Daily Dose Of Jazz…
Janet Lawson was born on November 13, 1940 in Baltimore, Maryland to a Jewish father and Catholic mother from Eastern Europe. Her father was a jazz drummer and her mother was a singer and lyricist who sometimes sang in her father’s band. At home, they worked on songs together at the piano. She performed on the radio and regional television as a child.
Lawson began singing with a local big band in her teens. When she was eighteen, she moved to New York City and got a job as a secretary at Columbia Records. She appeared regularly on Steve Allen’s television show between 1968 and 1969 and worked in theater.
Living across the street from Al Jeter, the head of Riverside Records, gave her access to make contacts when she attended parties at his penthouse apartment. While going to jazz clubs she found inspiration from seeing Thelonious Monk and made her debut at the Village Vanguard with Art Farmer.
In 1976 she formed the Janet Lawson Quintet, which in 1983 included saxophonist and flutist Roger Rosenberg, pianist Bill O’Connell, Ratzo Harris on bass, and drummer Jimmy Madison. She became known as a scat singer and improviser.
Lawson has worked with Art Farmer, Chick Corea, Ron Carter, Bob Dorough, Duke Ellington, Tommy Flanagan, Sheila Jordan, Barry Harris, Milt Hinton, Eddie Jefferson, Barney Kessel, Dave Liebman, Joe Newman, Rufus Reid, Clark Terry, Ed Thigpen, Cedar Walton, Duke Pearson and David Lahm.
She has taught voice at New York University and the New School, given private lessons, taught elementary school children, and has made trips every year to Latvia to attend a youth music camp.
In 1977 she recorded with Eddie Jefferson and by the Eighties she recorded two albums as a leader. In 1982 she was nominated for a Grammy Award in the Best Female Jazz Vocal Performance, and in 2007 received a Hall of Fame nomination from the International Association for Jazz Education.
Vocalist Janet Lawson, who in the early 2000s was diagnosed with Lyme disease, Bell’s palsy, Parkinson’s disease and suffered damage to her vocal cords, transitioned on January 22, 2021 in New Jersey.
Confer a dose of a Baltimore vocalist to those seeking a greater insight about the musicians around the world who are members of the pantheon of jazz…
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Daily Dose Of Jazz…
Jan Bertil Allan was born November 7, 1934 in Falun, Sweden and began his career in 1951 as a pianist. After moving to Stockholm, Sweden he changed to the trumpet as his main instrument. At this time he played in Carl-Henrik Norin’s orchestra. In 1954 he worked with Lars Gullin and Rolf Billberg for a year followed by a four year residency starting in 1955 with Carl-Henrik Norin, shlie earning a PhD in physics.
He is considered among the most important modern jazz musicians in Sweden, despite his small number of records. For the first three years in the Sixties he led a quintet with Billberg. Throughout the decade Allan worked with Arne Domnérus, Georg Riedel, and Bengt Hallberg, among others. From 1968 to 1975, he was a member of the Swedish Radio Jazz Group.
His album Jan Allan-70, which featured Rolf Ericson, Nils Lindberg, Bobo Stenson, Jon Christensen, and Rune Gustafsson, won a Grammis Award for Jazz of the Year in 1970. His album Software, released in 1998, stands in strong affinity with the West Coast Jazz of Gerry Mulligan and Stan Getz.
Over the course of his career, he recorded albums with Alice Babs, Bosse Broberg, Benny Carter, Dorothy Donegan, Lars Gullin, Jan Johansson, Thad Jones, Roger Kellaway, Lee Konitz, Nils Lindberg, Georg Riedel, George Russell and Monica Zetterlund among others.
In 2009, he was honored with a Swedish Golden Django as a Master of Jazz. Trumpeter and composer Jan Allan, who recorded eight albums as a leader and composed for several films, continues to perform and compose.
Confer a dose of a Falun trumpeter to those seeking a greater insight about the musicians around the world who are members of the pantheon of jazz…
Jan Allan: 1934 | Trumpet, Composer
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Daily Dose Of Jazz…
Jan Bertil Allan was born November 7, 1934 in Falun, Sweden and began his career in 1951 as a pianist. After moving to Stockholm, Sweden he changed to the trumpet as his main instrument. At this time he played in Carl-Henrik Norin’s orchestra. In 1954 he worked with Lars Gullin and Rolf Billberg for a year followed by a four year residency starting in 1955 with Carl-Henrik Norin, shlie earning a PhD in physics.
