and Slide was playing in the Duke Hampton Band, led by his father.

Just eight years later Slide was on stage at Carnegie Hall playing with Lionel Hampton in 1952. Throughout the 1950s Slide played with Buddy Johnson, played and arranged for Maynard Ferguson, and recorded with master trombonist Melba Liston. As his reputation grew he began working with Art Blakey, Tadd Dameron, Barry Harris, Thad Jones, Mel Lewis, and Max Roach, contributing both original compositions and arrangements. In the early Sixties he formed an octet with Freddie Hubbard, Booker Little and George Coleman that toured and recorded throughout the U.S. and Europe.

Over the course of fifty plus years Hampton has played with Woody Herman, lived in Europe for ten years, taught at Harvard, University of Massachusetts, DePaul University and Indiana State. He has led a nine trombone 3 rhythm band – World Of Trombones, co-led a quintet with Jimmy Heath called Continuum and freelanced as a writer and player.

This gifted jazz musician has been inducted into the Indianapolis Jazz Hall of Fame, is a two-time Grammy winner, and was honored in 2005 with the NEA Jazz Masters Award.  Trombonist, bandleader, educator, master composer, arranger Slide Hampton, who  is among the most distinguished assembly of careers in music, passed away on November 18, 2021 in Orange, New Jersey.

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From Broadway To 52nd Street

The Boys From Syracuse came to Broadway with music and lyrics by Richard Rodgers and Lorenz Hart and opened on November 23, 1938 at the Alvin Theatre. The musical ran for two hundred and thirty-five performances, giving the world and jazz the songs “Falling In Love With Love” and “This Can’t Be Love”. The show starred Eddie Albert, Ronal Graham, Teddy Hart and Jimmy Salvo.

The Story: This is the tale of separated twins when young, Antipholus of Ephesus and Antipholus of Syracuse, who have taken on twin servants both named Dromio. It is when the pair from Syracuse come to Ephesus, that a comedy of errors ensues.

Jazz History: As the country becomes though over-commercialized with swing, the necessity of change hovers in the air. By the end of the Thirties, Coleman Hawkins would open the door that whet the appetites and influence aspiring jazz improvisers seeking a new mode of expression in small group settings and after-hour jam sessions. His rendition of Body and Soul was a landmark recording that sparked the emergence of bebop.

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Daily Dose Of Jazz…

Lionel Leo Hampton was born on April 20, 1908 in Louisville, Kentucky and was raised by his grandmother. The multi-instrumentalist spent his early childhood first in Birmingham, Alabama and then in Kenosha, Wisconsin before his family settled in Chicago by the time he was ten. During his teen years he took up the xylophone, fife and drums. It was drums that kicked started his career in music playing with the Chicago Defender Newsboy’s Band.

Towards the end of the Roaring Twenties Hampton moved to California playing with the Dixieland Blues-Blowers, the Les Hite band and recording with The Quality Serenaders. But it was in 1930 when Louis Armstrong invited Hampton to play vibes during one of his California dates that his career as a vibraphonist and the popularity of the instrument began. But it was later that his star would shine when Johnny Hammond brought Benny Goodman to see Hampton play and invited him to join his group.

Over the course of his lifetime Lionel Hampton led his own orchestras, played with Bing Crosby, Billie Holiday, Teddy Wilson, Gene Krupa, Wes Montgomery, Illinois Jacquet, Dinah Washington Arnett Cobb, Charlie Parker, Quincy Jones, Buddy Rich, Slam Stewart and the list of jazz luminaries is to numerous.

Hampton, a vibraphonist, pianist, percussionist, bandleader and actor was inducted into the Alabama Jazz Hall of Fame in 1992, received the Papal Medal from Pope Paul VI, has toured and performed around the world, had his vibraphone of 15 years placed in the National Museum of American History and the University of Idaho renamed their music school for Hampton, becoming the first university to do so for a jazz musician.

One of the first jazz pioneers of the vibes and a giant whose career spanned over six decades, Lionel Hampton passed away of heart failure at the age of 94 on August 31, 2002.

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Daily Dose Of Jazz…

Thomas “Tommy” Benford was born in Charleston, West Virginia on April 19, 1905 the younger brother of tuba player Bill Benford. He studied drums and music at the Jenkins Orphanage in Charleston, South Carolina and went on tour with the school band traveling to Europe in 1914. By 1920 he was working with the Green River Minstrel Show. He returned to Europe in 1932 becoming part of the expatriate community, for the next nine years toured and played with all the great jazz musicians who came to the continent.

He returned to the United States in 1941 and throughout his long career Benford played and recorded with Jelly Roll Morton, Duke Ellington, Fats Waller, Eddie South, Coleman Hawkins Bill Coleman, Joe Turner, Django Reinhardt, Sidney Bechet, Noble Sissle and Willie “The Lion” Smith. He is credited with helping Chick Webb to play drums and shaped early jazz drumming alongside Sid Catlett.

For the last several decades of his life he was a member of the Harlem Blues and Jazz Band and with Bob Greene’s World of Jelly Roll Morton. Jazz drummer Tommy Benford passed away at the age of 88 on March 24, 1994 in Mount Vernon, New York.

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Daily Dose Of Jazz…

Leo Parker was born on April 18, 1925 in Washington, DC. He studied alto saxophone in high school and by 1944 had recorded with Coleman Hawkins. Switching to baritone the same year, he joined Billy Eckstine’s bebop band for the next two years.

In 1945 he became a member of the “Unholy Four” of saxophonists joining Dexter Gordon, Sonny Stitt, Gene Ammons. Possessed of a big, beefy sound tone and a fluent technique that spoke to R & B and advanced harmonies of bebop, Leo played with Dizzy Gillespie, Illinois Jacquet, Fats Navarro, J.J. Johnson, Teddy Edwards, Wardell Gray and Sir Charles Thompson, the later which he had a hit with “Mad Lad”.

During the ‘50s Leo experienced problems with drug abuse that interfered with his recording obligations. Although he made two comebacks recordings for Blue Note in 1961, the following year Leo Parker died of a heart attack at age 36 in New York City on February 11, 1962.

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