Daily Dose Of Jazz…
Jack Wilkins was born on June 3, 1944 in Brooklyn, New York. He has played with many jazz greats including Bob Brookmeyer, Stanley Turrentine, Jimmy Heath, Epitaph Mingus and Eddie Gomez as well as singers Mel Torme, Ray Charles, Morgana King, Sarah Vaughan, Tony Bennett, The Manhattan Transfer, Nancy Marano and Jay Clayton.
Wilkins’ cover of the Freddie Hubbard standard “Red Clay”, from his 1973 album Windows, was sampled by the hip-hop group A Tribe Called Quest on their 1993 album Midnight Marauders and also by Chance the Rapper on the song NaNa, off his 2013 mix-tape Acid Rap. His full cover was subsequently included on the 1998 break beat compilation Tribe Vibes Volume 2.
Wilkins was awarded an NEA grant in recognition of his work with the guitar. He currently teaches at The New School, New York University, Long Island University and the Manhattan School of Music in addition to performing, recording and touring.
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Daily Dose Of Jazz…
Valaida Snow was born on June 2, 1903 in Chattanooga, Tennessee into a family of musicians where her mother taught her and sisters Alvaida and Hattie, and brother Arthur Bush how to play multiple instruments. She was taught to play cello, bass, violin, banjo, mandolin, harp, accordion, clarinet, saxophone and trumpet. By the young age of fifteen she was already a recognized professional singer and trumpeter and while her beauty attracted audiences, it was her incredible talent as a jazz trumpeter which truly captivated them. Obtaining the nickname, “Little Louis” due to her Louis Armstrong-like playing style, hitting those high C’s just like Louis.
Snow toured and recorded frequently in the United States, Europe and the Far East both with her own bands and other leaders’ bands. She took part in a session with Earl Hines in New York in 1933 and also performed with Count Basie, Teddy Weatheford, Willie Lewis and Fletcher Henderson at various places and times.
Not limiting herself to jazz she branch out to the stage and as an actress she debuted on Broadway in 1924 as Mandy in Eubie Blake and Noble Sissles’s musical ‘Chocolate Dandies.’ Later, she appeared on Broadway in Ethel Waters’ show, ‘Rhapsody in Black’ in 1934; she appeared in the London production of ‘Blackbirds’ in 1935 with Johnny Claes and also in its Paris production. She could be seen in ‘Liza’ across Europe and Russia in the 30’s and was also in the Hollywood films ‘Take It from Me’ in 1937, ‘Irresistible You,’ ‘L’Alibi’ and ‘Pieges’ in 1939 with her husband Ananais Berry. Valaida Snow shocked people in the USA, with her eccentric behavior. She traveled in an orchid colored Mercedes, dressed in an orchid suit, her pet monkey rigged out in an orchid jacket and cap, with the chauffeur in orchid as well.
Snow’s incarceration has been written about several times and debunked by a few that while touring through Denmark in 1941, she was arrested by the Nazis during the German occupation and kept at Vestre Faengsel (Western Prison), a Danish prison in Copenhagen that was run by the Nazis. She was released on a prisoner exchange in May 1942. What is know is that Snow stayed in wartime Denmark by choice, that she survived the Nazis and was never shy about using and stretching the truth to suit her purposes.
By the early 1950s Valaida recorded for the Derby label with the Jimmy Mundy Orchestra. The result was “Tell Me How Long The Train’s Been Gone” and “When A Woman Loves A Man”. The record does nicely in certain areas, especially Philadelphia and St. Louis. The Derby release is her first real effort since her tragic imprisonment and it does well. She embarked on a tour of the Northeast and is a particular favorite at the Monte Carlo in Pittsburgh. In the fall she is at the 845 Club in New York and is held over. In a bit of a surprise she leaves Derby Records and signs with Apollo Records late in the year.
In February of 1951 she records “Porgy” and “The More I Know About Love” for Apollo with the Bobby Smith Orchestra. She continues her many in person appearances throughout the country, and in early 1952 embarks on a true R & B tour with Joe Liggins & His Honeydrippers up and down the West coast. Her records are sporadic, and after a well-attended stay at Chicago’s Crown Propeller Lounge in late 1953, Snow signed with that city’s Chess label. “I Ain’t Gonna Tell” and “If You Mean It” are released by Chess. The next two years are spent mostly appearing in the musical revues that have always been her first love.
It is just at this time that the final curtain descends on Valaida Snow, who spoke seven languages, was billed as “Queen Of The Trumpet”, performed in the top theatrical productions of her day, wrote and recorded her theme song, “High Hat, Trumpet and Rhythm” and was the toast of Paris and London, passed away on May 30, 1956 of a cerebral hemorrhage backstage at the Palace Theater in New York. She left this world doing what she loved most, entertaining the public with her great talents.
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Daily Dose Of Jazz…
Elisabetta Serio was born on June 1, 1972 in Italy. Inspired by the music of all genres she heard helped form her artistic personality. As a child, she trained in classical and modern studying at the Conservatorio Nicola Sala in Benevento, Italy. She graduated with a degree in jazz and pursued further studies with Maestro Valerio Silvestro and followed with seminars in Rome with Barry Harris and also the Italian musicians Rita Marctulli and bassist Pippo Matino.
Her musical journey in the strict sense is “the street” with the conventional forms of love and sacrifice make it a viable learning ground. This makes each performance unique and unrepeatable.
Modern jazz pianist Elisabetta Serio continues to collaborate with her countrymen musicians such as Pino Daniele, Rino Zurzolo – double bassist, Matino as well as James Senese, Tullio De Piscopo, Rino Zurrolo, Enzo Gragnianello. She has worked with international pop stars Noa, dipped into the funky blues with British singer Z Star and ventured into world music withSarah Jamne Morris.
She leads her own trio, drummer Leonardo De Lorenzo and bassist Marco de Tilla performing throughout Italy, at festivals around the world and in most jazz clubs. She often invites trumpeter Fulvio Siqurta for her quartet and Morris is a frequent guest. With all this she still finds time to participate on numerous recording and performing projects as a sideman/woman.
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