Daily Dose Of Jazz…
Al Porcino was born on May 14, 1925 in New York City. He began playing trumpet professionally in 1943 in many of the big bands over the next two decades including those of George Auld, Louis Prima, Jerry Wald, Tommy Dorsey, Gene Krupa and Chubby Jackson.
Porcino played with Woody Herman in 1946, 1949-1950, and again in 1954. He also did two stints with Stan Kenton in 1947-48 and 1954-55. By the 1950s, he was playing with Pete Rugolo, Dizzy Gillespie, Count Basie, Elliot Lawrence and Charlie Barnet.
In 1957 he moved to Los Angeles and started working in the studios. Al played in the Terry Gibbs Dream Band for three years starting in 1959. Throughout the Sixties he often played in orchestras backing vocalists, performed on two soundtracks The Cincinnati Kid and Music from Mission Impossible with Lalo Schifrin, played with Buddy Rich, Gil Fuller, Thad Jones, Mel Lewis and again with Woody Herman in 1972.
Al formed his own big band and recorded behind Mel Torme in addition to their own work. During the Seventies he moved to Germany playing on Al Cohn’s final recordings in 1987 and led big bands there until his death in Munich on December 31, 2013.
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Daily Dose Of Jazz…
Creed Taylor was born May 13, 1929 in Bedford, Virginia and played trumpet in the high school marching band and symphony orchestra. He grew up surrounded by country music and bluegrass but gravitated more toward the sounds of jazz after listening to Dizzy Gillespie in high school. He spent countless evening listening to Symphony Sid broadcast live from Birdland in New York City. He went on to attend Duke University, perform with the Duke Ambassadors and The Five Dukes.
After graduation, a couple of years in the Marines, and a year of graduate school, he made his way to New York City to pursue becoming a record producer. Convincing the Duke alum running Bethlehem Records to allow him to record vocalist Chris Connor with the Ellis Larkins Trio and the album becoming a success, led Taylor to become head of A&R. He was at Bethlehem during its two most significant years, recording Oscar Pettiford, Ruby Braff, Carmen McRae, Charles Mingus, Herbie Mann, Charlie Shavers and the J.J. Johnson/Kai Winding Quintet.
Creed went on to join ABC-Paramount, founded the subsidiary Impulse label four years later dubbing it “The New Wave In Jazz”. He recruited John Coltrane and released gatefold albums by Ray Charles, Gil Evans, Kai Winding, J.J. Johnson and Oliver Nelson. His use of photographers for cover art that blurred the lines of jazz and popular music would set him apart and come in handy in later years.
By 1961 Taylor left and went to Verve Records introducing bossa nova to the US through recordings such as “The Girl From Ipanema” with Antonio Carlos Jobim and Stan Getz. The music was picked up by Dizzy Gillespie, and caught the ear of jazz guitarist Charlie Byrd and the sound exploded through the jazz community. Never leaving jazz, he also produced albums by Wes Montgomery, Jimmy Smith, Bill Evans and many others.
From Verve Creed went to A&M Records in 1967 and formed his own label, CTI (Creed Taylor Inc.), the following year. A&M distributed CTI releases until 1969, when he left to establish CTI as an independent record company. CTI became one of the most popular and successful jazz record companies of the 1970s, achieving fame for his unrivalled ability to balance the artistic with the commercial. He recorded Freddie Hubbard, Stanley Turrentine, George Benson, Chet Baker, Gerry Mulligan, Nina Simone, Paul Desmond, Art Farmer, Herbie Hancock and Ron Carter as well as forming the Kudu label and recording the likes of Hank Crawford, Grover Washington, Jr. and Esther Phillips.
Facing financial problems in 1974 Taylor caused by setting up his own network to distribute CTI labels and made a new distribution deal with Motown. This, however, was the beginning of the end with litigation, losing artists and bankruptcy. Finally Columbia agreed to distribute but he gave up his rights to the masters.
