Daily Dose Of Jazz…
Born May 18, 1894 in North Buxton, Ontario, Canada, Louis Stanley Hooper was raised in Ypsilanti, Michigan. He attended the Detroit Conservatory, where he played locally in dance orchestras in the 1910s. He then moved to New York City around 1920, recorded with Elmer Snowden and Bob Fuller frequently in the middle of the decade, and performed with both of them in Harlem as well as with other ensembles.
Hooper served for some time as the house pianist for Ajax Records and accompanied many blues singers on record, including Martha Copeland, Rosa Henderson, Lizzie Miles, Monette Moore, and Ethel Waters. He participated in the Blackbirds Revue of 1928.
In 1932 returning to Canada he played in Mynie Sutton’s dance band, the Canadian Ambassadors. Lou did local work solo and in ensembles for the next two decades, then was brought back into the limelight by the Montreal Vintage Music Society in 1962. He released an LP of ragtime piano tunes in 1973 entitled Lou Hooper, Piano.
As an educator he taught at the University of Prince Edward Island late in his life and appeared regularly on CBC television in Halifax. His papers, which include unpublished compositions and an autobiography, are now held at the National Library of Canada in Ottawa, Ontario. Pianist Lou Hooper passed away on September 17, 1977, Charlottetown, Prince Edward Island.
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Daily Dose Of Jazz…
David Izenzon was born on May 17, 1932 in Pittsburgh, Pennsylvania. Graduating from the Carnegie Institute of Technology, he later received a master’s degree from the Manhattan School of Music.
Izenzon began playing double bass at the age of twenty-four and played in his hometown before moving to New York City in 1961. There he played with Paul Bley, Archie Shepp, Sonny Rollins, and Bill Dixon, but he is best known for his association with Ornette Coleman, which began in October 1961. He played in Coleman’s 1962 Town Hall concert and played with him frequently from 1965 to 1968, often in a trio format with Charles Moffett.
During this time Izenzon also recorded with Harold McNair and Yoko Ono. He taught music history at Bronx Community College from 1968 to 1971 and played with Perry Robinson and Paul Motian, but reduced his time in music in 1972 when his son became ill. In 1973 Izenzon received a Ph.D. in psychotherapy from Northwestern University. The following year, he co-founded Potsmokers Anonymous with his wife, Pearl.
In 1975 he composed a jazz opera titled How Music Can Save The World, dedicated to those who helped his son recover. From 1977 he worked again with Coleman and Motian up until his death. Double bassist David Izenzon passed away on October 8, 1979 of a heart attack, arriving dead on arrival at Bellevue Hospital in New York City.
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Daily Dose Of Jazz…
Michael Moore was born May 16, 1945 in Glen Este, Ohio and started on bass at age fifteen, at Withrow High School in Cincinnati, Ohio. He performed in ensembles and the Presentation Orchestra in George G. “Smittie” Smith’s Withrow Minstrels and played with his father in Cincinnati nightclubs.
Attending the Cincinnati College Conservatory, he played with Cal Collins and Woody Evans locally. He toured Africa and Europe with Woody Herman in 1966, and recorded with Dusko Goykovich while in Belgrade.
The 1970s saw Michael working with Marian McPartland, Freddie Hubbard, Jim Hall, Jimmy Raney, Bill Evans, Benny Goodman, Jake Hanna, Warren Vache, Herb Ellis, Zoot Sims, Ruby Braff, George Barnes, Chet Baker, and Lee Konitz. In 1978, he auditioned for and was hired by Bill Evans after longtime bassist Eddie Gómez had left the group and Evans was in transition with drummer Philly Joe Jones.
Leaving after five months due to dissatisfaction with the group, late in the decade he began working with Gene Bertoncini, with whom he would play into the 1990s. In the 1980s he worked with Sims again and with Kenny Barron and Michael Urbaniak. A member of the Dave Brubeck Quartet from 2001 until Brubeck’s death in 2012. Bassist Michael Moore continues to pursue his musical career.
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Daily Dose Of Jazz…
Bonnie Wetzel was born Bonnie Jean Addleman on May 15, 1926 in Vancouver, Washington. She learned violin as a child, and was an autodidact on bass. She played with Ada Leonard in an all-female ensemble, and soon after worked in a trio with Marian Grange.
Marrying trumpeter Ray Wetzel in 1949, the pair worked in the Tommy Dorsey Orchestra in 1951. She went on to play in Beryl Booker’s trio with Elaine Leighton in 1953, touring Europe in 1953-54 and recorded for Discovery Records.
She also played with Herb Ellis, Charlie Shavers, Roy Eldridge, and Don Byas. Later in the 1950s she freelanced in New York City. Double bassist Bonnie Wetzel passed away on February 12, 1965 at the age of 38.
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Daily Dose Of Jazz…
Warren Smith was born on May 14, 1934 in Chicago, Illinois, to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four he studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master’s degree in percussion from the Manhattan School of Music in 1958.
One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957. In 1958 Warren found work in Broadway pit bands and also played with Gil Evans. In 1961 he co-founded the Composers Workshop Ensemble. In the 1960s Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964–76 and with Gil Evans again from 1968 to 1976.
In 1969 he played with Janis Joplin and in 1971 with King Curtis and Tony Williams. He was also a founding member of Max Roach’s percussion ensemble, M’Boom, in 1970.
In the 1970s and 1980s Smith had a loft called Studio Wis that acted as a performing and recording space for many young New York jazz musicians, such as Wadada Leo Smith and Oliver Lake. Through the 1970s Smith played with Andrew White, Julius Hemphill, Muhal Richard Abrams, Nancy Wilson, Quincy Jones, Count Basie, and Carmen McRae. Other credits include extensive work with rock and pop musicians and time spent with Anthony Braxton, Charles Mingus, Henry Threadgill, Van Morrison, and Joe Zawinul.
He continued to work on Broadway well into the 1990s, and has performed with a number of classical ensembles. Smith taught in the New York City public school system from 1958 to 1968, at Third Street Settlement from 1960 to 1967, at Adelphi University in 1970–71, and at SUNY-Old Westbury from 1971. He remains connected to the music at 87.
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