Daily Dose Of Jazz…
Karl Marsh was born on June 14, 1959 in Los Angeles, California. He learned to play the saxophone as a child coming out of the tradition of John Coltrane, Joe Henderson and Pharoah Sanders, with an added twist of Ben Webster.
Marsh’s big & warm toned tenor saxophone is comfortable in a variety of performance settings, from combos, duos and quintets delivering heartfelt ballads and standards and straight-ahead, earthy and spirit-filled original compositions.
Since 2009 Karl has held a regular gig at the Left Coast Wine Bar and Gallery, has played Maggiano’s at The Grove and the LA Farmer’s Market Summer Jazz Concert series in Los Angeles, has performed at Belgocargo in France, the Joe Henderson Tribute Concert and art venues throughout metro Los Angeles. He released his debut album titled “Push’N Ahead!” in 2005.
Tenor saxophonist Karl Marsh currently serves as the saxophone instructor for the Pasadena Community Youth Orchestra and also offers private instruction.
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Jazz In Film
The Film: Bells Are Ringing
The Year: 1960
The Director: Vincente Minnelli
The Stars: Judy Holliday, Dean Martin, Eddie Foy Jr. and Jean Stapleton
The Music: Composed by Jule Styne; appearance by baritone saxophonist Gerry Mulligan
The Story: Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls “Mom.”
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Daily Dose Of Jazz…
Chick Corea was born Armando Anthony Corea on June 12, 1941 in Chelsea, Massachusetts of Sicilian and Spanish descent. His father, a jazz trumpeter led a Dixieland band introduced him to the piano at the age of four. Growing up surrounded by jazz music, he was influenced at an early age by bebop stars Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver and Lester Young. At eight Corea added drums, which later influenced his use of the piano as a percussion instrument.
Corea started taking piano lessons and musical composition at age eight and went on to spend several years in the drum and bugle corps, the Knights of St. Rose. By high school he was gigging, listening to Herb Pomeroy’s band at the time, and had a trio that performed Horace Silver’s music at a local jazz club.
A move to New York had him studying music at Columbia University and The Julliard School but found them both disappointing, subsequently immersing himself in the New York jazz scene. Corea’s first major professional gig was with Cab Calloway, followed by Blue Mitchell, Herbie Mann, Willie Bobo and Mongo Santamaria. He released his debut album Tones For Joan’s Bones in 1966 and has followed with an impressive discography.
He would venture into the avant-garde with Miles Davis on Filles de Kilimanjaro, In A Silent Way and Bitches Brew; and on Joe Farrell’s Song of the Wind. Hew would record and tour with Davis into the 70s until leaving to form the group “Circle” with Dave Holland, pushing more free jazz. Striking out on his own, in 1971 he formed the fusion band Return To Forever that featured Flora Purim on vocals and has spawned a multitude of albums with his most popular tune “Spain” coming from the Light As A Feather album.
He has done duet projects, delved into electric instrumentation, has won 18 Grammys out of 51 nominations, two Latin Grammy awards, has been inducted into the Grammy Hall of Fame for Now He Sings, Now He Sobs, formed the 5 Peace Band and continued to perform, tour and record until his death. Pianist, keyboardist, and composer Chick Corea passed away of a rare form of cancer at his home near Tampa Bay, Florida on February 9, 2021, at age 79
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Daily Dose Of Jazz…
Turk Mauro was born Mauro Turso on June 11, 1944 in New York City into a family of first-generation Italian-Americans and he first experienced jazz when his father who played in local swing bands and began playing alto saxophone at 14. He soon met his mentor, trumpeter Henry Allen, who started getting him gigs around the city until he graduated from high school in 1962.
Mauro worked in a mailroom while playing jazz, got married, had two children, hit the road and his marriage fell apart by the mid-70s. While touring he met Billy Mitchell, a member of Dizzy Gillespie’s band, that led to a few hits with Gillespie but a permanent spot in Buddy Rich’s band. His reputation as a perfectionist made him a popular sideman in the New York area, and in 1977 he release his debut album, The Underdog.
He would go on to play the Blue Note, release his sophomore project The Heavyweight, which unfortunately flopped. This began a dry period for Turk through the ’80s and he abandoned jazz for taxi and limo driving. However, in 1987 after running into Sonny Rollins who suggested Europe, Mauro packed up and moved to France. He found work as a sideman and renewed success in Paris. But success was fleeting and with work drying up in Paris and another failed marriage, his second dry spell ensued by the Nineties.
By 1994 Mauro was back in the States with his new wife taking care of his father in Florida. He managed to play at the few jazz clubs in South Florida at the time but also began to gamble in attempt to regain the good times of Paris. Health problems came by the end of the decade and a burst colon hospitalized the saxophonist. An physical altercation in which he punched local singer Beverly Barkley in the early 2000s sidelined the musician after being arrested for battery. This incident put a halt to his career and with a year probation and 50 hours of community service, since the turn of the century the hard bop saxophonist Turk Mauro has only been able to get the occasional gig around the Florida area.
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Requisites
We Insist! Freedom Now Suite: This classic piece of art stands at the intersection of politics and music. It was recorded at a time when the civil rights movement was starting to heat up and drummer Max Roach composed and performed the seven-part suite dealing with black history, particularly slavery and racism.
Driva’ Man has a powerful statement by veteran tenor Coleman Hawkins and there is valuable solo space elsewhere for trumpeter Booker Little and trombonist Julian Priester, but it is the overall performance of Abbey Lincoln that is most notable. Formerly a nightclub singer, Lincoln really came into her own under Roach’s tutelage and she is a strong force throughout this intense set. On Triptych: Prayer / Protest / Peace, Lincoln is heard in duets with the drummer and her wrenching screams of rage are quite memorable.
Personnel: Max Roach – drums, Coleman Hawkins – tenor saxophone, Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophone, James Schenk – bass, Olantunji / Ray Mantilla – percussion, Abbey Lincoln / Oscar Brown Jr. – vocal
Record Date: Nola Penthouse Sound Studio, New York / August 31, 1960 & September 6, 1960 / Candid Records
Producer: Nat Hentoff
Songs: Driva’man, Freedom Day, Triptych: Prayer/Protest/Peace, All Africa, Tears For Johannesburg
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