Daily Dose Of Jazz…
Nino Frasio was born April 26, 1950 in Milan, Italy and his introduction in music was taken in 1964 as a guitarist and banjoist. He graduated in 1976 from the Universitá degli Studi of Milano and studied with professor Enea Vallesi. Like most eenage players of the time he followed the Beatles craze, playing lead guitar where he also disastrously attempted to sing somewhat understandable English.
In 1969 he joined the Italian cast of Up With People! and played many performances on lead guitar and tenor banjo. Leaving the show in 1971, when he started his day job career, and since then has dedicated himself exclusively to classic jazz. His banjo studies had him discovering the other four string tuning and soon was doubling on tenor and plectrum banjo.
After performing on the national Italian TV network on a broadcast of Musica Insieme, he founded the New Orleans styled Olympia Ragtime Band in 1972. a pure New Orleans style band in which he played banjo. Frasio left the band in the early ’80s and started a busy musical career as a free-lance performer with the many jazz bands active in Northern Italy. By 1973 he was enlisted in the Italian Air Force where he began the study of cornet and tuba. Post discharged he chose to play the tuba.
In 1984 Nino joined the Ambrosia Brass Band as a sousaphonist which gained a wide popularity all over Europe playing marches in the style of the great brass bands of New Orleans. He continued freelancing gigs on banjo and guitar, and participated in a long-lasting series of weekly live radio broadcasts.
In the mid-Nineties Frasio went back to playing classic jazz with a new project called the Odd Fellows New Orleans Quartet & Band. Three years later he joined the Jumpin’ Jazz Ballroom Orchestra on banjo and guitar and the ten piece band played a repertory of classic jazz tunes of the ’20s, ’30s and ’40s.
As he aged Nino slowed down his freelance playing and started to look for his old music pals again to play his banjo in a strict New Orleans style. He went on to become a founding member of the Pegasus Brass Band, which performed at several European jazz festivals. He played regularly with the Milano Rhythm Kings led by Giorgio Alberti, then with the Savannah Serenaders, before joining on guitar the Prefisso02 Orchestra, with its beautiful repertoire of early ’40s Italian swing.
Banjoist Nino Frasio, who also plays guitar, tuba and sousaphone, continues to perform with a series of brass bands and orchestras.
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Daily Dose Of Jazz…
Dick Lammi was born on January 15, 1909 in Red Lodge, Montana. Early in his career he played violin and banjo, playing as a banjoist in various dance bands and orchestras in the Pacific Northwest in the late 1920s. Settlling in Portland, Oregon in the early Thirties, and played bass in a group there.
After a move to San Francisco, California in 1936 he began playing tuba alongside bass. His best-known work was as a member of Lu Watters’s rehearsal band, which evolved into the Yerba Buena Jazz Band, playing regularly at the Dawn Club.
With World War II interrupting his tenure with the ensemble, after his discharge he rejoined the YBJB and stayed with them until they disbanded in 1950. The Fifties saw Dick working with Bob Scobey, Turk Murphy, Wally Rose, and Clancy Hayes. He recorded little after the early 1960s.
Tubist and bassist Dick Lammi, who was the first tuba player to record during the San Francisco revival, died on November 29, 1969 in San Francisco.
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Daily Dose Of Jazz…
Eugene Chadbourne was born January 4, 1954 in Mount Vernon, New York but grew up in Boulder, Colorado. He started playing guitar when he was eleven or twelve, inspired by the Beatles and hoping to get the attention of girls. Although he was initially drawn to Jimi Hendrix and played in a garage band, he found rock and pop music too conventional. Gravitating to the avant-garde jazz of Anthony Braxton and Derek Bailey, it was the former musician who persuaded him to abandon his journalism endeavors and pursue music.
During the early 1970s, he lived in Canada to avoid military service in the Vietnam War. Returning to the United States, he moved to New York City and played free improvisation with Henry Kaiser and John Zorn. Around this time, he released his first album, Solo Acoustic Guitar. In the early 1980s, he led the avant-rock band Shockabilly with Mark Kramer and David Licht.