Record producer Creed Taylor has won numerous Grammy Awards for his decades of production work including sessions by Stan Getz’s Focus 1961, Desafinado by Stan Getz/Charlie Byrd, 1962, Bill Evans’ Conversations With Myself 1963, The Girl from Ipanema by Stan Getz and Joao Gilberto 1964, Willow Weep For Me by Wes Montgomery in 1969 and First Light by Freddie Hubbard in 1972. His CTI label changed the way music was produced for the decade of the 70s and forever left an indelible stamp on the genre of jazz.
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Daily Dose Of Jazz…
Wu Fei was born on May 12, 1977 in Beijing, China. From the age of four she began her music studies first on the guzheng and then piano the following year, practicing two to four hours everyday. At fourteen she tested into the China Conservatory of Music and studied composition before and then at Mills College in the United States.
Wu Fei, who is also a composer, vocalist and improviser, combine East with West in her approach to her music. In 2007 she released her debut solo album A Distant Youth with accompanying guitar, violin and percussion. Her sophomore project titled Yuan followed the following year.
She has recorded with Abigail Washburn Carla Kihlstedt, Helge Andres Norbakkeh and two Fred Firth albums, as well as on his soundtrack for the PBS documentary film The Happy End Problem. Her performance was highlighted in the 2009 Shan Qi music DVD and she gave a live performance on guzheng and voice at the Hermes fashion show during Paris Fashion Week. Wu Fei, avant-garde and experimental jazz musician, continues to perform, compose and record.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Alekos Vretos was born on May 11, 1976 in Athens, Greece. He studied oud and piano in his youth. While attending Berklee College of Music he studied composition. Since graduating he has been masterfully merging jazz, Arabic, Greek and Latin music in a blend of sounds from traditional instruments. As a bandleader, he has developed a unique atmosphere for his music by keeping traditional sound in the front line and expanding it through jazz improvisation and exploding rhythmic development.
Vretos made his first appearance on a recording titled Yunan with The Meliti Ensemble in 2004 to critical acclaim. As a leader he released his debut album Mergin in 2009, taking the oud into unchartered waters leaning heavily on jazz but with a fine hint of traditional Arabian sound.. That same year he launched his own indie label and management company Jadeo Music, making this the inaugural project.
Alekos features world, jazz and classical music in his playing as well as his fellow artists. He was included in 2013 list of the 100+1 most influential people in the Greek music scene. He has performed in major venues in Grece, the UK, Palestine, Mexico and the United States. He continues to perform, record, tour and collaborate with jazz big bands, orchestras and fellow composers.
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Daily Dose Of Jazz…
Mel Lewis was born Melvin Sokoloff on May 10, 1929 in Buffalo, New York. He started playing professionally as a teen, eventually joining Stan Kenton’s outfit in 1954. H e moved to Los Angeles to further his career in 1957 and then cross-country to New York City in 1963.
By 1966 in New York, he teamed up with Thad Jones to lead the thad Jones/Mel Lewis Orchestra. The group started as an informal jam session with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the Village Vanguard. Though it was a sideline gig for the musicians, in 1979 the band won a Grammy for their album Live in Munich. When Jones moved to Denmark it became known as Mel Lewis and the Jazz Orchestra.
Mel recorded and performed in small group configurations occasionally but he led the band until shortly before his death. It has now become known as the Vanguard Jazz Orchestra and has released several CDs. Over his career Lewis recorded with Manny Albam, Chet Baker, Bud Shank, Bob Brookmeyer, Kenny Burrell, Eric Dolphy, Dizzy Gillespie, Joe Lovano, Herbie Mann, Jack McDuff, Gary MacFarland, Jimmy McGriff, James Moody, Chico O’Farrill, Shirley Scott, Sonny Stitt, Thad Jones, Pepper Adams and Jimmy Witherspoon to name a few.
In the late 1980s, Lewis was diagnosed with melanoma in his arm, then surfaced in his lungs and ultimately traveled to his brain. The drummer and bandleader played exclusively on a lighter Turkish made Istanbul cymbals that exuded a dark, overtone-rich sound, as well as his wood-shell drums were considered warm and rich in their sound. Mel Lewis passed away on February 2, 1990 in New York City, just days before his band was to celebrate its 24th anniversary at the Village Vanguard.
Dose A Day – Blues Away
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