Daily Dose Of Jazz…
Jeanette Kimball was born Jeanette Salvant on December 18, 1906 in Pass Christian, Mississippi, the niece of blues pianist Isadore “Tuts” Washington. When she was seven she began playing the piano and as a teenager she performed as a professional musician with classical string formations, then in the field of jazz.
Moving to New Orleans, Louisiana she played in traditional jazz bands, first in 1926 in a “society” dance band, Papa Celestin’s Original Tuxedo Orchestra, with whom she went on tour in the southern United States. By 1929 she had married Celestin’s banjo and guitar player Narvin Kimball, and six years later left the band to raise their children. Post divorce, she retained Kimball and started her career anew in the mid-1940s. She went on to work with Buddy Charles, Herb Leary and Sidney Desvigne.
The 1950s saw Kimball working again with Papa Celestin, when he reactivated his band, which then was under the guidance of Papa French. She was a member of the Preservation Hall Jazz Band and played with Clive Wilson’s Original Camellia Jazz Band.
She appeared in 1976 on the Jazz Festival Breda live 1999 album Jeanette Kimball Meets the Fondy Riverside Bullet Band; their album Sophisticated Lady with Frank Fields and Freddie Kohlman. In the field of jazz, Jeanette worked between 1953 and 1991 on 72 recording sessions, among others with Alvin Alcorn, Paul Barbarin, Papa Celestin, Punch Miller and Johnny St. Cyr.
She left New Orleans in the 1990s to live in Ohio and South Carolina. Pianist Jeanette Kimball, received the Black Men of Labor Jazz Legacy Award in 1998, transitioned in Charleston, South Carolina, at the age of 94 on March 28, 2001.
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Requisites
Pannonica ~ Horace Parlan Trio | By Eddie Carter
This morning’s album is by Horace Parlan, a pianist whose roots were deep in hard bop. I fell in love with his playing after hearing Movin’ & Groovin’ and The Complete Horace Parlan Blue Note Sessions. Pannonica (Enja Records 4076) is a 1984 release capturing The Horace Parlan Trio in performance at the Munich jazz club, The Domicile, on February 11,1981. Horace was stricken with polio as a child, resulting in the partial crippling of his right hand. It contributed to his developing a left-hand chord-voicing style and an ability to play rhythmic phrases with the right. He’s joined on stage by Reggie Johnson on bass and Alvin Queen on drums. My copy is the original German Stereo album.
No Greater Love, an abbreviation of the title There Is No Greater Love by Isham Jones and Marty Symes, begins the set with the trio’s energetic melody. Horace launches into a highly satisfying opening solo. Reggie comes in behind him with a vigorous statement. Alvin engages in an aggressive exchange with the pianist before the reprise and climax. The title tune, Pannonica, by Thelonious Monk, is one of his most beautiful compositions and opens with a solo piano introduction, segueing into the threesome’s delicately soft theme. Parlan treats the standard tenderly in the only solo, complemented by Johnson and Queen’s lush foundation into a gentle ending.
The first side closes with an enthusiastic rendition of C Jam Blues by Duke Ellington and Barney Bigard. The trio goes right to work with a lively melody. Horace leads the way with a vigorous solo. Reggie says his piece in the following reading. Alvin adds a bit of excitement in a spirited interpretation leading to the ensemble’s splendid finale. Randy Weston’s Hi-Fly starts Side Two with the trio’s inspired theme. Parlan is up first and stretches out in a beautifully constructed opening statement. Johnson takes the next turn, displaying an exemplary flow of ideas that builds to an effective climax.
The album closes with an old thirties song by George and Ira Gershwin, Who Cares? The trio opens with a medium-tempo melody as fresh as the fragrance after a summer rain shower. Horace takes the lead and brings out the sun in the first solo. Reggie responds with a compelling reading that flows nicely into the theme’s reprise and finish. Horst Weber and Matthias Winckelman produced Pannonica, and Carlos Albrecht recorded the album. This digital recording has an impressive soundstage that makes the instruments come alive through your speakers and places the listener in The Domicile audience as the musicians are performing.