He explored other genres, playing with a Cajun band, a Russian folk band and mixed country, western, and improvisation in the band LSD C&W. For many years Eugene was in a duo, and then worked with Han Bennink, Fred Frith, Elliott Sharp, and Charles Tyler..
Chadbourne invented an instrument known as the electric rake by attaching an electric guitar pickup to a rake. He played a duet of electric rake and classical piano with Bob Wiseman on his 1991 album Presented by Lake Michigan Soda. He also played the instrument on a Sun Ra tribute album.
Banjoist, guitarist and music critic Eugene Chadbourne, who has recorded 39 albums as a leader, continues to perform and record.
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Daily Dose Of Jazz…
Andrés Thor was born on December 27, 1974 in Hafnarfjordur, Iceland, a little harbour town near Reykjavík, Iceland. He began his musical studies at age 12 and his initial influences were glitter and hippie rock bands such as Led Zeppelin, The Doors, Jimi Hendrix and Bon Jovi.
During his teens was when he first heard the music of John Coltrane and Pat Metheny which led him to become more fascinated with jazz. He soon started studying with some of Iceland’s finest jazz educators at the FIH music school and after graduating his musical quest brought him to study at the Koninklijk Conservatorium (The Royal Conservatory) in The Hague, The Netherlands in 2000.
Finishing his Bachelors and Masters degrees by 2006 he went on to study under the guidance of Wim Bronnenberg, Peter Nieuwerf, Eef Albers, John Ruocco and Hein v/d Geyn as his main teachers. He also attended workshops and masterclasses lead by Michael Brecker, Kurt Rosenwinkel, John Abercrombie and Avishai Cohen, as well as performing with the late Michael Brecker and the Royal Conservatory Big Band in concert.
Living and studying in the Netherlands lead to the first recording featuring Andrés as a co-leader of the organ trio Wijnen, Winter & Thor. The band featured songs by all members of the trio. Since then he has been based and working in and out of Iceland and has released five albums under his own name and a handful of albums in collaboration. He has been active in various collective projects and as a sideman with bands like ASA trio, Icewegian, The Viking Giant Show, BonSom, Andreas Dreier quartet and Music with Z to name a few.
Thor has been an active performer in Scandinavia, Europe and America, as well as a session musician in studios and educator in Iceland. He doubles on the mandolin, banjo and steel guitars. Guitarist Andrés Thor continues to record and perform blending his positively ambrosial tonal palette with the elegant harmonic substance and incisive, ornamented cross-rhythms.
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Daily Dose Of Jazz…
Lee L. Blair was born on October 10, 1903 in Savannah, Georgia and was a left-handed autodidact on banjo, aside from a few lessons taken from Mike Pingitore, the banjoist for Paul Whiteman. He played and recorded in New York City, New York with Thomas Morris’s Seven Hot Babies in 1926, then played with Charlie Skeete in 1926-28, before playing and recording with Jelly Roll Morton’s Red Hot Peppers in 1928-30.
In the Thirties he went on to play with Billy Kato, then played and recorded with Luis Russell and Louis Armstrong from 1935 to the end of the decade. He worked part-time in music through the 1940s, then joined Wilbur De Paris’s New New Orleans Jazz Band in the 1950s at Jimmy Ryan’s Club on West 52nd Street in New York City.
The summer of 1957 had him touring Africa with the DeParis band for the State Department. During the 1960s he played less, concentrating on raising chickens on his farm in Belmore, Long Island, but appeared at the 1964 World’s Fair in a trio with Danny Barker and Eddie Gibbs. He freelanced around New York with Hank Duncan and others until his death.
He never recorded as a leader, but appears on record with Morris, Morton, Russell, Armstrong, and De Paris, as well as with Dick Cary, Pee Wee Erwin, and Leonard Gaskin among others. He is honored in the jazz section of the Georgia Music Hall of Fame in Macon, GA.
Banjoist and guitarist Lee Blair, who never recorded as a leader, transitioned on October 15, 1966 in New York City.
