Daily Dose Of Jazz…

Brian Blade was born July 25, 1970 in Shreveport, Louisiana. The first music he experienced was gospel and songs of praise at the Zion Baptist Church pastored by his father, Brady L. Blade. Elementary school music appreciation classes were an important part of his development and at age nine, he began playing the violin. Inspired by his older brother, Brady, who had been the church drummer, he shifted his focus to the drums throughout middle and high school.

During high school Brian began listening to the music of John Coltrane, Charlie Parker, Miles Davis, Art Blakey, Thelonious Monk, Elvin Jones and Joni Mitchell. Upon graduation he attended Loyola University from 1988 through 1993, studying and playing with most of the master musicians living in New Orleans, such as Ellis Marsalis, George French and Alvin Red Taylor.

As a bandleader, he has released three albums under Brian Blade & the Fellowship Band and In conjunction with his leader duties Blade has been a member of Wayne Shorter’s most recent quartet and continues to record and perform with the likes of Joni Mitchell, Bill Frisell, Ellis Marsalis, Norah Jones, Emmylou Harris, Daniel Lanois, Bob Dylan, Dorothy Scott, Billy Childs, Chris Potter and David Binney, just to name a few. He has recorded for Verve, Columbia, Blue Note, Warner and Nonesuch record labels, and continues to amass a prestigious catalogue as a sideman and leader.

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Daily Dose Of Jazz…

Jon Faddis was born July 24, 1953 in Oakland, California and studied music and trumpet as a child. At 18, he joined Lionel Hampton’s big band followed with tenure in the Thad Jones/Mel Lewis Orchestra as lead trumpet. After playing with Charles Mingus, he became a noted studio musician in New York, appearing on many pop recordings in the late 1970s and early 1980s.

The mid-Eighties saw Jon leaving the studios to pursue his solo career, which resulted in albums like Legacy, Into The Faddisphere and Hornucopia. Becoming the director and main trumpet soloist of the Dizzy Gillespie 70th Birthday Big Band and Dizzy’s United Nation Orchestra, in 1992 he began leading the Carnegie Hall Jazz Band at Carnegie Hall, conducting over 40 concerts in ten years.

Faddis has led the Dizzy Gillespie Alumni All-Stars and the Dizzy Gillespie Alumni All-Stars Big Band, was appointed artistic director of the Chicago Jazz Ensemble, heads the Jon Faddis Jazz Orchestra of New York. As an educator he teaches at The Conservatory of Music at Purchase College-SUNY and is a guest lecturer at Columbia College Chicago.

A jazz trumpeter, conductor, composer, and educator renowned for both his highly virtuosic command of the instrument and for his expertise in the field of music education, trumpeter Jon Faddis also leads master classes, clinics and workshops around the world often bringing promising students along to his gigs to sit in, and has produced a number of CDs for up-and-coming musicians.

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Daily Dose Of Jazz…

Steve Lacy was born Steven Norman Lackritz on July 23, 1934 in New York City. He didn’t begin his career until age sixteen, coming to prominence in the 1950s as a progressive Dixieland musician playing with the likes of Henry “Red” Allen, Pee Wee Russell, George ”Pops Foster and Zutty Singleton, as well as Kansas City jazz musicians like Buck Clayton, Dicky Wells and Jimmy Rushing.

Working extensively in experimental jazz and dabbling in free improvisation, Lacy’s music was typically melodic and tightly structured over a long and prolific career. He became involved with the avant-garde, performed on “Jazz Advance” in 1956, the debut album of Cecil Taylor, and appeared with his groundbreaking quartet at the 1957 Newport Jazz Festival.

Steve made a notable appearance on an early Gil Evans album, however, his most enduring relationship, however, was with the music of Thelonious Monk, his first recorded album in 1958 as a leader “Reflections” featured only Monk compositions. He briefly played in Monk’s band in 1960 and later on Monk’s Columbia session “Big Band/Quartet” in 1963.

