Daily Dose Of Jazz…
Kansas Fields was born Carl Donnell Fields on December 5, 1915 in Chapman, Kansas and first played in Chicago, Illinois from the late Twenties and worked with King Kolax and Jimmie Noone in the 1930s. In 1940 he joined Roy Eldridge’s group for a year and returned to play with Eldridge again later in the decade.
He briefly led his own ensemble and played with Ella Fitzgerald and Benny Carter before joining the Marines during World War II. After the war, Kansas played with Cab Calloway, Claude Hopkins, Sidney Bechet, Dizzy Gillespie, and Eldridge again before the close of the decade.
Forming another group early in the 1950s, he then played with Mezz Mezzrow in Europe in 1953. Fields stayed in Europe for more than a decade, relocating to France where he worked as a sideman. In 1965, he returned to Chicago, working once more with Gillespie and doing studio work.
Drummer and bandleader Kansas Fields transitioned on March 7, 1995 in Chicago.
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Daily Dose Of Jazz…
Charlie Ventura was born Charles Venturo on December 2, 1916 in Philadelphia, Pennsylvania. During the 1940s, he played saxophone for the Gene Krupa and Teddy Powell bands. In 1945 he was named best tenor saxophonist by DownBeat magazine.
During the Forties he led big bands and led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. By the 1950s he formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. By the 1980s he slowed down until finally retiring from music.
Tenor saxophonist and bandleader Charlie Ventura transitioned from lung cancer on January 17, 1992 in Pleasantville, New Jersey at age 75. was an American from
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Daily Dose Of Jazz…
Lurlean Hunter was born in Clarksdale, Mississippi on December 1, 1919 and was taken to Chicago, Illinois when she was two months old. She attended Englewood High School in Chicago.
Her first paid singing performance came when she appeared with Red Saunders and his orchestra at Club DeLisa on Chicago’s South Side. Hunter was signed by Discovery Records in 1950 and subsequently was a featured performer with George Shearing and his quintet at Birdland in New York City.
In 1951 Lurlean was among a group of rising young stars of jazz, that were presented at the Streamliner night club in Chicago. She performed at the Cloister Inn, where an initial four-week booking turned into a 2.5-year stay. She went on to work in New York and Ottawa, Ontario, Canada.
Leaving Discovery, she began recording for Atlantic Records in 1961, with Blue and Sentimental as her first album for that label. She later recorded for RCA Victor. By 1963, Hunter became the first Black performer hired by WBBM radio in Chicago. After a successful on-air audition, she became a member of the staff of the all-live Music Wagon Show. Five years later the National Educational Television jazz broadcast featured her, accompanied by the Vernel Fournier Trio.
In 1958, she sued RCA Record Division after it used her image and her name on the cover of its, not her Lonesome Gal record album. The suit alleged “unfair competition, infringement of trade name, unfair business practices, unjust enrichment and invasion of the right of privacy.” Though the court acknowledged that the album contained the song “Lonesome Gal”, and that the use of one song’s title for an album’s title was common practice in the recording industry, it ruled in Hunter’s favor on the basis that she was the first person to “adopt and establish the name Lonesome Gal as a personality” and that name was exclusively associated with her. Damages of $22,500 were awarded to Hunter, and the company was ordered to destroy all material containing Hunter’s likeness in conjunction with “Lonesome Gal”.
Vocalist Lurlean Hunter, who was a contralto and made commercials for products such as peas and telephone directories, transitioned on March 11, 1983 in Kalamazoo, Michigan.
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Daily Dose Of Jazz…
Norman Dewey Keenan was born on November 23, 1916 in Union, South Carolina. He began playing piano before learning bass at age 15.
In the mid~1930s he worked with Tiny Bradshaw, Lucky Millinder, Henry Wells, Earl Bostic, and Cootie Williams into the Forties, and jammed at Minton’s Playhouse around the same time.
Following World War II he worked with Williams again and with Eddie Cleanhead Vinson in 1947-49. Then he became the bassist in the house trio at the Village Vanguard until 1957. After backing and recording three albums with Harry Belafonte from 1957 to 1962, Keenan worked on the TV show Hootenanny.
He began playing jazz again in the 1960s, recording with Miriam Makeba, Chad Mitchell, Count Basie from 1965-74, recording twenty-one albums with the orchestra, and Roy Eldridge in 1966. Double bassist Norman Keenan transitioned on February 12, 1980 in New York City.
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Daily Dose Of Jazz…
Curtis Sylvester Lowe, Sr. was born on November 15, 1919 in Chicago, Illinois and raised in Oakland, California. He first learned to play soprano saxophone as a youth and studied briefly in Alabama before deciding to take up music full-time. Best known professionally as a tenor and baritone saxophonist, he played in traveling bands before the outbreak of World War II. Enlisting in the United States Navy in 1942, his unit band was full of noteworthy jazz musicians, including Vernon Alley, Wilbert Baranco, Buddy Collette, Jerome Richardson, Ernie Royal, and Marshall Royal.
In the 1950s Curtis worked extensively with Lionel Hampton and also played with Dave Brubeck, Little Esther, Johnny Otis, and Gerald Wilson. He led his own five-piece ensemble in 1952-1953. In 1958 he began a decade-long association with Earl Hines.
He was active locally in San Francisco, California and the Bay Area into the 1980s. Saxophonist Curtis Lowe Sr., who never recorded as a leader, transitioned at the age of 73 on October 29, 1993.
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