Daily Dose Of Jazz…
John Russell Parnell was born on August 6, 1923 in Paddington, London, England and raised in Wembley. The only son of vaudevillians, his father a ventriloquist, his mother, a gifted classical pianist, worked as her husband’s accompanist. He toured with his parents as a very young child and standing in the wings enthralled by the big bands that were often top of the bill in the late 1920s. He started piano lessons as a four-year-old and could pick up tunes easily. Sent away to boarding school from the age of six, he began to take an interest in drums, and this soon became a consuming passion.
Not much interested in academic study, Parnell bought all the jazz records he could, starting with Duke Ellington and moving on to the more informal Chicago school epitomised by trumpeter Muggsy Spanier. Armed with a Premier drum kit purchased by his mother from the window-cleaner for £15 and following six lessons from Max Abrams, at 15 he ventured north to Scarborough to start his professional career playing for the summer season at the town’s theatre.
During his military service in the 1940s he became a member of Buddy Featherstonhaugh’s Radio Rhythm Club Sextet and played drums with Vic Lewis and other servicemen who were keen on jazz. From 1944 to 1946 he recorded with the Lewis-Parnell Jazzmen’s version of Ugly Child.
During the 1940s and 1950s, Parnell was voted best drummer in the Melody Maker poll for seven years in succession. He composed many television themes, including Love Story, Father Brown, The Golden Shot and Family Fortunes. He was a regular judge on the ATV talent show New Faces and the musical director for The Benny Hill Show.
He was appointed as the musical director for ATV in 1956, a post he held until 1981, and was the conductor for The Muppet Show orchestra for the series’ entire run. Jack composed the score theme for ITC Entertainment. Throughout the 1960s, Parnell directed the pit orchestra for Sunday Night at the London Palladium.
In the 1970s, he co-founded the group The Best of British Jazz with Kenny Baker, Don Lusher, Betty Smith, Tony Lee, and Tony Archer, which performed until 1985. From 1991 on Parnell was part of the Norfolk-based Mike Capocci Trio who backed saxophonists Johnny Griffin, Ronnie Ross, and Kathy Stobart. In 1994, he took over as the leader of the London Big Band.
Drummer and musical director Jack Parnell, whose uncle was the theatrical impresario Val Parnell, transitioned from the effects of cancer at 87 on August 8, 2010 in Southwold, Suffolk, England.
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Three Wishes
Pannonica asked Richard Davis what his three wishes would be if they could be granted and he replied with:
- “Freedom for everybody.”
- “Mastery of the bass.”
- “It’s my hobby really to own a horse. These are the three basic things in my life.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
George Walker “Big Nick” Nicholas was born August 2, 1922 in Lansing, Michigan. Picking up the tenor saxophone during his teen years, he was strongly influenced by his hero, Coleman Hawkins. He started playing professionally during the 1940s with Hank and Thad Jones, Earl Hines, and Tiny Bradshaw prior to military service.
Once discharged from the Army late in the decade he went on to work with bands led by Sabby Lewis, J. C. Heard, and Lucky Millinder. He would go on to play with Duke Ellington, Cab Calloway, Charlie Parker, and Charlie Mingus.
Nicholas contributed the 16-bar solo to Dizzy Gillespie’s classic 1947 African-Cuban jazz composition Manteca. At that time, he also started playing with Hot Lips Page, a working relationship that continued until 1954. He then joined Buck Clayton in 1955.
Big Nick influenced a young John Coltrane to compose his tribute Big Nick, included on the 1962 album Duke Ellington & John Coltrane.
Saxophonist and singer Big Nick Nicholas transitioned from heart failure in Queens, New York on October 29, 1997 at the age of 75.
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Daily Dose Of Jazz…
Einar “Pastor’n” Iversen was born July 27, 1930 in Mandal, Vest-Agder, Norway to a pastor. Raised in Oslo, Norway where he studied classical piano under Inge Rolf Ringnes, Artur Schnabel and Finn Mortensen. He quickly established himself on the Oslo jazz scene in 1949. He released his debut album with Rowland Greenberg’s Orchestra in 1953 and became one of the most respected Norwegian jazz musicians, and ws awarded Buddyprisen at 28 years old.
He played with Dizzy Gillespie at Birdland in 1952, on the America Boat with Anthony Ortega and the Modern Jazz Quartet. He was a regular pianist at Metropol Jazz Club, where he played with Dexter Gordon, Coleman Hawkins, Johnny Griffin, Svend Asmussen and Stuff Smith, among other visiting musicians. He recorded an album with his own trio, Me and My Piano, in 1967.
Beyond busy session work Einar led his own “E. I. Trio” with bassit Tor Hauge and drummer Jon Christensen. They released Norways first jazz trio recording in 1967, Me And My Piano, containing Jazz standards. The trio would go on to release on Gemini Records Jazz På Norsk, Who Can I Turn To, Portrait Of A Norwegian Jazz Artist – Einar Iversen, and on Hazel Records, Seaview.
Pianist and composer Einar Iversen, who through more than sixty years played with everyone in Norwegian jazz, transitioned on April 3, 2019, at the age of 88.
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Three Wishes
When Nica broached the subject of three wishes with Mose Allison he had but one reply:
- “If that ever happened to me, the first would be that every individual would contain his own destructiveness. And if this wish was granted, I wouldn’t need the others.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
More Posts: baroness,history,instrumental,jazz,music,pannonica,piano,songwriter,three,vocal,wishes