Monk tunes became a permanent part of his repertoire, making an appearance in virtually every concert appearance and on his albums. He often collaborated with trombonist Roswell Rudd in presenting interpretations of Monk, Mingus, Ellington and Herbie Nichols’ compositions, rarely playing standard popular or show tunes. In the 1960s he continued to work with other players involved in the American free-jazz avant-garde, and in the Seventies immersed in the European free improvisation scene that would remain an important element in his work thereafter.

Steve became a highly distinctive composer with his signature simplicity of style. He became a widely respected figure on the European jazz scene for several decades, was the recipient of a MacArthur Fellowship, began teaching at the New England Conservatory of Music in Boston and performed one of his last public performances in front of 25,000 people at the close of a peace rally on Boston Common in 2003.

Steve Lacy, soprano saxophonist, was diagnosed with cancer continued playing and teaching until weeks before his death on June 4, 2004 at the age of 69.

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Daily Dose Of Jazz…

Don Patterson was born July 22, 1936 in Columbus, Ohio. He started studying piano as a child, heavily influenced by Erroll Garner but by 1956 switched to organ after hearing Jimmy Smith play. Making his debut on organ in 1959 he played with various groups into the early Sixties that saw him start performing regularly with Sonny Stitt, where he made a name for himself. This led to numerous recording sessions as a leader with Prestige and later Muse Records beginning in 1964 with sidemen guitarist Pat Martino and drummer Billy James.

During the Sixties, Don recorded as a sideman with Eddie “Lockjaw” Davis, and Eric Kloss but his most commercially successful album was his 1964 “Holiday Soul” reaching #85 on the Billboard 200 three years later. However, with his troubles with drug addiction hobbling his career in the 70s, while residing in Gary, Indiana he would occasionally record for Muse Records.

By the 1980s organist Don Patterson had moved to Philadelphia, Pennsylvania and made a small comeback, but his health continued to deteriorate over the course of the decade, forcing him to frequent dialysis until he passed away on February 10, 1988. He left a catalogue of twenty-one albums as a leader and thirteen as a sideman.

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Daily Dose Of Jazz…

Helen Merrill was born Jelena Ana Milcetic on July 21, 1930 in New York City to Croatian immigrants. The internationally renowned jazz vocalist began singing in jazz clubs in the Bronx at the age of fourteen. By the time she was sixteen, she had taken up music full time and in 1952 made her recording debut when asked to sing “A Cigarette For Company” with the Earl Hines Band that was released on their Xanadu album.

As a result of this exposure she received two subsequent singles recorded for Roost Records and was then signed by Mercury for their new Emarcy label. In 1954, she recorded her first and one of her most acclaimed LP simply titled “Helen Merrill” featuring legendary jazz trumpeter Clifford Brown and bassist/cellist Oscar Pettiford, among others. The album was produced and arranged by Quincy Jones, who was then just twenty-one years old. The success of the album got her signed to an additional four-album contract with Mercury.

Her follow-up 1956 album Dream of You arranged by Gil Evans was the precursor to the musical foundations for his Miles Davis years. By the 60s she was in Europe touring and enjoying greater commercial success than in the States. Developing a following in Japan that remains strong to this day, she not only recorded in Japan, Merrill became involved in producing albums for Trio Records and hosting a show on a Tokyo radio station.

Helen returned to the U.S. in 1972 and has continued recording and regular touring since then. Her later career has seen her experiment in different music genres, recording a bossa nova album, a Christmas album a Rodgers and Hammerstein album, as well as resurrecting “Dream of You” in 1987 with fresh arrangements titled “Collaboration” and co-producing “Billy Eckstine Sings With Benny Carter” and singing on duet on two ballads. By 1995 she recorded “Brownie: Homage to Clifford Brown in tribute to the late trumpeter.

Helen Merrill’s career has spanned six decades with no fade in her popularity and has recorded and performed with some of the most notable figures in the American jazz scene such as Chet Baker, San Getz and Romano Mussolini, among many, many others.

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