Daily Dose Of Jazz…
In the jazz world his moniker was Duke Jordan but he was born Irving Sidney Jordan on April 1, 1922 in Brooklyn, New York. The gifted and imaginative pianist was well known for his work with Charlie Parker during his classic quintet years with Miles Davis. From the 50’s on he had a long solo career performing in trio format after playing for periods with Sonny Stitt and Stan Getz. His most notable composition Jordu became a jazz standard when Clifford Brown adopted it into his repertoire.
He married the talented jazz singer Sheila Jordan in 1952 and the union lasted for a decade. He continuously performed throughout the sixties although he faded from the public eye until he began recording an extensive sequence of albums for Steeplechase in 1973 producing some of his best live recordings.
In 1978 he moved his residence to Copenhagen, Denmark where he lived until his death on August 8, 2006. His music always reflected the inherently melodic style that was enlivened by his delightful crisp touch and unexpected turns of phrase. Duke Jordan’s recordings can be found on Prestige, Savoy, Blue Note, Charlie Parker Records, Muse, Spotlite and Steeplechase.
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Daily Dose Of Jazz….
Santo Pecoraro was born on March 31, 1902 in New Orleans, Louisiana but was better known as Santo Pecora. The jazz trombonist distinguished his name due to a cousin, a drummer with the same name, though the two sometimes performed together in ensembles.
Santo began his musical endeavors playing the French horn but settled on the trombone while still a teenager. He played in orchestras accompanying silent films as well as in big bands led by Johnny De Droit and Leon Roppolo. He toured with Bee Palmer, a singer in the early 20’s, and then joined the New Orleans Rhythm Kings by the middle of the decade.
Towards the end of the twenties he moved to Chicago, playing both jazz bands and theatre palaces. He became a big band sideman in the thirties, toured with Sharkey Bonano and played with Wingy Manone in California.
Returning to New Orleans in the 40’s, he gigged on the riverboats and in nightclubs while continuing to work with Bonano. He longtime association with Dixieland and the New Orleans music scene established him as a staple well into the Sixties. Santo Pecora passed away on May 29, 1984 in his beloved Crescent City.
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From Broadway To 52nd Street
Right This Way came to fruition on January 5, 1938 as the production opened at the 46th Street Theatre. Brad Greene and Fabian Storey composed the music with Marianne Brown Waters writing the lyrics for the majority of the musical that was categorized as an original musical comedy set in Paris and Boston. The show starred Henry Arthur, Nelson Barcliff, Christine Bromley and Maude Carroll. Though the show only ran for 15 performances, the one song written by Irving Kahal and Sammy Fain, “I’ll Be Seeing You” was featured and became destined to be a jazz classic.
Broadway History: While Broadway prospered with a variety of shows being produced on The Great White Way not realizing that just some eight months away the city would be struck by what would be labeled as the “Long Island Express” or “The Great New England Hurricane of 1938”. The storm claimed 700 lives, injured another 700 more, destroyed 4500 homes, cottages and farms, damaged another 15,000 along with 26,000 cars, wiping out power above 59th Street, flooding subways and causing the East River to overflow to an estimated tune of three hundred million dollars. Despite the destruction, one unexpected positive outcome did emerge from the storm. The devastation reportedly helped solve the unemployment crisis that had been lingering since the Great Depression, as thousands of people were able to find work on Long Island helping to clean up and repair the damage.
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Daily Dose Of Jazz…
Karl Hanns Berger was born March 30, 1935 in Heidelberg, Germany and began playing piano when he was ten. By the time he reached young adulthood he had landed a job at Club 54 in his hometown as the house pianist and accompanied visiting American musicians such as Leo Wright, Lex Humphries and Don Ellis. During their stays he was able to learn the complexities of modern jazz.
Berger eventually picked up the vibraphone and in the early sixties became intrigued with free jazz. By 1965 he was a part of Don Cherry’s Paris-based quintet and the next year they came to New York to record Symphony For Improvisers on Blue Note. Staying in the U.S. Berger recorded his first album the following year.
Most of his output has been experimental in the free jazz circles playing with the likes of Carla Bley, Lee Konitz, John McLaughlin, Dave Holland, Sam Rivers, Pharoah Sanders, The Mingus Epitaph Orchestra and many others. From 1969 to 1975 Karl Berger continuously won the Down Beat critics poll for best jazz vibraphone player of the year.
In 1972 along with his friend and mentor Ornette Coleman, he founded the Creative Music Studio in Woodstock, New York, which was geared toward encouraging young students to explore their own creative ideas instead of imposing traditional concepts upon them. With visiting educators like Jack DeJohnette, Sam Rivers, and Anthony Braxton amongst other prominent musicians the school flourished until the mid eighties when Berger decided to venture back into performing.
From 1985 on Berger has led a 28-piece big band, played festivals worldwide, recorded as a leader and sideman, extending his educator talents to teaching jazz and ensemble playing in Frankfurt, and chaired the Music Department at U Mass-Dartmouth.
The musicologist, composer, pianist and vibraphonist was directly influenced by Ornette Coleman and his playing eschews four-mallet technique with an understanding and ability to play any meter from standard time signatures to odd meters and polyrhythms based on core elements of swing and coherent melody. Karl Berger continues to pursue the range of his instrument through recording, performing and touring.
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Daily Dose Of Jazz…
Pearl Mae Bailey, born March 29, 1918 in Southampton County, Virginia was raised in the Newport News, Virginia. She began singing at the age of three, making her stage debut at 15 when prompted by her brother Bill she entered an amateur contest winning first prize at Philadelphia’s Pearl Theatre. She went on to do the same at The Apollo, which cemented her decision to pursue an entertainment career.
Singing and dancing in Philly’s black nightclubs and other east coast cities in the thirties, by WWII she was touring the country with the USO and then settling in New York. Her success as a solo nightclub performer brought her work with Noble Sissle, Cootie Williams, Cab Calloway and Duke Ellington.
In 1946 she made her debut on Broadway in St. Louis Woman, which was later followed by House Of Flowers. Broadway led to the silver screen and in 1954 she took the role of Frankie in Carmen Jones, Maria in Porgy and Bess in ’59, both starring Dorothy Dandridge and Aunt Hagar in the film version of St. Louis Blues. In between demanding stage and screen commitments she continued to tour and record.
Returning to Broadway with Cab Calloway in David Merrick’s 1967 production of Hello Dolly won her a Tony award a year later. Throughout the next two decades she would sing the national anthem at the World Series, have her own television show, continue to perform on Broadway, be the voice for several animated film characters, earn a B.A. in theology from Georgetown University, become a spokesperson for Duncan Hines, win a Daytime Emmy, be appointed Ambassador of Love by President Nixon, be awarded the Bronze Medallion from New York City and a Presidential Medal of Freedom.
Pearl Bailey, an uninhibited vaudevillian, singer and actress passed away on August 17, 1990 in Philadelphia of arteriosclerotic coronary artery disease. The sultry voice was best known for her signature songs “Takes Two To Tango”, “Baby It’s Cold Outside” and “Won’t You Come Home Bill Bailey”.
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