Three Wishes
Nica inquired of Sam Woodyard what three things he would wish for if they could come true and his response was:
- “To keep living! That’s all there is. Because we don’t come through here but once.”
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Daily Dose Of Jazz…
Ulysses Owens Jr. was born December 6, 1982 in Jacksonville, Florida and began playing the drums at the age of 3. He played many types of music in his younger years, centering on his experience in the church. By the time he was in his early teens, he realized that he would become a jazz musician and received a full scholarship to study at the Juilliard School, in its inaugural jazz program.
After graduating from Juilliard in 2006, Ulysses traveled the world as a jazz drummer. After hearing about Jacksonville’s high dropout rate and other problems with struggling youths, he and his family designed a program to help suspended youths stay in school.
Owens was vocalist Kurt Elling’s drummer on Dedicated to You: Kurt Elling Sings the Music of Coltrane and Hartman, and on bassist Christian McBride’s The Good Feeling, both of which won Grammy Award. He has also played and recorded with pianist Joey Alexander, Gregory Porter and Matthew Whitaker. His composition The Simplicity of Life was commissioned by the string quartet ETHEL for their multimedia show ETHEL’s Documerica.
Drummer and percussionist Ulysses Owens Jr., who is co-founder and artistic director of the charity, Don’t Miss A Beat, continues to perform and compose.
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Daily Dose Of Jazz…
Kansas Fields was born Carl Donnell Fields on December 5, 1915 in Chapman, Kansas and first played in Chicago, Illinois from the late Twenties and worked with King Kolax and Jimmie Noone in the 1930s. In 1940 he joined Roy Eldridge’s group for a year and returned to play with Eldridge again later in the decade.
He briefly led his own ensemble and played with Ella Fitzgerald and Benny Carter before joining the Marines during World War II. After the war, Kansas played with Cab Calloway, Claude Hopkins, Sidney Bechet, Dizzy Gillespie, and Eldridge again before the close of the decade.
Forming another group early in the 1950s, he then played with Mezz Mezzrow in Europe in 1953. Fields stayed in Europe for more than a decade, relocating to France where he worked as a sideman. In 1965, he returned to Chicago, working once more with Gillespie and doing studio work.
Drummer and bandleader Kansas Fields transitioned on March 7, 1995 in Chicago.
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Requisites
The Paris Concert, Edition One ~ Bill Evans | By Eddie Carter
Ever since I’ve been a jazz fan, the piano has always been one of my favorite instruments, and one of my favorite pianists is Bill Evans. My introduction to his playing began with Explorations (1961), Kind of Blue (1959), and Waltz For Debby (1962). Several of his originals have become jazz standards, and many of his albums still resonate with listeners and musicians today. Bill steps into the spotlight of this discussion with the first of two entertaining live dates. The Paris Concert, Edition One (Elektra Musician E1 60164) captures his trio’s performance at L’Espace Cardin on November 26, 1979. He’s joined on stage by Marc Johnson on bass and Joe LaBarbera on drums. My copy used in this report is the 1983 US Stereo album.
The concert opens with the ensemble’s touching rendition of I Do It For Your Love by Paul Simon. Bill begins with a delicately tender introduction segueing into a very pretty melody. Evans embodies a feeling and spirit of enduring love in the song’s only solo with an elegantly graceful interpretation. Marc and Joe supply the soft supplement ahead of the pianist ending the song sweetly. Quiet Now is a lovely tune by Denny Zeitlin. Evans takes the lead again in a hauntingly beautiful introduction ahead of the trio’s peaceful theme. Bill is provided with an excellent showcase to deliver a presentation of luxurious beauty with Johnson and LaBarbera complimenting him perfectly into the group’s affectionate finale.
Noelle’s Theme by Michel Legrand is a moving solo performance that Bill performs with heartfelt warmth and sensitivity in the melody and during his statement that not only touches the crowd but the listener as well. My Romance by Richard Rodgers and Lorenz Hart begins with a lively introduction by Evans, then the pace picks up for the group’s main theme. The highlight is the skillful construction of the first two readings by LaBarbera and Johnson who take turns on their alternate verses with impeccable brushwork and splendid bass lines. Evans unlocks a rich variety of creative ideas next, then LaBarbera adds a few final comments into the pianist’s vivacious closing chorus which receives enthusiastic approval from the crowd at its conclusion.
Side Two gets underway with I Loves You Porgy by George and Ira Gershwin, and DuBose Heyward. It made its debut in the 1935 Broadway opera, Porgy and Bess, and later became a jazz standard. Bill has the stage to himself in a second solo showcase of melodic beauty that he performs with the greatest assurance and sensitive delicacy. Up With The Lark by Jerome Kern and Leo Robin is the first of two duets of piano and bass. Evans and Johnson operate in perfect communication during the opening chorus. Bill takes the lead and delivers an illustrious solo that’s pure magic. Marc provides the exclamation point in an exquisite performance preceding Bill’s ending theme and the audience’s appreciative applause.
The duo returns for All Mine (Minha) by Ruy Guerra and Francis Hime. Bill instills the melody and song’s only statement with expressive beauty, anchored by Marc’s subtle accompaniment into an ending of perfect tranquility. The ensemble returns to full form for Beautiful Love by Wayne King, Victor Young, Egbert Van Alstyne, and Haven Gillespie, which Bill first performed on Explorations. A brief introduction sets the tone for the group’s lively theme. Bill soars over the rhythm section with a vigorous romp on the opening solo. Marc cuts loose with some scintillating notes on the second statement. Bill and Joe unleash a dazzling exchange of infectious riffs and explosive brushwork before Bill swings into the climax. The album concludes with excerpts from a conversation between Bill and Harry Evans.
The Paris Concert, Edition One was produced by Helen Keane, and Yves Abiteboul produced the concert for radio broadcast. This concert was recorded by Radio France and the recording engineer was Stew Romaine. This is a first-rate recording with a superb soundstage that makes the listener feel like they’re in the audience as the trio is performing. If you’re a fan of Bill Evans and are in the mood for something soothing after a long day or week, I invite you to check out The Paris Concert, Edition One on your next vinyl shopping trip. It’s an enticing invitation to explore a remarkable live album by Bill Evans that’s an assortment of delights you’re sure to enjoy!
Explorations (Riverside RLP 351/RLP 9351), Kind of Blue (Columbia CL 1355/CS 8163), The Paris Concert, Edition Two (Elektra Musician E1-60311), Waltz For Debby (Riverside RLP 399/RLP 9399) – Source: Discogs.com
~ I Loves You Porgy, My Romance – Source: JazzStandards.com ~ Beautiful Love – Source: Wikipedia.org © 2022 by Edward Thomas Carter
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Daily Dose Of Jazz…
Denis Alphonso Charles was born December 4, 1933 in St. Croix, Virgin Islands and first played bongos at age seven with local ensembles. 1945 saw him moving to New York City, and gigging frequently around town. Nine years later he was working with Cecil Taylor and the pair collaborated until 1958. Following this he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. Befriending Ed Blackwell, the two influenced each other.
He went on to record with Sonny Rollins on a calypso-tinged set, and then returned to Lacy, with whom he played until 1964. He worked with Archie Shepp and Don Cherry in 1967, but heroin addiction saw him leave the record industry until 1971. In the 1970s and 1980s, he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others. He also played funk, rock, and traditional Caribbean music. He released three discs as a leader between 1989 and 1992. , and died of pneumonia in his sleep in New York in 1998.
Drummer Denis Charles, who released three albums as a leader, thirty-four as a sideman and several with the BMC Trio, transitioned four days after a five week European tour on March 26, 1998 from pneumonia.
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