Daily Dose Of Jazz…

Jim Tomlinson was born September 9, 1966, in Sutton Coldfield, Warwickshire, England. He grew up in Northumberland and did not study music formally until well into his 20s. He played saxophone and ran a band as a hobby whilst studying for his degree he attended Oxford University where he studied philosophy, politics and economics while playing clarinet and saxophones, mostly the tenor, and developing his interest in jazz.

As a postgrad at London’s Guildhall School of Music and Drama he establish himself on the local jazz scene. With his reputation quickly spreading he was soon working with noted musicians Matt Wates, David Newton and Michael Garrick, recording with the latter on his 1997 session For Love Of Duke And Ronnie.

In the 90s he led his own quartet, touring the UK extensively in the UK and was often in the musical company of singer Stacey Kent. They married in  1991 and he appeared on her albums for Candid Records. Singed to Candid also, Jim released his debut album as leader, Only Trust Your Heart in 2000 giving him not only a UK but and international audience as well. This was followed by his sophomore project in 2003 titled Brazilian Sketches in 2003.

Tomlinson has gone on to work in a wide variety of groups, from Brian Ferry to experimental big band composer, Michael Garrick to leading and touring with his own quartet.

Tenor saxophonist Jim Tomlinson has released three albums, has been nominated for a Grammy and continues to compose, record and perform.

ROBYN B. NASH

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Daily Dose Of Jazz…

Gracie Cole was born Grace Elizabeth Agnes Annie Cole on September 8, 1924 in Rowlands Gill, County Durham, England. Her father Albert moved to Yorkshire in search of work as a miner when she was two years old. He played cornet in colliery bands, and taught her to play the cornet at the age of 12. She went on to play with local brass bands in her teens, including the Firbeck Colliery Band alongside her father. In 1939 at 15, she made her first broadcast on the BBC Radio for Children’s Hour.

From 1940, Cole appeared as a guest soloist in two concerts with the Besses o’ th’ Barn brass band, and played with various other bands including the Grimethorpe Colliery Band. In 1942 she became the first woman to compete for the Alexander Owen memorial scholarship and won by an unprecedented 21-point margin. That same year Cole switched to being a dance band trumpeter, initially joining Gloria Gaye’s All Girls Band, who toured playing theatres and forces entertainment shows organised by the Entertainments National Service Association.

Following WWII playing with Rudy Starlita’s All-American Band entertaining American G.I.s, she joined Ivy Benson’s band as lead trumpet and soloist, and toured Britain, Europe and the Middle East with them for the next five years. The Fifties saw her joining the George Evans Band, then joined the Squadronaires, but finding male prejudice uncomfortable, Gracie left to form her own all-female band in 1952 for the next four years. She would work with singers like Carol Carr and Cleo Laine and front an all-male band at Mecca Ballrooms.

From the 1960s she concentrated on bringing up her two daughters and played on a freelance basis. She was active in encouraging local brass bands, and was made a freeman of the City of London in 1990 Toward the end of the decade cornetist, trumpeter and bandleader Gracie Cole developed Alzheimer’s disease and passed away on December 28, 2006 in Westcott, Surrey, United Kingdom at the age of 82.

DOUBLE IMPACT FITNESS

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Daily Dose Of Jazz…

Max Kaminsky was born on September 7, 1908 in Brockton, Massachusetts and started his career in Boston, Massachusetts in 1924. By 1928 he was working in Chicago, Illinois with George Wettling and Frank Teschemacher at the Cinderella Ballroom and in New York for a brief time in 1929 with Red Nichols.

From about 1933-1938, he worked in commercially oriented dance bands, and recorded with Eddie Condon and Benny Carter’s Chocolate Dandies, with Mezz Mezzrow. He played with Tommy Dorsey, Artie Shaw, and performed and recorded with Bud Freeman. He worked again with Shaw from 1941 to 1943, who led a navy band with which Kaminsky toured the South Pacific.

From 1942 he took part in important concerts in New York City that were organized by Condon at Carnegie Hall and Town Hall, and from the following year he played Dixieland with various groups. He also worked in the 1940s with Sidney Bechet, George Brunis, Art Hodes, Joe Marsala, Willie “The Lion” Smith, and Jack Teagarden.

Moving into television, Max led Jackie Gleason’s personal band for several seasons, then toured Europe with Teagarden and Earl Hines’ All Stars in 1957, and performed at the Metropole and Ryan’s in New York at intervals from the late 1960s to 1983, the Newport Jazz Festival and the 1964 New York World’s Fair.

In 1963 he published My Life in Jazz with V. E. Hughes, in 1975 and 1976 he recorded as a leader that well illustrate his style, which is full-toned, economical and swinging in the manner of King Oliver, Freddy Keppard and Louis Armstrong. At one time he played with the Original Dixieland Jass Band.

Trumpeter Max Kaminsky, known for his Dixieland and whose legacy lives on at the Hogan Jazz Archives at Tulane University, passed away on September 6, 1994, one day before what would have been his 86th birthday.

BAD APPLES

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Daily Dose Of Jazz…

John Malachi was born on September 6, 1919 in Red Springs, North Carolina and grew up in Durham, North Carolina. At the age of ten he moved with his family to Washington, D.C., and was a self-taught musician.

Malachi was a member of the Billy Eckstine Bebop Orchestra in 1944 for a year and then again in 1947. He worked with Illinois Jacquet in 1948, Louis Jordan in 1951, and a series of singers including Pearl Bailey, Dinah Washington, Sarah Vaughan, Al Hibbler, and Joe Williams.

Opting out of the traveling life of the touring jazz musician in the 1960s, he lived approximately the last decade and a half of his life in Washington, D.C. freelancing, playing with touring bands and artists when they stopped in the city, and leading music workshops at clubs like Jimmy MacPhail’s Gold Room and Bill Harris’s Pig’s Foot. Malachi’s generosity towards younger musicians was legendary. His workshops with young musicians was referred to as The University of John Malachi.

He is credited with creating the nickname “Sassy” for Sarah Vaughan, with whom he worked with the Eckstine Orchestra and later directly with her. Pianist John Malachi, who was fond of categorizing jazz pianists into acrobats and poets, and considered himself among the latter, passed away on February 11, 1987 at the age of 67 in Washington, DC.

GRIOTS GALLERY

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Daily Dose Of Jazz…

Lars Danielsson was born on September 5, 1958 in Smålandsstenar, Sweden and was educated at the music conservatory in Gothenburg and studied double bass, electric bass and cello. In 1985, he formed a quartet with saxophonist Dave Liebman, pianist Bobo Stenson and drummer Jon Christensen, producing several albums. He also worked with big bands.

He played and recorded with, among others, John Scofield, Jack DeJohnette, Mike Stern, Billy Hart, Charles Lloyd, Terri Lyne Carrington, Leszek Możdżer, Joey Calderazzo, Gino Vannelli and Dave Kikoski.

Since 1980, he has released eight solo albums with the Lars Danielssons Quartet. In these albums, Alex Acuña, John Abercrombie, Bill Evans, Kenny Wheeler, Rick Margitza and Niels Lan Doky were featured.

As a producer he has been responsible for productions with Cæcilie Norby and the Danish radio orchestra among others. Bassist, cellist, composer and record producer Lars Danielsson continues to compose, record, perform and tour.

SUITE TABU 200

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