The Quarantined Jazz Voyager

Remaining vigilant, being healthy, social distancing as those in our nation who continue to navigate positively and negatively through this pandemic.

This week the album I’m recommending for listening is The Young Lions by Lee Morgan leading an ad hoc group of musicians who made up the septet for this recording. It was recorded on April 25, 1960 at the Bell Sound Studios in New York City and was produced by Sid McCoy. The album was released in 1961 on Vee~Jay Records.

The album title echoes that of a popular 1948 novel by Irwin Shaw which had been made into a feature film shortly before the album was recorded. The young lions who made the music on this album have varied musical philosophies and sundry jazz backgrounds.

The young lions phrase was revived in jazz in the 1980s when, as in 1960, there was a tension between the modern jazz traditionalists and the avant-garde.

Track Listing |  35:14
  1. Seeds of Sin (Shorter) ~ 5:44
  2. Scourn’ (Shorter) ~ 5:58
  3. Fat Lady (Shorter) ~ 5:03
  4. Peaches and Cream (Shorter) ~ 6:52
  5. That’s Right (Morgan) ~ 11:37
The Players
  • Lee Morgan – trumpet
  • Wayne Shorter – tenor sax
  • Frank Strozier – alto sax
  • Bobby Timmons – piano
  • Bob Cranshaw – bass
  • Albert “Tootie” Heath (3-5, 8) drums
  • Louis Hayes (1, 2, 6, 7) – drums

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Frances Wayne was born Chiarina Francesca Bartocci or Clara Bertocci, on August 26, 1924 in Somerville, Massachusetts. After graduating from Somerville High School she moved to New York City in her teens, where she sang in an ensemble led by her brother, saxophonist Nick Jerret.

Early in the 1940s, she recorded with Charlie Barnet’s big band, and in 1943 sang with Woody Herman’s band. After marrying Neal Hefti, who formed his own big band in 1947, Frances soloed in this ensemble well into the 1950s. She later sang with smaller ensembles, featuring Hank Jones, Milt Hinton, Jerome Richardson, Richie Kamuca, John LaPorta, Billy Bauer, and Al Cohn.

Wayne was the female vocalist on The Woody Herman Show for his radio broadcasts. After a long bout with cancer, vocalist Frances Wayne, best known for her recording of ”Happiness Is Just a Thing Called Joe, passed away in her hometown at age 58 on February 6, 1978.

BRONZE LENS

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Daily Dose Of Jazz…

Louis “King” Garcia was born on August 25, 1905 in Juncos, Puerto Rico and played early in his life in the Municipal Band of San Juan, whose director was Juan Tizol’s uncle, Manuel Tizol. This led to some work with the Victor Recording Orchestra.

Moving to the United States in the early 1920s during the Jazz Age, he played with the Original Dixieland Jazz Band and the Emil Coleman Orchestra. The Thirties saw him increasingly working in the studios, including his most important association, Jimmy and Tommy Dorsey, which he recorded with both together and separately. He also played with the Vic Berton Orchestra, Richard Himber, Nat Brandwyne, Amanda Randolph, Louis Prima, and vocalist Amanda Randolph.

In the 1940s he returned to play with Coleman again, and led his own Latin ensemble that decade. By the 1960s he had moved to California and faded from the scene, essentially retiring due to failing health.

Trumpeter and bandleader King Garcia, who spent most of his career in the United States, passed away in Los Angeles, California on September 4, 1983.

BRONZE LENS

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Three Wishes

Kenny Dorham was asked what his three wishes were and he told Nica that he would wish for the following: 

  1. “Money.”
  2. “Happiness’d take care of all that sh*t!”
  3. “To have the ecstasy granted to me of music.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Fritz “Freddie” Brocksieper was born on August 24, 1912 in Constantinople, Turkey, the son of a Greek-speaking Jewish woman and a German engineer who was able to get through National-Socialism as an essential swing musician.

Considered a leading figure of early European big-band jazz, by 1930 was working in Nuremberg and Berlin in the 1930s. By World War II he was playing around Germany with different people, the Goldene Sieben (Golden Seven), Benny De Weille, Willy Berking, and the radio orchestra of Lutz Templin, just as in the National-Socialist propaganda band Charlie and His Orchestra.

After the war he led various bands in Stuttgart, Munich, and Berlin, Germany and also played in American officers’ clubs. With his bands Freddie made it to the front page of Stars and Stripes. Beginning in 1957 Bavarian radio regularly broadcast live concerts from his studio in Munich.

Brocksieper continued performing into the 1960s and 1970s, and was awarded a Deutscher Schallplattenpreis in 1980. From 1964 he played mainly in trios, and often with American soloists in Europe. His drumming style was influenced by Gene Krupa. He recorded with his own ensembles, both large and small, in the late 1940s. From 1964 he played mainly in trios and with visiting American soloists. Drummer Freddie Brocksieper passed away on January 17, 1990.

BRONZE LENS

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