Daily Dose Of Jazz…

George Golla was born May 10, 1935 in Chorzów, Poland. He emigrated to Australia in the 1950s and began working in Sydney from 1957. Two years later he commenced a long-term musical partnership with the clarinetist, flautist and saxophonist Don Burrows that continued for nearly forty years.

Recording frequently in duo, quartets and other combinations, they nurtured and featured many young talents, including brassman and multi-instrumentalist James Morrison, guitarist Guy Strazzullo, drummer David Jones and others.

As educators they taught at the New South Wales Conservatorium and Golla was a teacher at the Academy of Guitar in Bondi alongside Don Andrews. He specialized in jazz and classical guitar and has written several books on theory, scales and the modes.

George toured frequently throughout Australia, playing on-call with international artists such as vibraphonist Gary Burton in the early 1970s. He has had a long association with Luis Bonfa and other Brazilian musicians. He has made hundreds of recordings, including The Don Burrows Quartet at the Sydney Opera House, Cherry Pie 1017 & 1032, and Steph’n’Us, with Stephane Grappelli during a tour with Grappelli and Burrows.

Guitarist George Golla, at 85, continues to perform in and around Sydney with flugelhorn player and singer songwriter Elizabeth Geyer, and tours interstate and internationally, records and conducts workshops.

BRONZE LENS

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Three Wishes

The night Oliver Jackson gave up his three wishes he was caught off guard, however, to the Baroness he replied:

  1. That’s a hell of a question! Well, I think the first thing would be… It may sound corny, but, compatibility of all people in the world.”
  2. “Then I have got to go to my own self – to my health.”
  3. “And then I’d have to say spontaneous music! I think that’s be everything. I’d started to put some money in there – I never have enough of that – but a lot of people have money and still don’t have what they really want..”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Oliver Jackson was born in Detroit, Michigan on April 28, 1933. He played in the 1940s with Thad Jones, Tommy Flanagan, Wardell Gray, and had a variety show with Eddie Locke called Bop & Locke. After working with Yusef Lateef from 1954 until 1956, he moved to New York City, where he played regularly at the Metropole in 1957 and 1958.

Following his stint at the club he worked with Teddy Wilson, Charlie Shavers, Buck Clayton, Benny Goodman, Lionel Hampton, Kenny Burrell, Earl Hines and the JPJ Quartet with Budd Johnson through the Sixties.

Later in life he played with Sy Oliver from 1975 to 1980, Oscar Peterson, and then George Wein’s Newport All-Stars. As a bandleader, Jackson led a 1961 date in Switzerland, and recorded at least five albums for Black & Blue Records between 1977 and 1984.

His brother and bassist Ali Jackson performed with him both at the beginning and towards the end of their careers. Drummer Oliver Jackson, who was also known as Bops Junior, transitioned from a heart failure on May 29, 1994 in New York City at the age of 61.

ROBYN B. NASH

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Daily Dose Of Jazz…

Pierre Courbois was born on April 23, 1940 in Nijmegen, Netherlands and after studying percussion at the Hogeschool der Kunsten in Arnhem, he left for Paris, France which was the center of jazz in Europe in the early 1960s. He worked with pianist Kenny Drew, violinist Jean-Luc Ponty, saxophonists Eric Dolphy, Ben Webster, Stan Getz, and Johnny Griffin, and guitarist René Thomas.

Courbois was one of the first musicians in Europe to experiment with free jazz. In 1961 he became the drummer and leader of the original Free Jazz Quartet. In 1965 he started another group, the Free Music Quintet, composed of international musicians. He also played and recorded with Gunter Hampel’s Heartplants Group with Manfred Schoof and Alexander von Schlippenbach.

Founding the first European jazz-rock group, Association P.C. in 1969, they won the Down Beat poll and stayed together until 1975. In 1982 Pierre put together the group New Association, and played with pianists Mal Waldron and Rein de Graaff, horn players Willem Breuker, Hans Dulfer and Theo Loevendie, and Ali Haurand’s European Jazz Quintet with Gerd Dudeck, Leszek Zadlo and Alan Skidmore.

In 1992 Courbois started a quintet and for the first time in his career performed pieces all composed by himself. This ensemble pleasantly surprised both the critics and the public with a return to the Charles Mingus tradition – thematic, melodic ensemble jazz and an experimentation with linear improvisation. Consistently reinventing himself he has gone on to create the Double Quintet, and the Five Four Sextet.

Drummer, bandleader and composer Pierre Courbois, who was awarded the Bird Award, the highest in the Dutch Jazz World and is a Knight of the Order of Orange-Nassau,  continues to perform, record and compose.

ROBYN B. NASH

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Daily Dose Of Jazz…

Freddie Hill was born Frederick Roosevelt Hill on April 18, 1932 in Jacksonville, Florida. He studied cello and piano as well as trumpet. After four years at Florida A & M on a music scholarship and then spent two years in the army that brought him into contact with the Adderley brothers, among others. He moved to Los Angeles, California to pursue graduate studies at Los Angeles State College and gigs with many artists, including Gerald Wilson and Earl Bostic, followed.

Steady studio work gave him security thanks to Wilson, Matthews, Nelson and H. B. Barnum. However, his opportunities to record as a jazz soloist were few. Playing on the Gerald Wilson Pacific Jazz sessions put him in the company of many outstanding soloists. Hill is prominently heard on Leroy Vinnegar’s Leroy Walks Again!!! And Buddy DeFranco’s Blues Bag, which included Curtis Fuller and Art Blakey.

Besides working with Wilson and Vinnegar, Freddie recorded with Oliver Nelson’s Big Band, South Central Avenue Municipal Blues Band, and The Monterey Jazz Festival Orchestra.

Leaving the Los Angeles scene in 1971, he married and moved to the desert. By the end of the decade studio work was drying up and trumpeter Freddie Hill transitioned a forgotten man, date unknown.

ROBYN B. NASH

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