He is considered among the most important modern jazz musicians in Sweden, despite his small number of records. For the first three years in the Sixties he led a quintet with Billberg. Throughout the decade Allan worked with Arne Domnérus, Georg Riedel, and Bengt Hallberg, among others. From 1968 to 1975, he was a member of the Swedish Radio Jazz Group.
His album Jan Allan-70, which featured Rolf Ericson, Nils Lindberg, Bobo Stenson, Jon Christensen, and Rune Gustafsson, won a Grammis Award for Jazz of the Year in 1970. His album Software, released in 1998, stands in strong affinity with the West Coast Jazz of Gerry Mulligan and Stan Getz.
Over the course of his career, he recorded albums with Alice Babs, Bosse Broberg, Benny Carter, Dorothy Donegan, Lars Gullin, Jan Johansson, Thad Jones, Roger Kellaway, Lee Konitz, Nils Lindberg, Georg Riedel, George Russell and Monica Zetterlund among others.
In 2009, he was honored with a Swedish Golden Django as a Master of Jazz. Trumpeter and composer Jan Allan, who recorded eight albums as a leader and composed for several films, continues to perform and compose.
More Posts: bandleader,composer,history,instrumental,jazz,music,trumpet
Daily Dose Of Jazz…
Donald Arthur Rader was born October 21, 1935 in Rochester, New York and began playing trumpet at age five, being taught by his father. He studied at Sam Houston State Teachers College before serving in the Navy in the 1950s as a member of the band.
At the end of the decade he played and arranged for Woody Herman into the Sixties, followed by Maynard Ferguson, Count Basie, Louie Bellson, Harry James, Terry Gibbs, Frank Foster, Henry Mancini, Les Brown from 1967 to 1972. Then he left Brown for the Stan Kenton Orchestra.
He toured with Della Reese, Sarah Vaughn, Andy Williams, Percy Faith, Diana Ross, Elvis Presley, Jerry Lewis and Bob Hope, both intermittently for 28 years with five tours of wartime Vietnam with the latter.
Assembling a quintet in Los Angeles, California in 1972 Don continued working with West Coast jazz musicians, including Lanny Morgan, Lew Tabackin, and Toshiko Akiyoshi. He recorded as a leader and worked in music education for many years, including in Australia in the 1980s.
He has recorded eight albums as a leader, and as a sideman three with Count Basie, and seven with Maynard Ferguson. Trumpeter Don Rader continues to perform at the age of 87.
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Daily Dose Of Jazz…
Joseph Lucian Roccisano was born on October 15, 1939 in Springfield, Massachusetts. He received his bachelor’s degree in music education from SUNY-Potsdam in 1963. In 1964 he played in the Tommy Dorsey orchestra under Sam Donahue.
After moving to Los Angeles, California in the mid-Sixties he played with Don Ellis, Ray Charles, Louie Bellson, Lew Tabackin, Toshiko Akiyoshi, Terry Gibbs, Don Menza, Bill Holman, and Don Rader. He assembled the 15-piece ensemble Rocbop in 1976 and played in the Capp-Pierce Juggernaut in 1981.
He formed his own big band, the Joe Roccisano Orchestra, releasing two albums during the 1990s. The musicians joining him in this band included Bill Charlap, Bud Burridge, Jack Stuckey, Franck Amsallem, James E. Pugh, John Basile, Ken Hitchcock, Lou Marini, Matt Finders, Robert Millikan, Scott Lee, Terry Clarke, Tim Ries, Tom Harrell, Scott Robinson, and Greg Gisbert.
He became an arranger for Ellis, Bellson, Doc Severinsen, and Woody Herman. He scored the tune Green Earrings on the 1978 Herman album Chick, Donald, Walter, and Woodrow. Joe was nominated for a Grammy Award for the arrangement. He composed Tenors of the Time, a tune recorded by Pete Christlieb and Warne Marsh.
Saxophonist and arranger Joe Roccisano transitioned on November 9, 1997.
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