Daily Dose Of Jazz…
Gary Potter was born on November 15, 1965, Liverpool, Lancashire, England. Taking up guitar in his youth, he was playing in country music bands at the age of 12. He had a spell in the USA, drawing approving attention in Nashville, Tennessee, where he was elected to the Country Music Hall of Fame.
Drawing inspiration from early rock ‘n’ roll before becoming interested in jazz, Gary especially admired and influenced by the playing of Django Reinhardt. He has had numerous outspoken admirers of his playing including fellow guitarists Chet Atkins and George Harrison.
By the early 1990s, Potter became best known for his jazz work and in 1994 came second in the guitar section of the British Jazz Awards. He also appeared in the television documentary, The Django Legacy, worked with guitarist Nils Solberg, bass player Andy Crowdy and violinist Christian Garrick. In addition to performing, guitarist Gary Potter composes, arranges and records, while also teaching internationally.
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Daily Dose Of Jazz…
Ellis Louis Marsalis Jr. was born on November 14, 1934 in New Orleans, Louisiana and started out as a tenor saxophonist but switched to the piano while in high school. From his first professional performance with The Groovy Boys over fifty years ago, he has been a major influence in jazz. At that time, he was one of the few New Orleans musicians who did not specialize in Dixieland or rhythm and blues.
He played with fellow modernists including Cannonball Adderley, Nat Adderley, and Al Hirt, becoming one of the most respected pianists in jazz. Ellise has recorded some twenty albums as a leader opting to shun the spotlight and taking a sideman seat recording and performing with David “Fathead” Newman, Eddie Harris, Marcus Roberts, Reginald Veal, Robert Hurst, Herlin Riley, Jeff “Tain” Watts, Wycliffe Gordon, Eric Reed, Billy Higgins, Ray Brown, Benjamin Wolfe, Cynthia Liggins Thomas, Roland Guerin and Courtney Pine to name a few.
Focusing on teaching, Marsalis’s didactic approach, combined with an interest in philosophy, he encourages his students to make discoveries in music on their own, through experiment and very careful listening. He is a leading educator at the New Orleans Center for Creative Arts, the University of New Orleans, and Xavier University of Louisiana, and has influenced the careers of Terence Blanchard, Harry Connick Jr., Nicholas Payton; as well as his sons: Wynton, Branford, Delfeayo and Jason.
Ellis has received an honorary doctorate from Tulane University, was inducted into The Louisiana Music Hall of Fame and has had the Ellis Marsalis Center for Music at Musicians’ Village in New Orleans named in his honor.
He has recorded with his family the live album titled Music Redeems, he and his sons are group recipients of the 2011 NEA Jazz Masters Award, and has been named Sinfonia’s 24th Man of Music. Pianist and educator Ellis Marsalis continues to perform, record and educate.
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Atlanta Jazz Festival… 1981
We continue our journey down the jazz highway and the year is 1981. The city is poised once again to bring a great lineup to the Atlanta Jazz Festival from August 31st to September 4th in Central City Park and September 5th – 7th in Piedmont Park. The mainstays are back – Clark College Jazz Orchestra, Ojeda Penn Experience Carol Veto, Joe Jennings’ Life Force holding down the local talent with new arrivals Rod Smith, Dub Hudson.
Shirley Cooks continued to be at the helm of the Department of Cultural Affairs with Mark Johnson programming to bring a star-studded lineup with Betty Carter, Max Roach, The Toshiko Akiyoshi/Lew Tabackin Quartet, World Saxophone Quartet, Billy McPherson, Chubby Stevens, Villi Lakatos, Pat Foster, and the Bob Shaw Quartet.
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Daily Dose Of Jazz…
Ari Hoenig was born on November 13, 1973 in Philadelphia, Pennsylvania and was exposed to music very young, being his father is a conductor and classical vocalist, his mother a violinist and pianist. He began studying the violin and piano at age four, playing the drums by twelve and by fourteen was honing his skill with young jazz musicians in Philadelphia clubs.
He would go on to matriculate through the University of North Texas, become a member of the One O’Clock Lab Band, then wanting to be closer to the action in New York City, he transferred to William Patterson University in northern New Jersey. It wasn’t long before Ari began playing with fellow Philadelphia native Shirley Scott and gigging around the City.
Moving to Brooklyn found him playing with Jean Michel Pilc, Kenny Werner, Chris Potter, Kurt Rosenwinkel, Joshua Redman, Wayne Krantz, Mike Stern, Richard Bona, Pat Martino, Bojan Z, Dave Liebman, Tigran Hamasyan, Ethan Iverson, Mark Turner and Fred Hersch.
He has shared the stage with Herbie hancock, Ivan Lins, Wynton Marsalis, Toots Thielemans, Dave Holland, Joe Lovano and Gerry Mulligan. In 2005 Hoenig appeared with his group at the Dominican Republic Jazz Festival.
He released his debut album Jazzheads as a leader in 1999, followed up by Time Travels in 2000 and The Life of a Day in 2002. He has nine albums out to date and has had several articles and reviews written in about him in Drummerworld, Down Beat, All About Jazz and other publications.
As an educator he teaches privately and is on the faculty of New York University, the New School for Social Research, and has released several educational and instructional manuals and videos about drumming. Drummer, composer and educator Ari Hoenig continues to perform, record and tour, leading a quintet, nonet and trio.
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Daily Dose Of Jazz…
Audrey Morris was born in Chicago. Illinois on November 12, 1928 and developed her piano and vocal skills growing up in the Windy City. She got her start in the music business in the early to mid-’50s during which time she recorded her first two albums. Her debut album Bistro Ballads was released in 1954 followed up by her sophomore project The Voice of Audrey Morris two years later in 1956.
Opting to work her hometown Audrey’s delicate piano and forceful voice played to any intimate Chicago club or bistro crowd well into the wee hours of the morning. Her reputation grew for bucking the current taste for bawdy chanteuses and she cultivated a repertoire of obscure, understated material.
Not much was heard from Morris throughout the 1960s and ’70s, but she returned in the Eighties, this time with her own record label, Fancy Faire. She began releasing albums once more from 1984’s to 1997 that included Afterthoughts, Film Noir, Look at Me Now and Round About.
During her career she worked with bassist Johnny Pate, drummer Charles Walton, conductor, arranger and pianist Marty Paich, trumpeter Stu Williamson and guitarist Bill Pitman. Audrey has been touted as one of the great female saloon singers, ranked alongside Chris Connor and Jeri Sothern.
Pianist and vocalist Audrey Morris continued to perform well into the new millennium and has indelibly left her mark on that Windy City by the lake.
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