Jazz Poems
FOR ERIC DOLPHY
on flute
spinning spinning spinning
love
thru / out
the universe
i
know
exactly
whut chew mean
man
you like
titter
my sister
who never expressed LOVE
in words (like the white folks always d
she would sit in the corner o
and cry i
everytime n
I g
got a whuppin
Etheridge Knight
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Cal Collins was born on May 5, 1933 in Medora, Indiana and first played the mandolin professionally as a bluegrass musician in the early 1950s. After his Army service he moved to Cincinnati, Ohio he switched to jazz guitar after hearing swing guitarists Charlie Christian, Irving Ashby and Oscar Moore. He played in Cincinnati for twenty years.
In 1976 Benny Goodman hired him at the age of 43 and had a three year stint with the orchestra. Cal then spent three years making albums for Concord Jazz. As a leader and sideman, he worked with Scott Hamilton, Warren Vache, Rosemary Clooney, Ross Tompkins, Woody Herman, John Bunch, and Marshal Royal.
Returning to Cincinnati in the early Eighties, Collins slowed down his career. He joined the Masters of the Steel String Guitar Tour in 1993 with Jerry Douglas and Doc Watson. Over the course of his career he recorded a dozen albums as a leader with his debut recording being Cal Collins In San Francisco in 1978 on the Concord label.
He recorded twenty-eight albums with John Bunch, Rosemary Clooney, Concord Jazz All Stars, Concord Super Band, Benny Goodman, Woody Herman, Eiji Kitamura, Marshal Royal, Warren Vache, Bob Barnard, Michael Moore, Jimmy Madison, Kenny Poole, Scott Hamilton and Buddy Tate, Hank Marr, and Ross Tompkins.
In 2001, guitarist Cal Collins, who recorded his last album in 1998, died of liver failure on August 27th in Dillsboro, Indiana.
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Jazz Poems
FILLING THE GAP When Bird died, I didn’t mind I had things to do— polish some shoes, practive a high school cha-cha-cha. I didn’t even know Clifford was dead: I must have been lobbing an oblong ball beside the gymnasium. I saw the Lady right before she died— dried, brittle as last year’s gardenia. I let her scratch an autograph. But not Pres. Too bugged to boo, I left as Basie’s brass booted him off the stand in a sick reunion— tottering , saxophone dragging himmlike a stage-hook. When I read Dr. Williams’ poem, “Stormy,” I wrote a letter of love and praise and didn’t mail it. After he died, it burned my desk like a delinquent prescription… I don’t like to mourn the dead: what didn’t, never will. And I sometimes feel foolish staying up late, trying to squeeze some life out of books and records, filling the gaps between words and notes. That is why I rush into our room to find you mumbling and moaning in your incoherent performance. That is why I rub and squeeze you and love to hear your live, alterable cry against my breast Lawson Fusao Inadafrom Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Beaver Harris was born William Godvin Harris on April 20, 1936 in Pittsburgh, Pennsylvania. Coming from an athletic family, he played baseball as a teenager for the Kansas City Monarchs, which was part of the Negro American League, and was scouted by the Brooklyn Dodgers and New York Giants.
After his Army service, Beaver began playing drums. Moving in 1963 to New York City and was encouraged to pursue a musical career by Max Roach. The city did him quite well as he worked and/or toured with Marion Brown, Dexter Gordon, Albert Ayler, Joe Henderson, Freddie Hubbard, Clifford Jordan, Howard Johnson, Sheila Jordan, Lee Konitz, Thelonious Monk, Roswell Rudd, Sonny Rollins, McCoy Tyner, Sonny Stitt, Clark Terry, Chet Baker, Doc Cheatham and Larry Coryell among other musicians.
Harris founded a world music band calling it the 360 Degree Music Experience. The band included Buster Williams, Hamiet Bluiett, Don Pullen, Jimmy Garrison, Ron Carter, Ricky Ford, and many others.
Drummer Beaver Harris, who worked extensively with Archie Shepp, died of prostate cancer in New York City at the age of 55 on December 22, 1991.
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Daily Dose Of Jazz…
Pete La Roca was born Peter Sims on April 7, 1938 in Harlem, New York to a pianist mother and a stepfather who played trumpet. He was introduced to jazz by his uncle Kenneth Bright, a major shareholder in Circle Records and the manager of rehearsal spaces above the Lafayette Theater. He studied percussion at the High School of Music and Art and at the City College of New York, where he played tympani in the CCNY Orchestra. He adopted the name La Roca early in his musical career, when he played timbales for six years in Latin bands.
During the 1970s, after a hiatus from jazz performance, he resumed using his original surname. When he returned to jazz in the late 1970s, he usually inserted La Roca into his name in quotation marks to help audiences familiar with his early work identify him. In 1957, Max Roach became aware of him while jamming at Birdland and recommended him to Sonny Rollins. On the afternoon set at the Village Vanguard he became part of the important record A Night at the Village Vanguard. In 1959 he recorded with Jackie McLean and in a quartet with Tony Scott, Bill Evans and Jimmy Garrison.
Between the end of the 1950s and 1968, he also played and/or recorded with Slide Hampton, the John Coltrane Quartet, Marian McPartland, Art Farmer, Freddie Hubbard, Mose Allison, and Charles Lloyd, among numerous others. During this period, he led his own group and worked as the house drummer at the Jazz Workshop in Boston, Massachusetts.
In 1968 he enrolled in law school and drove a New York City taxi cab to supplement his income. He returned to jazz part-time in 1979, and recorded one new album as a leader, Swing Time in 1997.
Drummer and attorney Pete La Roca died in New York of lung cancer at the age of 74 on November 20, 2012.
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