Daily Dose Of Jazz…
Frank Ricotti was born on January 31, 1949 in London, England and played in the National Youth Jazz Orchestra while a teenager, then attended Trinity College of Music from 1967 to 1970. From 1968 through 1974 hep performed with Neil Ardley, Dave Gelly, Graham Collier, Mike Gibbs, Stan Tracey, Harry Beckett, Norma Winstone and Gordon Beck.
In the late 1960s and early 1970s, Ricotti led his own jazz quartet with a line-up of the band featuring the guitarist Chris Spedding, bassist Chris Laurence and drummer Bryan Spring. Together they recorded the album Our Point of View, and released it in 1969. By 1971, in partnership with bassist Mike de Albuquerque, he released the album First Wind. He recorded with Oliver Nelson on the album Oliver Edward Nelson in London with Oily Rags for the Flying Dutchman label in 1974.
The 1980s saw Frank playing with Chris Laurence and John Taylor in the group Paragonne, and then played with Beck again in 1984. After this he worked primarily as a studio musician recording with groups outside the jazz genre, such as, Status Quo, Freddie Mercury, Pet Shop Boys, Swing Out Sister, Belle and Sebastian, Clannad, Barclay James Harvest, Meat Loaf, Elkie Brooks, Rick Wakeman, Tina Turner, Aztec Camera, Thomas Anders, and Alphaville.
Between 1984 and 1987 Ricotti wrote the soundtrack music for Yorkshire Television’s The Beiderbecke Trilogy, in the style of Bix Beiderbecke. The music was performed by his band, the Frank Ricotti All Stars, and featured Kenny Baker on cornet. The band made a cameo appearance in the final series, playing in a jazz club and the soundtrack album was released in 1988.
In 2007 he played vibes on Mark Knopfler’s album Kill to Get Crimson and vibraphonist and percussionist Frank Ricotti continues to perform, record and compose.
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Daily Dose Of Jazz…
Sam Allen was born on January 30, 1909 in Ohio and accompanied silent films in movie palaces from the age of ten, and in the next few years seemed to have absorbed plenty of slapstick hi-jinx and derring-do from the Hollywood sagas he accompanied. In 1928 he moved to New York City, where he joined Herbert Cowans’s band at the Rockland Palace. Within a year he moved back to Ohio, where he played with Alex Jackson in 1930. Soon afterward he joined James P. Johnson‘s orchestra as the second pianist, as one piano could not play all the chords in the scores. This engagement he followed with an extended run in Teddy Hill’s band, which occupied him for most of the 1930s and included tours of Europe.
Early in the 1940s Sam worked one of his most musically satisfying collaborations as piano man in the sometimes rowdy combo of violinist Stuff Smith. He then became the pianist for the madcap jive jazz duo of Slim Gaillard and Slam Stewart, the gig for which he was best known, his years in the movie houses came in handy. His talent was further challenged with the bebop hyper-drive of trumpeter Dizzy Gillespie during the same decade.
By the end of the Forties decade Allen moved to Washington and worked locally as a solo pianist for a time, giving up being a touring sideman. Finally he relocated and settled into the Oakland, California, where he often accompanied vocalist Billie Heywood, among others.
Pianist Sam Allen passed away in September 1963.
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Atlanta Jazz Festival… 1992
Programming innovations were continued to be realized during Mayor Jackson’s 3rd term as the Bureau brought in newcomers Gary Motley, Cassandra Wilson and Christian McBride to share the stage with veterans Nat Adderley, Joe Sample and Freddie Hubbard among others. Continuing as Program Director, John Armwood ushered in viable relationships with several radio stations that played jazz – WCLK, WRFG, WREK, Jazz Flavors and WABE as sponsors or media promoters and would enlist not only his voice but those voices of radio personalities Phil Clore, Carl Anthony and H. Johnson to work as staff or masters of ceremonies for festival events.
Returning sponsors for the 1992 Atlanta Jazz Festival over the Memorial Day weekend from May 29th to June 7th were AT&T, The Atlanta Coca-Cola Bottling Company, Atlanta Penta Hotel, Creative Loafing, WVEE-103 FM and WCLK 91.9 FM. The festival brought three new sponsors into the family with Advanced Media, Concert Southern Promotions and Jazziz.
