Daily Dose Of Jazz…
Richard Henryk Twardzik was born on April 30, 1931 in Danvers, Massachusetts and trained in classical piano as a child. He was taught by Margaret Chaloff, the mother of baritone saxophone player Serge Chaloff.
He made his professional debut at the age of fourteen. During his teen years Dick became addicted to heroin, which would eventually be his downfall later in life. Twardzik recorded with Serge Chaloff and Charlie Mariano. He worked with Charlie Parker on several occasions toward the end of Parker’s life. He also played professionally with Lionel Hampton and Chet Baker, recording with the latter and Chaloff in 1954 and 1955.
Pianist Dick Twardzik, who worked in Boston for most of his career, passed away of a heroin overdose while on a European tour with Chet Baker on October 21, 1955 in Paris, France.
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The Quarantined Jazz Voyager
Home but not alone because I have the voices of so many musicians and vocalists to keep me company. I’ve been noticing all the positive things that are coming out of this pandemic experience with people becoming more relaxed with being by themselves, spending less money on things they don’t need, watching more documentaries and movies and more comfortable and stress free relaxing in the confines of their homes.
In my listening room I’ve selected this week’s next choice is the 1997 album Why Are We Here! Live At Agape by vocalist and actor Carl Anderson. The album was released on the Abu Khalil Productions/Music label. The executive producer is Carl Anderson, the producer is Michael Beckwith and the live concert was mixed and recorded in the Agape Sanctuary Concert Hall at 8440 Wilshire Boulevard, Beverly Hills, California.
Track Listing | 62:03- Daybreak ~ 5:38
- Lover’s Mask ~ 7:35
- Who Can I Turn To ~ 4:52
- Sophisticated Lady ~ 5:57
- 5. Round Midnight ~ 5:45
- How Do You Keep The Music Playing ~ 4:33
- How Deep Does It Go ~ 6:13
- It Is The Law! ~ 5:34
- My Ship ~ 3:14
- My Funny Valentine ~ 3:46
- Hot Coffee ~ 5:35
- Heavy Weather ~ 6:01
- Carl Anderson ~ vocal
- Michael Paolo ~ Saxophone
- Alphonso Johnson ~ Bass
- Freddie Ravel ~ Keyboards
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Daily Dose Of Jazz…
Philippe Brun was born on April 29, 1908 in Paris, France and first began playing professionally in the late 1920s with the bands of Gregor, Danny Polo, and Ray Ventura. In the early 1930s he spent time in London, England working with Bert Ambrose, Jack Hylton, and Fred Waring.
Returning to Paris around 1936, he performed with Jazz du Poste Parisien and with Ventura again, as well as with Django Reinhardt and Alix Combelle. He was recorded as a leader from 1937-1940. During World War II he worked in Switzerland, with Eddie Brunner, André Ekyan, Edmond Cohanier, and Teddy Stauffer.
Brun’s wife, Annie Fratellini, a vocalist and comedian, also performed with Raymond Fol and Kenny Clarke. Trumpeter Philippe Brun passed away on January 15, 1994 in Paris.
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Daily Dose Of Jazz…
Raymond Fol was born in Paris, France on April 28, 1928 and along with his brother Hubert was raised in a musical household. He began playing piano at five years of age, and both he and his brother played in Claude Abadie’s ensemble after the end of World War II.
The Fol brothers then formed their own group, the Be Bop Minstrels, however, Raymond worked around this time with musicians such as Pierre Braslavsky, Jean-Claude Fohrenbach, Django Reinhardt, Roy Eldridge, and Johnny Hodges. In 1952, he did a European tour in Dizzy Gillespie’s band, and for several years in the middle of the decade was a regular at Paris’s Club Saint-Germain. He also worked in the 1950s with Sidney Bechet, Claude Luter, Guy Lafitte, and Stephane Grappelli.
He worked briefly in Rome, Italy in 1958, then returned to Paris, playing both piano and celesta at the Club Saint-Germain. In the 1960s and 1970s he worked with Kenny Clarke, Duke Ellington, Paul Gonsalves, Cat Anderson, and Gerard Badini. Raymond also recorded a few times on solo piano in the first half of the 1970s.
Pianist Raymond Fol passed away in the City of Lights on May 1, 1979.
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Three Wishes
Nica inquired of Addison Farmer what he would wish for, given three, and he said:
- “If I were a great jazz musician, I wouldn’t answer. It would be too personal. Since I’m not-it’s still the same, it’s too personal.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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