Daily Dose Of Jazz…
Kevin Tyrone Eubanks was born November 15, 1957 in Philadelphia, Pennsylvania into a musical family, his mother a gospel and classical pianist and organist, his uncle, Ray Bryant, was a jazz pianist, brother Robin, a trombonist and brother Duane, a trumpeter. He studied violin and trumpet, before settling on the guitar.
As an elementary school student, Eubanks was trained in violin, trumpet, and piano at the Settlement Music School and later attended Berklee College of Music. Following graduation he moved to New York to begin his professional career. He began performing with such jazz musicians as Art Blakey, Roy Haynes, Slide Hampton, Sam Rivers, Bill Dryden and Dave Holland.
In 1983 Kevin formed his own quartet and went on a State Department tour of Jordan, Pakistan and India. He first recorded as a leader with his debut album, Guitarist, at age 25. This led to contracts for 11 albums with GRP and Blue Note labels. He has also appeared on over 100 albums and in 2001, he founded the label Insoul Music releasing six albums to date.
As an educator, Eubanks has taught at the Banff School of Fine Arts, Rutgers University and the Charlie Parker School in Perugia, Italy. In 1992 he moved to Los Angeles, California and took the guitar seat on the Tonight Show, composed the show’s closing theme “Kevin’s Country” and three years later replaced Branford Marsalis as leader of the Tonight Show band. He continues to compose, perform and record.
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Daily Dose Of Jazz…
Lynn Baker was born on November 9, 1955 and spent the early years of his life in Salem, Oregon. At seven he started piano lessons and by fifth grade was in band class playing clarinet. While in sixth grade he received his first tenor saxophone and enrolled in summer band program at Morningside Elementary. By seventh grade he was first chair in the junior and high school bands.
During his training he learned many Dixieland tunes that started him on the road to jazz. He would go on to play with McNary High School band and swing choir, and after graduation enrolled at Oregon College of Education (OCE) with the intent of playing and teaching music. He would later transfer to the University of Oregon, return to OCE and eventually enter Mt. Hood Community College’s music program.
After graduation he joined a top 40 band, bought an old Rickenbacker bass and learned some rudimentary bass lines. Post band and teaching privately Baker moved to Los Angeles, California but ended up in Washington teaching in Upward Bound. A Move to Eugene, Oregon put him in the Experimental Jazz Ensemble. He then joined a rock/Latin band and then found his niche as a college educator.
Throughout most of Lynn’s professional career he would teach saxophone, start and direct college bands, form big bands, become director of Jazz Studies, build music programs, playing with several jazz orchestras, an improvising trio culminating in his forming the Lynn Baker Quartet and Quintet. He has performed on several jazz, big band and classical recordings, but finally released his debut album as a leader titled “Azure Intention in 2010. He continues to compose, perform, tour and educate.
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Daily Dose Of Jazz…
Carmen Lundy was born November 1, 1954 in Miami, Florida and at the age of six began to study the piano. After joining her church junior choir, she decided to become a singer when she was 12 years old. While an opera major at the University of Miami she sang with a jazz band and her decision to sing vocal jazz was cemented.
Moving to New York in 1978 Carmen was hired by the Mel Lewis/Thad Jones Big Band and performed her first engagement at the Village Vanguard in Greenwich Village. Two years later she formed her own trio, performing with pianists John Hicks and Onaje Allan Gumbs. She has also performed with Walter Bishop Jr., Don Pullen, Mulgrew Miller, Terri Lyne Carrington, Courtney Pine, Bill O’Connell, Steve Berrios, Marian McPartland, Kenny Kirkland and numerous others.
Lundy recorded her first album of original compositions Good Morning Kiss in 1985 followed by her sophomore project Night and Day the next year featuring musicians Kenny Kirkland, Alex Blake, her brother Curtis Lundy, Victor Lewis, Rodney Jones and Ricky Ford.
Carmen played the lead role in the European tour of Duke Ellington’s Broadway musical, Sophisticated Ladies. Off-Broadway she portrayed Billie Holiday in Lawrence Holder’s They Were All Gardenias. She made her television debut in 1990 as the star of the CBS pilot-special Shangri-La Plaza in the role of Geneva.
A composer, arranger, producer, actress, painter, and sophisticated vocalist well known for her progressive bop and post-bop styling’s, Lundy has composed and published forty songs with favorites such as Quiet Times, Forgive Me, The Out Crowd, and Never Gonna Let You Go that have been recorded by Kenny Barron, Ernie Watts and Straight Ahead. With thirteen albums to her credit Carmen Lundy continues to focus on original material as she moves her three-decade career forward.
Jazz In Film
The Film: Carmen Jones
The Year: 1954
The Director: Otto Preminger
The Stars: Dorothy Dandridge, Harry Belafonte, Pearl Bailey and Brock Peters.
The Music: Soundtrack work done by Cozy Cole along with great performances by Pearl Bailey, Max Roach, Richie Powell and Curtis Counce.
The Story: This adaptation of the 1944 Broadway success provided a modern Black version of the Merimee story that retained the original Bizet music. At an all-black army camp, civilian parachute maker and “hot bundle” Carmen Jones is desired by many of the men. Naturally, she wants Joe, who’s engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them.
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Jazz In Film
The Film: Bells Are Ringing
The Year: 1960
The Director: Vincente Minnelli
The Stars: Judy Holliday, Dean Martin, Eddie Foy Jr. and Jean Stapleton
The Music: Composed by Jule Styne; appearance by baritone saxophonist Gerry Mulligan
The Story: Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls “Mom.”
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