Performances were held at the Variety Playhouse, Club 590 West/Atlanta Penta Hotel, Chastain Park Amphitheatre, Grant Park, High Museum of Art Hill Auditorium and the Robert Woodruff Park for the Brown Bag Concerts.
Performing this year were George Adams, Audrey Shakir, Nat Adderley Quintet, Lonnie Smith Southside Trio, Carl Allen, Malachi Thompson Quintet, Geri Allen Trio, Cassandra Wilson, Bill Anschell Trio, Scotty Barnhart, Bazooka Ants, Rick Bell, David Benoit, Cindy Blackman, Dave Burrell, Joe Chambers, George Coleman Quartet, Richard Davis, Lou Donaldson, Georgia State Faculty Jazz Band, Juedinne Gordon, Bennie Green Trio, Spyro Gyra, Miklos Harsszesi, Joe Henderson Quartet, Vincent Herring, John Hicks, Andrew Hill, Fred Hopkins, Freddie Hubbard, Al Jarreau, Carter Jefferson, Joe Jennings, Obie Jessie, Stanley Jordan, Victor Lewis, Harold Mabern Jr., Howard Mandel, Christian McBride, Gary Motley, Ny Unity, Greg Osby, Don Palmer, Ritual Band East and Joe Sample.
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Daily Dose Of Jazz…
Beverly Kenney was born on January 29, 1932 in Harrison, New Jersey and her life saw her working for Western Union as a telephone birthday singer. After moving to New York City in 1954, she recorded a demo with Tony Tamburello and by the end of the year she had moved to Miami, Florida where she landed a recurring engagement at the Black Magic Room. Jimmy and Tommy Dorsey heard her and for several months she toured with the orchestra they co-led.
Moving back to New York, Beverly worked in clubs with George Shearing, Don Elliott and Kai Winding. After a short tour of the Midwest with Larry Sonn, she signed to Roost Records and released her first album in 1956. This recording, Beverly Kenney Sings for Johnny Smith with the quartet of the jazz guitarist Johnny Smith. The album was a success and as a result she secured a residency at the Birdland jazz club, where she was accompanied by the Lester Young Quintet. Her second release was Come Swing with Me with Jimmy Jones led an ensemble behind her for her third and final release for Roost in 1957.
She moved to Decca Records and released three further albums with them, including Beverly Kenney Sings For Playboys in 1958, Born to Be Blue and Like Yesterday in 1959. Beverly Kenney Sings For Playboys featured liner notes by Steve Allen, in which he praised her vocal style and stated, “A word to Playboys: I would not recommend this album as Music to Make the Romantic Approach By. You’re apt to get more interested in Beverly than the girl you’re trying to impress”.
Kenney was a critically acclaimed musician, but she saw little widespread acceptance, due at least in part to the burgeoning rock & roll movement. She had an intense personal dislike for this music, even going so far as to compose a song called “I Hate Rock and Roll”, which she performed on The Steve Allen Show in 1958.
On April 13, 1960, vocalist Beverly Kenney committed suicide with an overdose of alcohol and seconal. She was 28 years old. She remains a cult figure in Japan, where all of her albums have been reissued to CD and have remained in print on a relatively steady basis. Japan’s SSJ Records have released three collections of unreleased Beverly Kenney material between 2006 to 2009: Snuggled on Your Shoulder, Lonely and Blue and What Is There To Say?, culminating in a dozen albums.
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Daily Dose Of Jazz…
Janine Santana was born January 28th in Brooklyn, New York of Puerto Rican and Finnish ancestry and spent her childhood in Brooklyn and youth in Trenton, New Jersey. She developed a love for Afro-Cuban/ Caribbean traditions and Jazz and began working and studying as a professional actor at a very young age, long before studying music at Aims Community College.
A 1994 move to Denver, Colorado focused her more on performance, music recording and broadcasting. She leads a 6-12 piece Latin Jazz Ensemble and her well received 2009 recording Soft as Granite had Janine working with alto saxophonist Richie Cole, trumpeters Greg Gisbert and Brad Goode, and arranger/percussionist José Madera.
Conguera, percussionist, leader, arranger, studio musician, broadcaster, artist, designer, writer and actor Janine Santana currently continues to perform, record and collaborating with generations of jazz and Latin jazz musicians on a brand new project with the likes of Luques Curtis, Bobby Porcelli, David Amram, Jose’ Madera on timbales and arrangements, Ricky Gonzalez as producer/pianist/arranger and Ray Vega on trumpets.
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