Horace Parlan was one of jazz’s elder statesmen who constantly explored the individual possibilities of each tune he played with a sureness in his approach, which fueled his ability to improve with each new album continually. He, Reggie Johnson, and Alvin Queen make a fine team and demonstrate what a piano, bass, and drums could accomplish when firing on all cylinders. If you’re a fan of trio jazz, I invite you to consider Pannonica by The Horace Parlan Trio on your next record hunt. It’s one of the pianist’s best records and a very entertaining set that shouldn’t be missed for a spot in your library!
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Daily Dose Of Jazz…
Alfred Williams was born December 17, 1919 in Memphis, Tennessee but moved as a young child with his family to Chicago, Illinois. He studied classical piano and worked as a professional pianist from the age of 16, initially as leader of a 12-piece dance orchestra in local venues. In 1942, he formed a trio, the Three Dudes, and also played with trumpeter Henry “Red” Allen, clarinetist Jimmie Noone, and violinist Erskine Tate. He wrote arrangements for many Chicago bands.
His marriage to singer Audrey Hobbs brought about the couple performing together in the late 1940s as Alfred and Audrey. From the early Fifties he performed in New York City at venues including the Savoy Ballroom and the Metropole Cafe. He played in a Dixieland band, and also with Sam “The Man” Taylor, Jimmy Rushing, and others.
As a session musician Al appeared on Langston Hughes’ 1958 album Weary Blues. He toured Europe with Buck Clayton in 1959 and Johnny Hodges in 1961. He also recorded as the leader of a trio, accompanied the 1968 satirical revue The Establishment, and in the 1970s worked as arranger and pianist with the Deep River Boys.
Pianist Al Williams transitioned in New York on November 15, 1998 at the age of 78.
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Daily Dose Of Jazz…
Allan Vaché was born December 16, 1953 in San Antonio, Texas but was raised in Rahway, New Jersey. He graduated from Rahway High School in 1971.
Vaché played with the Jim Cullum Jazz Band of San Antonio, Texas, for seventeen years and was a regular on the Riverwalk – Live from the Landing radio show on Public Radio International, which featured the Cullum band. He performed with Cullum on A Prairie Home Companion with Garrison Keillor.
He is a featured performer on Gershwin’s “Porgy & Bess” with the Cullum band, released on CBS Masterworks. Allan toured Mexico for the U.S. State Department with the live show of Porgy & Bess, and has performed at Carnegie Hall, Lincoln Center and The Kennedy Center.
He has performed with or appeared on stage with Benny Goodman, Teddy Wilson, Lionel Hampton, Pete Fountain, Clark Terry, Benny Carter, Milt Hinton, Bob Haggart, Yank Lawson, Bucky Pizzarelli, Gene Krupa, Jake Hanna, Scott Hamilton, Herb Ellis, and many others.
He has several recordings as a soloist on the Arbors, Audiophile, Chesky, and Nagel-Heyer record labels. Vaché has performed in Europe, Asia, Australia, and South America. Clarinetist Allan Vaché continues to perform and record.
Daily Dose Of Jazz…
Carlos Zíngaro or Carlos Zíngaro Alves was born December 15, 1948 in Lisbon, Portugal. He studied classical music at the Lisbon Music Conservatory from 1953 to 1965, and during the years 1967/68 he studied pipe organ at the Sacred Music High School and did studies on musicology and electroacoustic music.
During the 1960s, he was a member of the Lisbon University Chamber Orchestra. In 1967 he formed the musical group Plexus. He has performed at music festivals in Europe, Asia and America. He has recorded more than 50 albums under his name or in collaboration with other musicians and composers.
Zingaro was a founding member and director of the Lisbon art gallery Cómicos from 1984 till 1990, and his work has been exhibited, and he was awarded several prizes for his illustration, comics and paintings. Samples of his work can be seen on a number of CD sleeves. Since 2002 he is the founder and president of experimental arts and music association Granular.
Violinist and electronic musician Carlos Zingaro, who is active in free improvisation, continues to perform and record.
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