Daily Dose Of Jazz…
Claudio Roditi was born on May 28, 1946 in Rio de Janiero, Brazil. He began his musical studies of trumpet when he was just five years old and his native Brazilian music nearly took a back seat as he became enamored with jazz recordings of Louis Armstrong, Harry James and other American trumpeters.
By 13, he became familiar with Charlie Parker, Dizzy Gillespie and Miles Davis. At the age of twenty, he was named a finalist in the International Jazz Competition in Vienna, and the following year, moved to Mexico City where he was active on the contemporary music scene. Relocating to Boston in 1970 he enrolled at the Berklee School of Music.
In 1976 Roditi moved to New York eventually establishing himself in the highly competitive atmosphere of the world’s jazz capital. He would go on to perform with Joe Henderson, Charlie Rouse, Herbie Mann, Tito Puente, McCoy Tyner, and Paquito D’Rivera. He has been a member of Dizzy Gillespie’s United Nation Orchestra, The Jazz Masters led by Slide Hampton and his solo work Symphonic Bossa Nova with Ettore Stratta and the Royal Philharmonic earned Roditi a Grammy nomination in 1995 as well as Brazilliance X4 in 2010.
Claudio easily integrates post-bop elements and Brazilian rhythmic concepts, is in demand as a studio musician and a sideman, has composed, arranged and recorded seventeen critically acclaimed albums. The trumpeter currently tours leading his own band, is frequently travels as a member of Dizzy Gillespie’s United Nations Orchestra and is on the faculty of the School of Contemporary Music.
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Daily Dose Of Jazz…
Niels-Henning Ørsted Pedersen was born May 27, 1946 in Osted, near Roskilde on the Danish island of Zealand. As a child he played piano and started learning the double bass during his teenage years. By age 14 while still studying he began his professional jazz career in Denmark with his first band, Jazzkvintet 60. At 17, he had already turned down an offer to join the Count Basie Orchestra, being too young to legally live and work in the U.S.
The 1960s saw Pedersen playing with several visiting or residing musicians in Denmark such as Bud Powell, Roy Eldridge, Dizzy Gillespie, Dexter Gordon, Roland Kirk, Sonny Rollins, Jackie McLean, Bill Evans, and Ben Webster to name a few. He became the bassist of choice whenever a big-name musician was touring Copenhagen.
Pedersen worked in duo and trio arrangements with pianist Kenny Drew, recording over 50 albums together, worked with Oscar Peterson, Stephane Grappelli and Joe Pass and recorded extensively as a leader. His best-known songs are “My Little Anna”, “Jaywalkin” and “The Puzzle”. He was awarded the Nordic Council Music Prize, the “Best Bass Player Of The Year” by the Downbeat Critics’ Poll, co-led a duo with Mulgrew Miller that toured Europe, Japan, Australia, and Korea and later enlarged into a trio with drummer, Alvin Queen. Bassist Niels Henning Orsted Pedersen, known as The Great Dane With The Never Ending Name, died of heart failure on April 19, 2005 at the age of 58 in Copenhagen, Denmark.
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Daily Dose Of Jazz…
Ken Peplowski was born May 23, 1959 in Cleveland, Ohio. He began playing clarinet and saxophone in Polish polka bands as a child and played his first professional gig while still in elementary school. With his trumpeter brother they played local radio and television shows, dances and weddings all through high school. By his teens Ken was experimenting with jazz, playing in the school bands, jamming with the local jazz musicians and teaching at the local music store.
After a year of college, he joined the Tommy Dorsey Orchestra under the direction of Buddy Morrow. It was during this time that he met Sonny Stitt who became a great inspiration. In 1980 Peplowski moved to New York City and played from Dixieland to avant-garde jazz. He would work for Benny Goodman, recorded some 20 albums for Concord Records, toured around the world, recorded film soundtracks and most recently signed with Nagel-Heyer Records.
His collaborations include Mel Tormé, Leon Redbone, Charlie Byrd, Peggy Lee, Madonna, George Shearing, Hank Jones, Rosemary Clooney, Tom Harrell, James Moody, Cedar Walton, Houston Person, Steve Allen and Woody Allen among others. Jazz clarinetist and saxophonist Ken Peplowski continues to perform, tour, record, conduct student workshops, has been named the jazz advisor for the Oregon Festival of American Music and music director at the Jazz Party at the Shedd.
Requisites
Jazz At The Blackhawk: The quartet that Cal Tjader kept together during 1956-57 was devoted to straight-ahead jazz. His Latin fans found ample consolation in the enjoyment of one of the most swinging groups the vibra-harpist ever led. This set was captured at The Blackhawk in San Francisco with an audience that actually got the sound and inspired the players.
Personnel: Cal Tjader – vibes, Vince Guaraldi – piano, Gene Wright – bass, Al Torre – drums
Record Date: Live at the Blackhawk, San Francisco / January 20, 1957
Songs: Bill B., Land’s End, I’ll Remember April, Blues In The Night, Thinking Of You, MJQ, I’ve Never Been In Love Before, Two For Blues Suite, When The Sun Comes Out, Lover, Come Back To Me
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Daily Dose Of Jazz…
Virginia Mayhew was born on May 14, 1959 in San Francisco, California and took up the saxophone as a child. Early in her career she worked with trombonist Al Grey and contributing arrangements for several recordings. In 1987 she became active on the New York jazz scene, playing with the likes of Earl “Fatha” Hines, Junior Mance, Toshiko Akiyoshi, Doc Cheatham, Joe Williams, Kenny Barron, Ingrid Jensen, Chico O’Farrill and the list continues.
She has performed all over the world in concert and festivals, and has twice been a U.S. Jazz Ambassador. Mayhew would go on to work with Brazilian trumpeter Claudio Roditi, become a member of the Howard Williams Big Band, Carl Thompson and Friends, and the Lou Caputo “Not So Big Band” in conjunction with freelancing around New York.
Virginia is currently the Musical Director and saxophonist of the 9-piece Duke Ellington Legacy group, leads her own quartet and septet, recorded and released a Mary Lou Williams project featuring Wycliffe Gordon, and is working on a project that replaces drums with tap dancing.
As an educator she teaches privately, is on the faculty of the summer jazz camps at Stanford Jazz Workshop, Monterey Jazz Festival, Litchfield Jazz Camp along with conducting clinics at U-Mass, University of Louisville, Bloomington University, Williams College among others. She has worked with Don Braden’s “Jazz For Teens” and Melissa Walker’s “Jazz House Kids”. Tenor saxophonist Virginia Mayhew continues to perform, compose, arrange, adjudicate and teach and establish the “Jazz Workshop” at the Greenwich House Music School in New York City.
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